Charles Lamb - The Collected Works of Charles Lamb and Mary Lamb

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Essays of Elia is a collection of essays written by Charles Lamb, first published in book form in 1823, with a second volume, Last Essays of Elia, issued in 1833. The essays in the collection first began appearing in The London Magazine in 1820 and continued to 1825. The personal and conversational tone of the essays has charmed many readers. Lamb himself is the Elia of the collection, and his sister Mary is «Cousin Bridget.» Charles first used the pseudonym Elia for an essay on the South Sea House, where he had worked decades earlier; Elia was the last name of an Italian man who worked there at the same time as Charles, and after that essay the name stuck.
Tales from Shakespeare is an English children's book written by Charles and Mary Lamb in 1807. The book is designed to make the stories of Shakespeare's plays familiar to the young. Mary Lamb was responsible for the comedies, while Charles wrote the tragedies; they wrote the preface between them.
Volume 1:
Curious fragments, extracted from a commonplace-book which belonged to Robert Burton, the famous Author of «The Anatomy of Melancholy»
Early Journalism
Characters of Dramatic Writers, Contemporary with Shakspeare
On the Inconveniences Resulting from Being Hanged
On the Danger of Confounding Moral with Personal Deformity: with a Hint to those who have the Framing of Advertisements for Apprehending Offenders…
Volume 2:
Essays of Elia
Last Essays of Elia
Volume 3:
Tales from Shakespeare
The Adventures of Ulysses
Mrs. Leicester's School
The King and Queen of Hearts
Poetry for Children
Three Poems Not in «Poetry for Children»
Prince Dorus
Volume 4:
Rosamund Gray, Essays, Etc.
Poems
Album Verses, With a Few Others
Volume 5:
The Letters of Charles and Mary Lamb (1796-1820)
Volume 6:
The Letters of Charles and Mary Lamb (1821-1842)

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When preparing this essay for the Works , 1818, Lamb omitted certain portions. The footnote on page 202 originally continued thus:—

"But commend me above all to a shop opposite Middle Row, in Holborn, where, by the ingenious contrivance of the master taking in three partners, there is a physical impossibility of the conversation ever flagging, while 'the four' alternately toss it from one to the other, and at whatever time you drop in, you are sure of a discussion: an expedient which Mr. A——m would do well to think on, for with all the alacrity with which he and his excellent family are so dexterous to furnish their successive contributions, I have sometimes known the continuity of the dialogue broken into, and silence for a few seconds to intervene."

In connection with Mr. A——m there is a passage in a letter from Mary Lamb to Miss Hutchinson in 1818, wherein she says that when the Lambs, finding London insupportable after a long visit to Calne, in Wiltshire (at the Morgans'), had taken lodgings in Dalston, Charles was so much the creature of habit, or the slave of his barber, that he went to the Temple every morning to be shaved, on a roundabout way to the India House. This would very likely be Mr. A——m, Flower de Luce Court being just opposite the Temple, off Fetter Lane. The London directories in those days ignored barbers; hence his name must remain in disguise.

In The Champion , also, the paragraph on page 203, beginning, "I think," etc., ran thus:—

"I think, then, that they [the causes of tailors' melancholy] may be reduced to three, omitting some subordinate ones; viz.

"The sedentary habits of the tailor.—

Something peculiar in his diet.—

Mental perturbation from a sense of reproach, &c.—"

And at the end of the article, as it now stands, came the following exposition of the third theory:—

"Thirdly, and lastly, mental perturbation, arising from a sense of shame ; in other words, that painful consciousness which he always carries about with him, of lying under a sort of disrepute in popular estimation . It is easy to talk of despising public opinion, of its being unworthy the attention of a wise man &c. The theory is excellent; but, somehow, in practice

"still the world prevails and its dread laugh.

"Tailors are men (it is well if so much be allowed them,) and as such, it is not in human nature not to feel sore at being misprized, undervalued, and made a word of scorn. [66]I have often racked my brains to discover the grounds of this unaccountable prejudice, which is known to exist against a useful and industrious body of men. I confess I can discover none, except in the sedentary posture, before touched upon, which from long experience has been found by these artists to be the one most convenient for the exercise of their vocation. But I would beg the more stirring and locomotive part of the community, to whom the quiescent state of the tailor furnishes a perpetual fund of rudeness, to consider, that in the mere action of sitting (which they make so merry with) there is nothing necessarily ridiculous. That, in particular, it is the posture best suited to contemplation. That it is that, in which the hen (a creature of all others best fitted to be a pattern of careful provision for a family) performs the most beautiful part of her maternal office. That it is that, in which judges deliberate, and senators take counsel. That a Speaker of the House of Commons at a debate, or a Lord Chancellor over a suit, will oftentimes sit as long as many tailors. Lastly, let these scoffers take heed, lest themselves, while they mock at others, be found 'sitting in the seat of the scornful.'"

[66]"It is notorious that to call a man a tailor , is to heap the utmost contempt upon him which the language of the streets can convey. Barber's clerk is an appellative less galling than this. But there is a word, which, though apparently divested of all ill meaning, has for some people a far deeper sting than either. It is the insulting appellation of governor , with which a black-guard, not in anger, but in perfect good will, salutes your second-rate gentry, persons a little above his own cut. He rarely bestows it upon the topping gentry of all, but reserves it for those of a rank or two above his own, or whose garb is rather below their rank. It is a word of approximation. A friend of mine will be melancholy a great while after, from being saluted with it. I confess I have not altogether been unhonoured with it myself."

It is told of Lamb that he once said he would sit with anything but a hen or a tailor.

Page 200. Motto. From Virgil's Æneid , Book VI., lines 617, 618. "There luckless Theseus sits, and shall sit for ever."

Page 201,line 25. Beautiful motto. Charles Brandon, Duke of Suffolk, who married Mary Tudor, sister of Henry VIII., appeared at a tournament with a saddle-cloth made half of frieze and half of cloth of gold. Each side had a symbolical motto. One ran:—

Cloth of frize, be not too bold,

Though thou art match'd with cloth of gold.

The other:—

Cloth of gold do not despise,

Though thou art match'd with cloth of frize.

Page 201,line 3 from foot. Eliot's famous troop. General George Augustus Eliott (afterwards Lord Heathfield), the defender of Gibraltar and the founder of the 15th or King's Own Royal Light Dragoons, now the 15th Hussars, whose first action was at Emsdorf. At the time that regiment was being collected, there was a strike of tailors, many of whom joined it. Eliott, one version of the incident says, wished to get men who never having ridden had not to unlearn any bad methods of riding. Later they were engaged against the Spaniards in Cuba in 1762–1763.

Page 202,line 6. Speculative politicians. Lamb was probably referring to Francis Place (1771–1854), the tailor-reformer, among whose friends were certain of Lamb's own—William Frend, for example.

Page 202. Footnote. " Gladden life. " From Johnson's Life of Edmund Smith —"one who has gladdened life"; or possibly from Coombe's "Peasant of Auburn":—

And whilst thy breast matures each patriot plan

That gladdens life and man endears to man.

Page 203,line 22. Dr. Norris's famous narrative. The Narrative of Dr. Robert Norris concerning the strange and deplorable Frenzy of Mr. John Dennis was a satirical squib by Pope against the critic John Dennis (1657–1734). The passage referred to by Lamb runs:—

Doct. Pray, Sir, how did you contract the Swelling?

Denn. By a Criticism.

Doct. A Criticism! that's a Distemper I never read of in Galen .

Denn. S' Death, Sir, a Distemper! It is no Distemper, but a Noble Art. I have sat fourteen Hours a Day at it; and are you a Doctor, and don't know there's a Communication between the Legs and the Brain?

Doct. What made you sit so many Hours, Sir?

Denn. Cato , Sir.

Doct. Sir, I speak of your Distemper, what gave you this Tumour?

Denn. Cato, Cato, Cato.

Page 204,line 2. Envious Junos. Lucina, at Juno's bidding, sat cross-legged before Alcmena to prolong her travail. Sir Thomas Browne in his Pseudodoxia Epidemica; or, Enquiry into Vulgar Errors , Book V., speaks of the posture as "veneficious," and cites Juno's case.

Page 204,at the end. Well known that this last-named vegetable. This is the old joke about tailors "cabbaging," that is to say, stealing cloth. The term is thus explained in Phillips' History of Cultivated Vegetables :—

The word cabbage … means the firm head or ball that is formed by the leaves turning close over each other. … From thence arose the cant word applied to tailors, who formerly worked at the private houses of their customers, where they were often accused of cabbaging: which means the rolling up of pieces of cloth instead of the list and shreds, which they claim as their due.

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