E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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Long before Lucia had time to admire them all, there came a jingling from a door over which hung a curtain of reeds and beads, and Mrs Wyse entered.

'So sorry to keep you waiting, Mrs Lucas,' she said, 'but they thought I was in the garden, and I was in my boudoir all the time. And you must excuse my deshabille, just my shopping-frock. And Mr Pillson, isn't it? So pleased. Pray be seated.'

She heaved the sable coat off the end of the sofa on to the window-seat.

'We've just been to see the house-agent,' said Georgie in a great hurry, as he turned his muddied leg away from the light, 'and he told us that you might help me.'

'Most happy I am sure, if I can. Pray tell me,' said Mrs Wyse, in apparent unconsciousness of what she could possibly help him about.

'Mallards Cottage,' said Georgie. 'There seems to be no chance of getting hold of Miss Poppit and we've got to leave before she comes back from her sun-bath. I so much want to take it for August and September.'

Mrs Wyse made a little cooing sound.

'Dear Isabel!' she said. 'My daughter. Out in the sand-dunes all morning! What if a tramp came along? I say to her. But no use: she calls it the Browning Society, and she must not miss a meeting. So quick and clever! Browning, not the poet but the action of the sun.'

'Most amusing!' said Georgie. 'With regard to Mallards Cottage — '

'The little house is mine, as no doubt Mr Woolgar told you,' said Mrs Wyse, forgetting she had been in complete ignorance of these manoeuvres, 'but you must certainly come and see over it, before anything is settled . . . Ah, here is Mr Wyse. Algernon: Mrs Lucas and Mr Pillson. Mr Pillson wants to take Mallards Cottage.'

Lucia thought she had never seen anyone so perfectly correct and polite as Mr Wyse. He gave little bows and smiles to each as he spoke to them, and that in no condescending manner, nor yet cringingly, but as one consorting with his high-bred equals.

'From your beautiful Riseholme, I understand,' he said to Lucia (bowing to Riseholme as well). 'And we are all encouraging ourselves to hope that for two months at the least the charm of our picturesque — do you not find it so? — little Tilling will give Susan and myself the inestimable pleasure of being your neighbours. We shall look forward to August with keen anticipation. Remind me, dear Susan, to tell Amelia what is in store for us.' He bowed to August, Susan and Amelia and continued — 'And now I hear that Mr Pillson' (he bowed to Georgie and observed the drying spot of mud) 'is "after" as they say, after Mallards Cottage. This will indeed be a summer for Tilling.'

Georgie, during this pretty speech which Mr Wyse delivered in the most finished manner, was taking notes of his costume and appearance. His clean-shaven face, with abundant grey hair brushed back from his forehead, was that of an actor who has seen his best days, but who has given command performances at Windsor. He wore a brown velveteen coat, a Byronic collar and a tie strictured with a cameo-ring: he wore brown knickerbockers and stockings to match, he wore neat golfing shoes. He looked as if he might be going to play golf, but somehow it didn't seem likely . . .

Georgie and Lucia made polite deprecating murmurs.

'I was telling Mr Pillson he must certainly see over it first,' said Mrs Wyse. 'There are the keys of the cottage in my boudoir, if you'll kindly fetch them, Algernon. And the Royce is at the door, I see, so if Mrs Lucas will allow us, we will all drive up there together, and show her and Mr Pillson what there is.'

While Algernon was gone, Mrs Wyse picked up the photograph signed Amelia Faraglione.

'You recognize, no doubt, the family likeness,' she said to Lucia. 'My husband's sister Amelia who married the Conte di Faraglione, of the old Neapolitan nobility. That is he.'

'Charming,' said Lucia. 'And so like Mr Wyse. And that Order? What is that?'

Mrs Wyse hastily shut the morocco box.

'So like servants to leave that about,' she said. 'But they seem proud of it. Graciously bestowed upon me. Member of the British Empire. Ah, here is Algernon with the keys. I was showing Mrs Lucas, dear, the photograph of Amelia. She recognized the likeness at once. Now let us all pack in. A warm morning, is it not? I don't think I shall need my furs.'

The total distance to be traversed was not more than a hundred yards, but Porpoise Street was very steep, and the cobbles which must be crossed very unpleasant to walk on, so Mrs Wyse explained. They had to wait some little while at the corner, twenty yards away from where they started, for a van was coming down the street from the direction of Mallards, and the Royce could not possibly pass it, and then they came under fire of the windows of Miss Mapp's garden-room. As usual at this hour she was sitting there with the morning paper in her hand in which she could immerse herself if anybody passed whom she did not wish to see, but was otherwise intent on the movements of the street.

Diva Plaistow had looked in with the news that she had seen Lucia and Georgie at the house-agents', and that her canary still lived. Miss Mapp professed her delight to hear about the canary, but was secretly distrustful of whether Diva had seen the visitors or not. Diva was so imaginative; to have seen a man and a woman who were strangers was quite enough to make her believe she had seen Them. Then the Royce heaved into sight round the corner below, and Miss Mapp became much excited.

'I think, Diva,' she said, 'that this is Mrs Lucas's beautiful car coming. Probably she is going to call on me about something she wants to know. If you sit at the piano you will see her as she gets out. Then we shall know whether you really — '

The car came slowly up, barked loudly and instead of stopping at the front door of Mallards, turned up the street in the direction of Mallards Cottage. Simultaneously Miss Mapp caught sight of that odious chauffeur of Mrs Wyse's. She could not see more than people's knees in the car itself (that was the one disadvantage of the garden-room window being so high above the street), but there were several pairs of them.

'No, it's only Susan's great lumbering bus,' she said, 'filling up the street as usual. Probably she has found out that Mrs Lucas is staying at the Trader's Arms, and has gone to leave cards. Such a woman to shove herself in where she's not wanted I never saw. Luckily I told Mrs Lucas what a dreadful snob she was.'

'A disappointment to you, dear, when you thought Mrs Lucas was coming to call,' said Diva. 'But I did see them this morning at Woolgar's and it's no use saying I didn't!'

Miss Mapp uttered a shrill cry.

'Diva, they've stopped at Mallards Cottage. They're getting out. Susan first — so like her — and . . . it's Them. She's got hold of them somehow . . . There's Mr Wyse with the keys, bowing . . . They're going in . . . I was right, then, when I saw them peering in through the windows yesterday. Mr Pillson's come to see the house, and the Wyses have got hold of them. You may wager they know by now about the Count and Countess Faradiddleone, and the Order of the British Empire. I really didn't think Mrs Lucas would be so easily taken in. However, it's no business of mine.'

There could not have been a better reason for Miss Mapp being violently interested in all that happened. Then an idea struck her and the agitated creases in her face faded out.

'Let us pop in to Mallards Cottage, Diva, while they are still there,' she said. 'I should hate to think that Mrs Lucas should get her ideas of the society she will meet in Tilling from poor common Susan. Probably they would like a little lunch before their long drive back to Riseholme.'

The inspection of the cottage had taken very little time. The main point in Georgie's mind was that Foljambe should be pleased, and there was an excellent bedroom for Foljambe, where she could sit when unoccupied. The rooms that concerned him had been viewed through the windows from the street the evening before. Consequently Miss Mapp had hardly had time to put on her garden-hat, and trip up the street with Diva, when the inspecting party came out.

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