E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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'No, dear,' said Daisy. 'It will really be roasted first at the Ambermere Arms, and then just hung over the fire on the Golden Hind.'

'Oh, yes: just to get a little kippered in the smoke,' said Lucia.

'Not to matter. Of course I shan't really eat any, because I never touch meat of any sort now: I shall only pretend to. But there'll be the scene of cooking going on for the Queen's dinner on the deck of the Golden Hind, just to fill up, while the Queen's procession is forming. Oh, I wonder if you would let us start the procession from your house rather than mine. The route would be so much more in the open: everyone will see it better. I would come across to dress, if you would let me, half an hour before.'

Lucia of course knew perfectly well that Daisy was to be the Queen, but she wanted to make her say so.

'Certainly start from here,' said Lucia. 'I am only too happy to help. And dress here yourself. Let me see: what are you going to be?'

'They've all insisted that I should be Queen Elizabeth,' said Daisy hurriedly. 'Where had we got to? Oh yes: as the procession is forming, the cooking will be going on. Songs of course, a chorus of cooks. Then the procession will cross the green to the Golden Hind, then dinner, and then I knight Drake. Such a lovely sword. Then Elizabethan games, running, jumping, wrestling and so on. We thought of baiting a bear, one out of some menagerie that could be trusted not to get angry, but we've given that up. If it didn't get angry, it wouldn't be baited, and if it did get angry it would be awful.'

'Very prudent,' said Lucia.

'Then I steal away into the Ambermere Arms which is quite close, and change into a riding-dress. There'll be a white palfrey at the door, the one that draws the milk-cart. Oh, I forgot. While I'm dressing, before the palfrey comes round, a rider gallops in from Plymouth on a horse covered with soapsuds to say that the Spanish Armada has been sighted. I think we must have a megaphone for that, or no one will hear. So I come out, and mount my palfrey, and make my speech to my troops at Tilbury. A large board, you know, with Tilbury written up on it like a station. That's quite in the Shakespearian style. I shall have to learn it all by heart, and just have Raleigh standing by the palfrey with a copy of my speech to prompt me if I forget.'

The old familiar glamour glowed brighter and brighter to Lucia as Daisy spoke. She wondered if she had made a mistake in not accepting the ludicrous part of Drake's wife, just in order to get a footing in these affairs again and attend committees, and, gradually ousting Daisy from her supremacy, take the part of the Queen herself. She felt that she must think it all over, and settle whether, in so advanced a stage of the proceedings, it could be done. At present, till she had made up her mind, it was wiser, in order to rouse no suspicions, to pretend that these things were all very remote. She would take a faint though kindly interest in them, as if some elderly person was watching children at play, and smiling pensively at their pretty gambols. But as for watching the fête when the date arrived, that was unthinkable. She would either be Queen Elizabeth herself, or not be at Riseholme at all. That was that.

'Well, you have got your work cut out for you, dear Daisy,' she said, giving a surreptitious tug at the knotted tape of Peppino's poems. 'What fun you will have, and, dear me, how far away it all seems!'

Daisy wrenched her mind away from the thought of the fête.

'It won't always, dear,' she said, making a sympathetic little dab at Lucia's wrist. 'Your joy in life will revive again. I see you've got Peppino's poems there. Won't you read me one?'

Lucia responded to this gesture with another dab.

'Do you remember the last one he wrote?' she said. 'He called it "Loneliness". I was away in London at the time. Beginning:

The spavined storm-clouds limp down the ruinous sky,

While I sit alone.

Thick through the acid air the dumb leaves fly . . .

But I won't read it you now. Another time.'

Daisy gave one more sympathetic poke at her wrist, and rose to go.

'Must be off,' she said. 'Won't you come round and dine quietly tonight?'

'I can't, many thanks. Georgie is dining with me. Any news in Riseholme this morning?'

Daisy reflected for a moment.

'Oh, yes,' she said. 'Mrs Antrobus's got a wonderful new apparatus. Not an ear-trumpet at all. She just bites on a small leather pad, and hears everything perfectly. Then she takes it out of her mouth and answers you, and puts it back again to listen.'

'No!' said Lucia excitedly. 'All wet?'

'Quite dry. Just between her teeth. No wetter anyhow than a pen you put in your mouth, I assure you.'

Daisy hurried away to do some more exercises and drink pints and pints of hot water before lunch. She felt that she had emerged safely from a situation which might easily have become menacing, for without question Lucia, in spite of her sighs and her wistful stroking of the covers of Peppino's poems, and her great crêpe bow, was beginning to show signs of her old animation. She had given Daisy a glance or two from that beady eye which had the qualities of a gimlet about it, she had shown eager interest in such topics as the roasting of the sheep and Mrs Antrobus's gadget, which a few weeks ago would not have aroused the slightest response from her stricken mind, and it was lucky, Daisy thought, that Lucia had given her the definite assurance that even the part of Drake's wife in the fête would be too much for her. For goodness only knew, when once Lucia settled to be on the mend, how swift her recuperation might be, or what mental horsepower in the way of schemings and domination she might not develop after this fallow period of quiescence. There was a new atmosphere about her today: she was like some spring morning when, though winds might still be chilly and the sun still of tepid and watery beams, the air was pregnant with the imminent birth of new life. But evidently she meant to take no hand in the fête, which at present completely filled Daisy's horizon. 'She may do what she likes afterwards,' thought Daisy, breaking into a trot, 'but I will be Queen Elizabeth.'

Her house, with its mulberry tree in front and its garden at the back, stood next Georgie Pillson's on the edge of the green, and as she passed through it and out on to the lawn behind, she heard from the other side of the paling that tap-tap of croquet-mallet and ball which now almost without cessation punctuated the hours of any fine morning. Georgie had developed a craze for solitary croquet: he spent half the day practising all by himself, to the great neglect of his watercolour painting and his piano-playing. He seemed indeed, apart from croquet, to be losing his zest for life; he took none of his old interest in the thrilling topics of Riseholme. He had not been a bit excited at Daisy's description of Mrs Antrobus's new apparatus, and the prospect of impersonating Francis Drake at the forthcoming fête aroused only the most tepid enthusiasm in him. A book of Elizabethan costumes, full of sumptuous coloured plates, had roused him for a while from his lethargy, and he had chosen a white satin tunic with puffed sleeves slashed with crimson, and a cloak of rose-coloured silk, on the reproduction of which his peerless parlour-maid Foljambe was at work, but he didn't seem to have any keenness about him. Of course he had had some rather cruel blows of Fate to contend against lately: Miss Olga Bracely the prima donna to whom he had been so devoted had left Riseholme a month ago for a year's operatic tour in the United States and Australia, and that was a desolate bereavement for him, while Lucia's determination not to do any of all these things which she had once enjoyed so much had deprived him of all the duets they used to play together. Moreover, it was believed in Riseholme (though only whispered at present) that Foljambe, that paragon of parlour-maids, in whom the smoothness and comfort of his domestic life was centred, was walking out with Cadman, Lucia's chauffeur. It might not mean anything, but if it did, if Foljambe and he intended to get married and Foljambe left Georgie, and if Georgie had got wind of this, then indeed there would be good cause for that lack of zest, that air of gloom and apprehension which was now so often noticeable in him. All these causes, the blows Fate had already rained on him, and the anxiety concerning this possible catastrophe in the future, probably contributed to the eclipsed condition of his energies.

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