Charles Lamb - The Collected Works of Charles Lamb and Mary Lamb

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Essays of Elia is a collection of essays written by Charles Lamb, first published in book form in 1823, with a second volume, Last Essays of Elia, issued in 1833. The essays in the collection first began appearing in The London Magazine in 1820 and continued to 1825. The personal and conversational tone of the essays has charmed many readers. Lamb himself is the Elia of the collection, and his sister Mary is «Cousin Bridget.» Charles first used the pseudonym Elia for an essay on the South Sea House, where he had worked decades earlier; Elia was the last name of an Italian man who worked there at the same time as Charles, and after that essay the name stuck.
Tales from Shakespeare is an English children's book written by Charles and Mary Lamb in 1807. The book is designed to make the stories of Shakespeare's plays familiar to the young. Mary Lamb was responsible for the comedies, while Charles wrote the tragedies; they wrote the preface between them.
Volume 1:
Curious fragments, extracted from a commonplace-book which belonged to Robert Burton, the famous Author of «The Anatomy of Melancholy»
Early Journalism
Characters of Dramatic Writers, Contemporary with Shakspeare
On the Inconveniences Resulting from Being Hanged
On the Danger of Confounding Moral with Personal Deformity: with a Hint to those who have the Framing of Advertisements for Apprehending Offenders…
Volume 2:
Essays of Elia
Last Essays of Elia
Volume 3:
Tales from Shakespeare
The Adventures of Ulysses
Mrs. Leicester's School
The King and Queen of Hearts
Poetry for Children
Three Poems Not in «Poetry for Children»
Prince Dorus
Volume 4:
Rosamund Gray, Essays, Etc.
Poems
Album Verses, With a Few Others
Volume 5:
The Letters of Charles and Mary Lamb (1796-1820)
Volume 6:
The Letters of Charles and Mary Lamb (1821-1842)

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And now, my sweet Friend,

God love you, and your

Elinor Clare.

I find in my collection several letters, written soon after the date of the preceding, and addressed all of them to Maria Beaumont.—I am tempted to make some short extracts from these—my tale will suffer interruption by them—but I was willing to preserve whatever memorials I could of Elinor Clare.

From Elinor Clare to Maria Beaumont (AN EXTRACT)

——"I have been strolling out for half an hour in the fields; and my mind has been occupied by thoughts, which Maria has a right to participate. I have been bringing my mother to my recollection. My heart ached with the remembrance of infirmities, that made her closing years of life so sore a trial to her.

I was concerned to think, that our family differences have been one source of disquiet to her. I am sensible that this last we are apt to exaggerate after a person's death—and surely, in the main, there was considerable harmony among the members of our little family—still I was concerned to think, that we ever gave her gentle spirit disquiet.

I thought on years back—on all my parents' friends—the H——s, the F——s, on D—— S——, and on many a merry evening, in the fire-side circle, in that comfortable back parlour—it is never used now.—

O ye Matravises [1]of the age, ye know not what ye lose, in despising these petty topics of endeared remembrance, associated circumstances of past times;—ye know not the throbbings of the heart, tender yet affectionately familiar, which accompany the dear and honored names of father or of mother .

Maria! I thought on all these things; my heart ached at the review of them—it yet aches, while I write this—but I am never so satisfied with my train of thoughts, as when they run upon these subjects—the tears, they draw from us, meliorate and soften the heart, and keep fresh within us that memory of dear friends dead, which alone can fit us for a re-admission to their society hereafter."

[1]This name will be explained presently.

( From another Letter )

——"I had a bad dream this morning—that Allan was dead—and who, of all persons in the world, do you think, put on mourning for him? Why, Matravis .—This alone might cure me of superstitious thoughts, if I were inclined to them; for why should Matravis mourn for us, or our family?— Still it was pleasant to awake, and find it but a dream.—Methinks something like an awaking from an ill dream shall the Resurrection from the Dead be.—Materially different from our accustomed scenes, and ways of life, the World to come may possibly not be—still it is represented to us under the notion of a Rest , a Sabbath , a state of bliss."

( From another Letter )

——"Methinks, you and I should have been born under the same roof, sucked the same milk, conned the same hornbook, thumbed the same Testament, together:—for we have been more than sisters, Maria!

Something will still be whispering to me, that I shall one day be inmate of the same dwelling with my cousin, partaker with her in all the delights, which spring from mutual good offices, kind words, attentions in sickness and in health—conversation, sometimes innocently trivial, and at others profitably serious;—books read and commented on, together; meals ate, and walks taken, together—and conferences, how we may best do good to this poor person or that, and wean our spirits from the world's cares , without divesting ourselves of its charities . What a picture I have drawn, Maria!—and none of all these things may ever come to pass."

( From another Letter )

——"Continue to write to me, my sweet cousin. Many good thoughts, resolutions, and proper views of things, pass through the mind in the course of the day, but are lost for want of committing them to paper. Seize them, Maria, as they pass, these Birds of Paradise, that show themselves and are gone—and make a grateful present of the precious fugitives to your friend.

To use a homely illustration, just rising in my fancy—shall the good housewife take such pains in pickling and preserving her worthless fruits, her walnuts, her apricots, and quinces—and is there not much spiritual housewifery in treasuring up our mind's best fruits—our heart's meditations in its most favored moments?

This said simile is much in the fashion of the old Moralizers, such as I conceive honest Baxter to have been, such as Quarles and Wither were, with their curious, serio-comic, quaint emblems. But they sometimes reach the heart, when a more elegant simile rests in the fancy.

Not low and mean, like these, but beautifully familiarized to our conceptions, and condescending to human thoughts and notions, are all the discourses of our Lord—conveyed in parable, or similitude, what easy access do they win to the heart, through the medium of the delighted imagination! speaking of heavenly things in fable, or in simile, drawn from earth, from objects common, accustomed .

Life's business, with such delicious little interruptions as our correspondence affords, how pleasant it is!—why can we not paint on the dull paper our whole feelings, exquisite as they rise up?"

( From another Letter )

——"I had meant to have left off at this place; but, looking back, I am sorry to find too gloomy a cast tincturing my last page—a representation of life false and unthankful. Life is not all vanity and disappointment—it hath much of evil in it, no doubt; but to those who do not misuse it, it affords comfort, temporary comfort, much—much that endears us to it, and dignifies it—many true and good feelings, I trust, of which we need not be ashamed—hours of tranquillity and hope.—But the morning was dull and overcast, and my spirits were under a cloud. I feel my error.

Is it no blessing, that we two love one another so dearly—that Allan is left me—that you are settled in life—that worldly affairs go smooth with us both—above all, that our lot hath fallen to us in a Christian country? Maria! these things are not little. I will consider life as a long feast, and not forget to say grace."

( From another Letter )

——"Allan has written to me—you know, he is on a visit at his old tutor's in Gloucestershire—he is to return home on Thursday—Allan is a dear boy—he concludes his letter, which is very affectionate throughout, in this manner—

'Elinor, I charge you to learn the following stanza by heart—

The monarch may forget his crown,

That on his head an hour hath been;

The bridegroom may forget his bride

Was made his wedded wife yestreen;

The mother may forget her child,

That smiles so sweetly on her knee:

But I'll remember thee, Glencairn,

And all that thou hast done for me.

'The lines are in Burns—you know, we read him for the first time together at Margate—and I have been used to refer them to you, and to call you, in my mind, Glencairn —for you were always very, very good to me. I had a thousand failings, but you would love me in spite of them all. I am going to drink your health.'"

I shall detain my reader no longer from the narrative.

CHAPTER VIII

Table of Contents

They had but four rooms in the cottage. Margaret slept in the biggest room up stairs, and her grandaughter in a kind of closet adjoining, where she could be within hearing, if her grandmother should call her in the night.

The girl was often disturbed in that manner—two or three times in a night she has been forced to leave her bed, to fetch her grandmother's cordials, or do some little service for her—but she knew that Margaret's ailings were real and pressing, and Rosamund never complained—never suspected, that her grandmother's requisitions had any thing unreasonable in them.

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