E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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"Two," said Mrs Boucher, continuing the auction, "and that's a fancy price. What would Pug have been, I wonder, if we're asked fifty pounds for two old mittens. A pound each, I say, and that's a monstrous price. And if you want to know who suggested to Lady Ambermere to ask fifty, I can tell you, and her name was Cornelia Ambermere."

This proposal of Lady Ambermere's rather damped the secret exaltation of the committee, though it stirred a pleasant feeling of rage. Fifty pounds was a paltry sum compared to what they would receive from the insurance company, but the sense of the attempt to impose on them caused laudable resentment. They broke up, to consider separately what was to be done, and to poke about the ashes of the Museum, all feeling very rich. The rest of Riseholme were there, of course, also poking about, Piggie and Goosie skipping over smouldering heaps of ash, and Mrs Antrobus, and the vicar and the curate, and Mr Stratton. Only Lucia was absent, and Georgie, after satisfying himself that nothing whatever remained of his sketches, popped in to The Hurst.

Lucia was in the music-room reading the paper. She had heard, of course, about the total destruction of the Museum, that ridiculous invention of Daisy and Abfou, but not a shadow of exultation betrayed itself.

"My dear, too sad about the Museum," she said. "All your beautiful things. Poor Daisy, too, her idea."

Georgie explained about the silver lining to the cloud.

"But what's so marvellous," he said, "is Vittoria. Fire, water, moonlight. I never heard of anything so extraordinary, and I thought it only meant the damp on the walls, and the new oil-stoves. It was prophetical, Lucia, and Mrs Boucher thinks so too."

Lucia still showed no elation. Oddly enough, she had thought it meant damp and oil-stoves, too, for she did remember what Georgie had forgotten that he had told her just before the epiphany of Vittoria. But now this stupendous fulfilment of Vittoria's communication of which she had never dreamed, had happened. As for Abfou, it was a mere waste of time to give another thought to poor dear malicious Abfou. She sighed.

"Yes, Georgie, it was strange," she said. "That was our first sitting, wasn't it? When I got so drowsy and felt so queer. Very strange indeed: convincing, I think. But whether I shall go on sitting now, I hardly know."

"Oh, but you must," said Georgie. "After all the rubbish —"

Lucia held up a finger.

"Now, Georgie, don't be unkind," she said. "Let us say, 'Poor Daisy,' and leave it there. That's all. Any other news?"

Georgie retailed the monstrous demand of Lady Ambermere.

"And, as Robert says, it's so hard to know what to offer her," he concluded.

Lucia gave the gayest of laughs.

"Georgie, what would poor Riseholme do without me?" she said. "I seem to be made to pull you all out of difficulties. That mismanaged golf club, Pug, and now there's this. Well, shall I be kind and help you once more?"

She turned over the leaves of her paper.

"Ah, that's it," she said. "Listen, Georgie. Sale at Pemberton's auction-rooms in Knightsbridge yesterday. Various items. Autograph of Crippen the murderer. Dear me, what horrid minds people have! Mother-of-pearl brooch belonging to the wife of the poet Mr Robert Montgomery; a pair of razors belonging to Carlyle, all odds and ends of trumpery, you see . . . Ah yes, here it is. Pair of riding gaiters, in good condition, belonging to His Majesty King George IV. That seems a sort of guide, doesn't it, to the value of Queen Charlotte's mittens. And what do you think they fetched? A terrific sum, Georgie; fifty pounds is nowhere near it. They fetched ten shillings and sixpence."

"No!" said Georgie. "And Lady Ambermere asked fifty pounds!"

Lucia laughed again.

"Well, Georgie, I suppose I must be good-natured," she said. "I'll draft a little letter for your committee to Lady Ambermere. How you all bully me and work me to death! Why, only yesterday I said to Peppino that those months we spent in London seemed a holiday compared to what I have to do here. Dear old Riseholme! I'm sure I'm very glad to help it out of its little holes."

Georgie gave a gasp of admiration. It was but a month or two ago that all Riseholme rejoiced when Abfou called her a snob, and now here they all were again (with the exception of Daisy) going to her for help and guidance in all those employments and excitements in which Riseholme revelled. Golf competitions and bridge tournament, and duets, and real séances, and deliverance from Lady Ambermere, and above all, the excitement supplied by her personality.

"You're too wonderful," he said, "indeed, I don't know what we should do without you."

Lucia got up.

"Well, I'll scribble a little letter for you," she said, "bringing in the price of George IV's gaiters in good condition. What shall we — I mean what shall you offer? I think you must be generous, Georgie, and not calculate the exact difference between the value of a pair of gaiters in good condition belonging to a king, and that of a pair of moth-eaten mittens belonging to a queen consort. Offer her the same; in fact, I think I should enclose a treasury note for ten shillings and six stamps. That will be more than generous, it will be munificent."

Lucia sat down at her writing table, and after a few minutes' thought, scribbled a couple of sides of notepaper in that neat handwriting that bore no resemblance to Vittoria's. She read them through, and approved.

"I think that will settle it," she said. "If there is any further bother with the Vecchia, let me know. There's one more thing, Georgie, and then let us have a little music. How do you think the fire broke out?"

Georgie felt her penetrating eye was on him. She had not asked that question quite idly. He tried to answer it quite idly.

"It's most mysterious," he said. "The oil-stoves are always put out quite early in the evening, and lit again next morning. The boy says he put them out as usual."

Lucia's eye was still on him.

"Georgie, how do you think the fire broke out?" she repeated.

This time Georgie felt thoroughly uncomfortable. Had Lucia the power of divination? . . .

"I don't know," he said. "Have you any idea about it?"

"Yes," said Lucia. "And so have you. I'll tell you my idea if you like. I saw our poor misguided Daisy coming out of the Museum close on seven o'clock last night."

"So did I," said Georgie in a whisper.

"Well, the oil-stoves must have been put out long before that," said Lucia. "Mustn't they?"

"Yes," said Georgie.

"Then how was it that there was a light coming out of the Museum windows? Not much of a light, but a little light, I saw it. What do you make of that?"

"I don't know," said Georgie.

Lucia held up a censuring finger.

"Georgie, you must be very dull this morning," she said. "What I make of it is that our poor Daisy lit the oil-stoves again. And then probably in her fumbling way, she spilt some oil. Something of the sort, anyhow. In fact, I'm afraid Daisy burned down the Museum."

There was a terrible pause.

"What are we to do?" said Georgie.

Lucia laughed.

"Do?" she said. "Nothing, except never know anything about it. We know quite well that poor Daisy didn't do it on purpose. She hasn't got the pluck or the invention to be an incendiary. It was only her muddling, meddling ways."

"But the insurance money?" said Georgie.

"What about it? The fire was an accident, whether Daisy confessed what she had done or not. Poor Daisy! We must be nice to Daisy, Georgie. Her golf, her Abfou! Such disappointments. I think I will ask her to be my partner in the foursome for the Lucas Cup. And perhaps if there was another place on the golf-committee, we might propose her for it."

Lucia sighed, smiling wistfully.

"A pity she is not a little wiser," she said.

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