E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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'Little daubs of my own,' she said, most anxious that this should be known. 'I should sink into the ground with shame, clear Mr Pillson, if you looked at them, for I know what a great artist you are yourself. And Withers has brought us our tea . . . You like the one of my little giardino segreto? (I must remember that beautiful phrase.) How kind of you to say so! Perhaps it isn't quite so bad as the others, for the subject inspired me, and it's so important, isn't it, to love your subject? Major Benjy likes it too. Cream, Mrs Lucas? I see Withers has picked some strawberries for us from my little plot. Such a year for strawberries! And Major Benjy was chatting with friends I'll be bound, when you passed him.'

'Yes, a clergyman,' said Lucia, 'who kindly directed us to your house. In fact he seemed to know we were going there before I said so, didn't he, Georgie? A broad Scotch accent.'

'Dear Padre!' said Miss Mapp. 'It's one of his little ways to talk Scotch, though he came from Birmingham. A very good bridge-player when he can spare time as he usually can. Reverend Kenneth Bartlett. Was there a teeny little thin woman with him like a mouse? It would be his wife.'

'No, not thin, at all,' said Lucia thoroughly interested. 'Quite the other way round: in fact round. A purple coat and a skirt covered with pink roses that looked as if they were made of chintz.'

Miss Mapp nearly choked over her first sip of tea, but just saved herself.

'I declare I'm quite frightened of you, Mrs Lucas,' she said. 'What an eye you've got. Dear Diva Plaistow, whom we're all devoted to. Christened Godiva! Such a handicap! And they were chintz roses, which she cut out of an old pair of curtains and tacked them on. She's full of absurd delicious fancies like that. Keeps us all in fits of laughter. Anyone else?'

'Yes, a girl with no hat and an Eton crop. She was dressed in a fisherman's jersey and knickerbockers.'

Miss Mapp looked pensive.

'Quaint Irene,' she said. 'Irene Coles. Just a touch of unconventionality, which sometimes is very refreshing, but can be rather embarrassing. Devoted to her art. She paints strange pictures, men and women with no clothes on. One has to be careful to knock when one goes to see quaint Irene in her studio. But a great original.'

'And then when we turned up out of the High Street,' said Georgie eagerly, 'we met another Rolls-Royce. I was afraid we shouldn't be able to pass it.'

'So was I,' said Miss Mapp unintentionally betraying the fact that she had been watching from the garden-room. 'That car is always up and down this street here.'

'A large woman in it,' said Lucia. 'Wrapped in sables on this broiling day. A little man beside her.'

'Mr and Mrs Wyse,' said Miss Mapp. 'Lately married. She was Mrs Poppit, M.B.E.. Very worthy, and such a crashing snob.'

As soon as tea was over and the inhabitants of Tilling thus plucked and roasted, the tour of the house was made. There were charming little panelled parlours with big windows letting in a flood of air and sunshine and vases of fresh flowers on the tables. There was a broad staircase with shallow treads, and every moment Lucia became more and more enamoured of the plain well-shaped rooms. It all looked so white and comfortable, and, for one wanting a change, so different from The Hurst with its small latticed windows, its steep irregular stairs, its single steps, up or down, at the threshold of every room. People of the age of Anne seemed to have a much better idea of domestic convenience, and Lucia's Italian exclamations grew gratifyingly frequent. Into Miss Mapp's own bedroom she went alone with the owner, leaving Georgie on the landing outside, for delicacy would not permit his looking on the scene where Miss Mapp nightly disrobed herself, and the bed where she nightly disposed herself. Besides, it would be easier for Lucia to ask that important point-blank question of terms, and for herself to answer it if they were alone.

'I'm charmed with the house,' said Lucia. 'And what exactly, how much I mean, for a period of two months — '

'Fifteen guineas a week,' said Miss Mapp without pause. 'That would include the use of my piano. A sweet instrument by Blumenfelt.'

'I will take it for August and September,' said Lucia.

'And I'm sure I hope you'll be as pleased with it,' said Miss Mapp, 'as I'm sure I shall be with my tenant.'

A bright idea struck her, and she smiled more widely than ever.

'That would not include, of course, the wages of my gardener, such a nice steady man,' she said, 'or garden-produce. Flowers for the house by all means, but not fruit or vegetables.'

At that moment Lucia, blinded by passion for Mallards, Tilling and the Tillingites, would have willingly agreed to pay the water-rate as well. If Miss Mapp had guessed that, she would certainly have named this unusual condition.

Miss Mapp, as requested by Lucia, had engaged rooms for her and Georgie at a pleasant hostelry near by, called the Trader's Arms, and she accompanied them there with Lucia's car following, like an empty carriage at a funeral, to see that all was ready for them. There must have been some misunderstanding of the message, for Georgie found that a double bedroom had been provided for them. Luckily Lucia had lingered outside with Miss Mapp, looking at the view over the marsh, and Georgie with embarrassed blushes explained at the bureau that this would not do at all, and the palms of his hands got cold and wet until the mistake was erased and remedied. Then Miss Mapp left them and they went out to wander about the town. But Mallards was the magnet for Lucia's enamoured eye, and presently they stole back towards it. Many houses apparently were to be let furnished in Tilling just now, and Georgie too grew infected with the desire to have one. Riseholme would be very dismal without Lucia, for the moment the fête was over he felt sure that an appalling reaction after the excitement would settle on it; he might even miss being knighted. He had sketched everything sketchable, there would be nobody to play duets with, and the whole place would stagnate again until Lucia's return, just as it had stagnated during her impenetrable widowhood. Whereas here there were innumerable subjects for his brush, and Lucia would be installed in Mallards with a Blumenfelt in the garden-room, and, as was already obvious, a maelstrom of activities whirling in her brain. Major Benjy interested her, so did quaint Irene and the Padre, all the group, in fact, which had seen them drive up with such pre-knowledge, so it seemed, of their destination.

The wall of Miss Mapp's garden, now known to them from inside, ran up to where they now stood, regarding the front of Mallards, and Georgie suddenly observed that just beside them was the sweetest little gabled cottage with the board announcing that it was to be let furnished.

'Look, Lucia,' he said. 'How perfectly fascinating! If it wasn't for that blasted fête, I believe I should be tempted to take it, if I could get it for the couple of months when you are here.'

Lucia had been waiting just for that. She was intending to hint something of the sort before long unless he did, and had made up her mind to stand treat for a bottle of champagne at dinner, so that when they strolled about again afterwards, as she was quite determined to do, Georgie, adventurous with wine, might find the light of the late sunset glowing on Georgian fronts in the town and on the levels of the surrounding country, quite irresistible. But how wise to have waited, so that Georgie should make the suggestion himself.

'My dear, what a delicious idea!' she said. 'Are you really thinking of it? Heavenly for me to have a friend here instead of being planted among strangers. And certainly it is a darling little house. It doesn't seem to be occupied, no smoke from any of the chimneys. I think we might really peep in through the windows and get some idea of what it's like.'

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