E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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Georgie was nowhere in the good little putting match, and he was even less anywhere when it came to their game in the afternoon. Lucia made magnificent swipes from the tee, the least of which, if she happened to hit it, must have gone well over a hundred yards, whereas Daisy considered eighty yards from the tee a most respectable shot, and was positively pleased if she went into a bunker at a greater distance than that, and said the bunker ought to be put further off for the sake of the longer hitters. And when Lucia came near the green, she gave a smart little dig with her mashie, and, when this remarkable stroke came off, though she certainly hit the ground, the ball went beautifully, whereas when Daisy hit the ground the ball didn't go at all. All the time she was light-hearted and talkative, and even up to the moment of striking, would be saying "Now oo naughty ickle ball: Lucia's going to give you such a spank!" whereas when Daisy was playing, her opponent and the caddies had all to be dumb and turned to stone, while she drew a long breath and waved her club with a pendulum-like movement over the ball.

"But you're marvellous," said Georgie as, three down, he stood on the fourth tee, and watched Lucia's ball sail away over a sheep that looked quite small in the distance. "It's only three weeks or so since you began to play at all. You are clever! I believe you'd nearly beat Daisy."

"Georgie, I'm afraid you're a flatterer," said Lucia. "Now give your ball a good bang, and then there's something I want to talk to you about."

"Let's see; it's slow back, isn't it?" said Georgie. "Or is it quick back? I believe Daisy says sometimes one and sometimes the other."

Daisy and Piggie, starting before them, were playing in a parallel and opposite direction. Daisy had no luck with her first shot, and very little with her second. Lucia just got out of the way of her third and Daisy hurried by them.

"Such a slice!" she said. "How are you getting on, Lucia? How many have you played to get there?"

"One at present, dear," said Lucia. "But isn't it difficult?"

Daisy's face fell.

"One?" she said.

Lucia kissed her hand.

"That's all," she said. "And has Georgie told you that I'll manage about Pug for you?"

Daisy looked round severely. She had begun to address her ball and nobody must talk.

Lucia watched Daisy do it again, and rejoined Georgie who was in a "tarsome" place, and tufts of grass flew in the air.

"Georgie, I had a little talk with Mr Stratton the other day," she said. "There's a new golf-committee being elected in October, and they would so like to have you on it. Now be good-natured and say you will."

Georgie had no intention of saying anything else.

"And they want poor little me to be President," said Lucia. "So shall I send Mr Stratton a line and say we will? It would be kind, Georgie. Oh, by the way, do come and dine tonight. Peppino — so much better, thanks — Peppino told me to ask you. He would enjoy it. Just one of our dear little evenings again."

Lucia, in fact, was bringing her batteries into action, and Georgie was the immediate though not the ultimate objective. He longed to be on the golf-committee, he was intensely grateful for the promised removal of Pug, and it was much more amusing to play golf with Lucia than to be dragooned round by Daisy who told him after every stroke what he ought to have done and could never do it herself. A game should not be a lecture.

Lucia thought it was time to confide in him about the abandoning of Brompton Square. Georgie would love knowing what nobody else knew yet. She waited till he had failed to hole a short putt, and gave him the subsequent one, which Daisy never did.

"I hope we shall have many of our little evenings, Georgie," she said. "We shall be here till Christmas. No, no more London for us, though it's a secret at present."

"What?" said Georgie.

"Wait a moment," said Lucia, teeing up for the last hole. "Now ickle ballie, fly away home. There! . . ." and ickle ballie flew at about right angles to home, but ever such a long way.

She walked with him to cover-point, where he had gone too.

"Peppino must never live in London again," she said. "All going to be sold, Georgie. The house and the furniture and the pearls. You must put up with your poor old Lucia at Riseholme again. Nobody knows yet but you, but now it is all settled. Am I sorry? Yes, Georgie, course I am. So many dear friends in London. But then there are dear friends in Riseholme. Oh, what a beautiful bang, Georgie. You nearly hit Daisy. Call 'Five!' isn't that what they do?"

Lucia was feeling much surer of her ground. Georgie, bribed by a place on the golf-committee and by her admiration of his golf, and by her nobility with regard to Pug, was trotting back quick to her, and that was something. Next morning she had a hectic interview with Lady Ambermere . . .

Lady Ambermere was said to be not at home, though Lucia had seen her majestic face at the window of the pink saloon. So she asked for Miss Lyall, the downtrodden companion, and waited in the hall. Her chauffeur had deposited the large brown-paper parcel with Pug inside on the much-admired tessellated pavement.

"Oh, Miss Lyall," said Lucia. "So sad that dear Lady Ambermere is out, for I wanted to convey the grateful thanks of the Museum Committee to her for her beautiful gift of poor Pug. But they feel they can't . . . Yes, that's Pug in the brown-paper parcel. So sweet. But will you, on Lady Ambermere's return, make it quite clear?"

Miss Lyall, looking like a mouse, considered what her duty was in this difficult situation. She felt that Lady Ambermere ought to know Lucia's mission and deal with it in person.

"I'll see if Lady Ambermere has come in, Mrs Lucas," she said. "She may have come in. Just out in the garden, you know. Might like to know what you've brought. Oh dear me!"

Poor Miss Lyall scuttled away, and presently the door of the pink saloon was thrown open. After an impressive pause Lady Ambermere appeared, looking vexed. The purport of this astounding mission had evidently been conveyed to her.

"Mrs Lucas, I believe," she said, just as if she wasn't sure.

Now Lucia after all her Duchesses was not going to stand that. Lady Ambermere might have a Roman nose, but she hadn't any manners.

"Lady Ambermere, I presume," she retorted. So there they were.

Lady Ambermere glared at her in a way that should have turned her to stone. It made no impression.

"You have come, I believe, with a message from the committee of your little Museum at Riseholme, which I may have misunderstood."

Lucia knew she was doing what neither Mrs Boucher nor Daisy in their most courageous moments would have dared to do. As for Georgie . . .

"No, Lady Ambermere," she said. "I don't think you've misunderstood it. A stuffed dog on a cushion. They felt that the Museum was not quite the place for it. I have brought it back to you with their thanks and regrets. So kind of you and — and so sorry of them. This is the parcel. That is all, I think."

It wasn't quite all . . .

"Are you aware, Mrs Lucas," said Lady Ambermere, "that the mittens of the late Queen Charlotte are my loan to your little Museum?"

Lucia put her finger to her forehead.

"Mittens?" she said. "Yes, I believe there are some mittens. I think I have seen them. No doubt those are the ones. Yes?"

That was brilliant: it implied complete indifference on the part of the committee (to which Lucia felt sure she would presently belong) as to what Lady Ambermere might think fit to do about mittens.

"The committee shall hear from me," said Lady Ambermere, and walked majestically back to the pink saloon.

Lucia felt sorry for Miss Lyall: Miss Lyall would probably not have a very pleasant day, but she had no real apprehensions, so she explained to the committee, who were anxiously awaiting her return on the green, about the withdrawal of these worsted relics.

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