E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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"But she didn't write about mutton and music," he observed, "so we needn't discuss that. Then there was moonlight. I don't know what that means."

"I should call it moonshine," said Daisy brightly.

"Well, it wrote moonlight," said Georgie. "Of course there's the 'Moonlight Sonata' which might have been in Lucia's mind, but it's all curious. And I believe Lucia was in a condition of light hypnosis —"

"Light fiddlesticks!" said Daisy . . . (Why hadn't she thought of going into a condition of light hypnosis when she was Abfouing? So much more impressive!) "We can all shut our eyes and droop our heads."

"Well, I think it was light hypnosis," said Georgie firmly. "It was very curious to see. I hope she'll consent to sit again. She didn't much want to."

Daisy profoundly hoped that Lucia would not consent to sit again, for she felt Abfouism slipping out of her fingers. In any case, she would instantly resuscitate Abfou, for Vittoria shouldn't have it all her own way. She got up.

"Georgie, why shouldn't we see if Abfou has anything to say about it?" she asked. "After all, Abfou told us to make a museum, and that hasn't turned out so badly. Abfou was practical; what he suggested led to something."

Though the notion that Daisy had thought of the Museum and pushed flitted through George's mind, there was something in what she said, for certainly Abfou had written museum (if it wasn't "mouse") and there was the Museum which had turned out so profitably for the committee.

"We might try," he said.

Daisy instantly got out her planchette, which sadly wanted dusting, and it began to move almost as soon as they laid their hands on it: Abfou was in a rather inartistic hurry. And it really wasn't very wise of Daisy to close her eyes and snort: it was indeed light fiddlesticks to do that. It was a sheer unconvincing plagiarism from Lucia, and his distrust of Daisy and of Abfou immeasurably deepened. Furiously the pencil scribbled, going off the paper occasionally and writing on the table till Georgie could insert the paper under it: it was evident that Abfou was very indignant about something, and there was no need to inquire what that was. For some time the writing seemed to feel to Georgie like Arabic, but presently the pencil slowed down, and he thought some English was coming through. Finally Abfou gave a great scrawl, as he usually did when the message was complete, and Daisy looked dreamily up. "Anything?" she said.

"It's been writing hard," said Georgie.

They examined the script. It began, as he had expected, with quantities of Arabic, and then (as he had expected) dropped into English, which was quite legible.

"Beware of charlatans," wrote Abfou, "beware of southern charlatans. All spirits are not true and faithful like Abfou, who instituted your Museum. False guides deceive. A warning from Abfou."

"Well, if that isn't convincing, I don't know what is," said Daisy.

Georgie thought it convincing too.

The din of battle began to rise. It was known that very evening, for Colonel and Mrs Boucher dined with Georgie, that he and Lucia (for Georgie did not give all the credit to Lucia) had received that remarkable message from Vittoria about fire and water and the dog and the angry old woman, and it was agreed that Abfou cut a very poor figure, and had a jealous temper. Why hadn't Abfou done something better than merely warn them against southern charlatans?

"If it comes to that," said Mrs Boucher, "Egypt is in the south, and charlatans can come from Egypt as much as from Italy. Fire and water! Very remarkable. There's the water there now, plenty of it, and the fire will be there tomorrow. I must get out my planchette again, for I put it away. I got sick of writing nothing but Arabic, even if it was Arabic. I call it very strange. And not a word about golf from Vittoria. I consider that's most important. If Lucia had been pushing, she'd have written about her golf with Daisy. Abfou and Vittoria! I wonder which will win."

That summed it up pretty well, for it was felt that Abfou and Vittoria could not both direct the affairs of Riseholme from the other world, unless they acted jointly; and Abfou's remarks about the southern charlatan and false spirits put the idea of a coalition out of the question. All the time, firm in the consciousness of Riseholme, but never under any circumstances spoken of, was the feeling that Abfou and Vittoria (as well as standing for themselves) were pseudonyms: they stood also for Daisy and Lucia. And how much finer and bigger, how much more gifted of the two in every way was Vittoria-Lucia. Lucia quickly got over her disinclination to weedj, and messages, not very definite, but of high moral significance came from this exalted spirit. There was never a word about golf, and there was never a word about Abfou, nor any ravings concerning inferior and untrustworthy spirits. Vittoria was clearly above all that (indeed, she was probably in some sphere miles away above Abfou), whereas Abfou's pages (Daisy sat with her planchette morning after morning and obtained sheets of the most voluble English) were blistered with denunciations of low and earth-born intelligences and dark with awful warnings for those who trusted them.

Riseholme, in fact, had never been at a higher pitch of excited activity; even the arrival of the Evening Gazette during those weeks when Hermione had recorded so much about Mrs Philip Lucas hadn't roused such emotions as the reception of a new message from Abfou or Vittoria. And it was Lucia again who was the cause of it all: no one for months had cared what Abfou said, till Lucia became the recipient of Vittoria's messages. She had invested planchette with the interest that attached to all she did. On the other hand it was felt that Abfou (though certainly he lowered himself by these pointed recriminations) had done something. Abfou-Daisy had invented the Museum, whereas Vittoria-Lucia, apart from giving utterance to high moral sentiments, had invented nothing (high moral sentiments couldn't count as an invention). To be sure there was the remarkable piece about Pug and angry Lady Ambermere, but the facts of that were already known to Lucia, and as for the communication about fire, water and moonlight, though there were new oil-stoves in the damp Museum, that was not as remarkable as inventing the Museum, and moonlight unless it meant the Sonata was quite unexplained. Over this cavilling objection, rather timidly put forward by Georgie, who longed for some striking vindication of Vittoria, Lucia was superb.

"Yes, Georgie, I can't tell you what it means," she said. "I am only the humble scribe. It is quite mysterious to me. For myself, I am content to be Vittoria's medium. I feel it a high honour. Perhaps some day it will be explained, and we shall see."

They saw.

Meanwhile, since no one can live entirely on messages from the unseen, other interests were not neglected. There were bridge-parties at The Hurst, there was much music, there was a reading of Hamlet at which Lucia doubled several of the principal parts and Daisy declined to be the Ghost. The new committee of the golf club was formed, and at the first meeting Lucia announced her gift of the President's Cup, and Peppino's of the Lucas Cup for foursomes. Notice of these was duly put up in the clubhouse, and Daisy's face was of such a grimness when she read them that something very savage from Abfou might be confidently expected. She went out for a round soon after with Colonel Boucher, who wore a scared and worried look when he returned. Daisy had got into a bunker, and had simply hewed her ball to pieces . . . Peppino's convalescence proceeded well; Lucia laid down the law a good deal at auction bridge, and the oil-stoves at the Museum were satisfactory. They were certainly making headway against the large patches of damp on the walls, and Daisy, one evening, recollecting that she had not made a personal inspection of them, went in just before dinner to look at them. The boy in charge of them had put them out, for they only burned during the day, and certainly they were doing their work well. Daisy felt she would not be able to bring forward any objection to them at the next committee meeting, as she had rather hoped to do. In order to hurry on the drying process, she filled them both up and lit them so that they should burn all night. She spilt a little paraffin, but that would soon evaporate. Georgie was tripping back across the green from a visit to Mrs Boucher, and they walked homeward together.

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