Charles Lamb - The Collected Works of Charles Lamb and Mary Lamb

C. L.

Hannah concludes with the following address, by which the self-estimate which she formed of her usefulness, may be calculated:—

Ladies , I hope you're pleas'd, and so shall I, If what I've Writ, you may be gainers by: If not; it is your fault, it is not mine, Your benefit in this I do design. Much labour and much time it hath me cost, Therefore I beg, let none of it be lost. The Mony you shall pay for this my Book, You'l not repent of, when in it you look. No more at present to you I shall say, But wish you all the happiness I may.

H. W.

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(1826)

To the Editor of the Every-Day Book

To your account of sir Jeffery Dunstan in columns 829–30 (where, by an unfortunate Erratum the effigies of two Sir Jefferys appear, when the uppermost figure is clearly meant for sir Harry Dimsdale) you may add, that the writer of this has frequently met him in his latter days, about 1790 or 1791, returning in an evening, after his long day's itinerancy, to his domicile—a wretched shed in the most beggarly purlieu of Bethnal Green, a little on this side the Mile-end Turnpike. The lower figure in that leaf most correctly describes his then appearance, except that no graphic art can convey an idea of the general squalor of it, and of his bag (his constant concomitant) in particular. Whether it contained "old wigs" at that time I know not, but it seemed a fitter repository for bones snatched out of kennels, than for any part of a Gentleman's dress even at second hand.

The Ex-member for Garrat was a melancholy instance of a great man whose popularity is worn out. He still carried his sack, but it seemed a part of his identity rather than an implement of his profession; a badge of past grandeur; could any thing have divested him of that , he would have shown a "poor forked animal" indeed. My life upon it, it contained no curls at the time I speak of. The most decayed and spiritless remnants of what was once a peruke would have scorned the filthy case; would absolutely have "burst its cearments." No, it was empty, or brought home bones, or a few cinders possibly. A strong odour of burnt bones, I remember, blended with the scent of horse-flesh seething into dog's meat, and only relieved a little by the breathings of a few brick kilns, made up the atmosphere of the delicate suburban spot, which this great man had chosen for the last scene of his earthly vanities. The cry of "old wigs" had ceased with the possession of any such fripperies; his sack might have contained not unaptly a little mould to scatter upon that grave, to which he was now advancing; but it told of vacancy and desolation. His quips were silent too, and his brain was empty as his sack; he slank along, and seemed to decline popular observation. If a few boys followed him, it seemed rather from habit, than any expectation of fun.

Alas! how changed from him , The life of humour, and the soul of whim, Gallant and gay on Garrat's hustings proud.

But it is thus that the world rewards its favourites in decay. What faults he had, I know not. I have heard something of a peccadillo or so. But some little deviation from the precise line of rectitude, might have been winked at in so tortuous and stigmatic a frame. Poor Sir Jeffery! it were well if some M.P.'s in earnest had passed their parliamentary existence with no more offences against integrity, than could be laid to thy charge! A fair dismissal was thy due, not so unkind a degradation; some little snug retreat, with a bit of green before thine eyes, and not a burial alive in the fetid beggaries of Bethnal. Thou wouldst have ended thy days in a manner more appropriate to thy pristine dignity, installed in munificent mockery (as in mock honours you had lived)—a Poor Knight of Windsor!

Every distinct place of public speaking demands an oratory peculiar to itself. The forensic fails within the walls of St. Stephen. Sir Jeffery was a living instance of this, for in the flower of his popularity an attempt was made to bring him out upon the stage (at which of the winter theatres I forget, but I well remember the anecdote) in the part of Doctor Last . The announcement drew a crowded house; but notwithstanding infinite tutoring—by Foote, or Garrick, I forget which—when the curtain drew up, the heart of Sir Jeffery failed, and he faultered on, and made nothing of his part, till the hisses of the house at last in very kindness dismissed him from the boards. Great as his parliamentary eloquence had shown itself; brilliantly as his off-hand sallies had sparkled on a hustings; they here totally failed him. Perhaps he had an aversion to borrowed wit; and, like my Lord Foppington, disdained to entertain himself (or others) with the forced products of another man's brain. Your man of quality is more diverted with the natural sprouts of his own.

C. L.

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(1827)

Then Mrs. Gilpin sweetly said

Unto her children three,

"I'll clamber o'er this style so high,

And you climb after me."

But having climb'd unto the top,

She could no further go,

But sate, to every passer by

A spectacle and show.

Who said "Your spouse and you this day

Both show your horsemanship,

And if you stay till he comes back,

Your horse will need no whip."

The sketch, here engraved, (probably from the poet's friend Romney,) was found with the above three stanzas in the hand-writing of Cowper, among the papers of the late Mrs. Unwin. It is to be regretted that no more was found of this little Episode , as it evidently was intended to be, to the "Diverting History of Johnny Gilpin." It is to be supposed that Mrs. Gilpin, in the interval between dinner and tea, finding the time to hang upon her hands, during her husband's involuntary excursion, rambled out with the children into the fields at the back of the Bell, (as what could be more natural?) and at one of those high aukward styles, for which Edmonton is so proverbially famed, the embarrassment represented, so mortifying to a substantial City Madam, might have happened; a predicament, which leaves her in a state, which is the very Antipodes to that of her too loco-motive husband; in fact she rides a restive horse.—Now I talk of Edmonton styles, I must speak a little about those of Enfield, its next neighbour, which are so ingeniously contrived—every rising bar to the top becoming more protuberant than the one under it—that it is impossible for any Christian climber to get over, without bruising his (or her) shins as many times as there are bars. These inhospitable invitations to a flayed skin, are planted so thickly too, and are so troublesomely importunate at every little paddock here, that this, with more propriety than Thebes of old, might be entitled Hecatompolis: the Town of the Hundred Gates, or styles .

A Sojourner at Enfield.

July 16, 1827.

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or, A Tale of the Fairies

(1827)

Titania, and her moonlight Elves, were assembled under the canopy of a huge oak, that served to shelter them from the moon's radiance, which, being now at her full noon, shot forth intolerable rays—intolerable, I mean, to the subtil texture of their little shadowy bodies—but dispensing an agreeable coolness to us grosser mortals. An air of discomfort sate upon the Queen, and upon her Courtiers. Their tiny friskings and gambols were forgot; and even Robin Goodfellow, for the first time in his little airy life, looked grave. For the Queen had had melancholy forebodings of late, founded upon an ancient Prophecy, laid up in the records of Fairy Land, that the date of Fairy existence should be then extinct, when men should cease to believe in them. And she knew how that the race of the Nymphs, which were her predecessors, and had been the Guardians of the sacred floods, and of the silver fountains, and of the consecrated hills and woods, had utterly disappeared before the chilling touch of man's incredulity; and she sighed bitterly at the approaching fate of herself and of her subjects, which was dependent upon so fickle a lease, as the capricious and ever mutable faith of man. When, as if to realise her fears, a melancholy shape came gliding in, and that was—Time, who with his intolerable scythe mows down Kings and Kingdoms; at whose dread approach the Fays huddled together, as a flock of timorous sheep, and the most courageous among them crept into acorn cups, not enduring the sight of that ancientest of Monarchs. Titania's first impulse was to wish the presence of her false Lord, King Oberon, who was far away, in the pursuit of a strange Beauty, a Fay of Indian Land—that with his good lance and sword, like a faithful knight and husband, he might defend her against Time. But she soon checked that thought as vain, for what could the prowess of the mighty Oberon himself, albeit the stoutest Champion in Fairy Land, have availed against so huge a Giant, whose bald top touched the skies. So in the mildest tone she besought the Spectre, that in his mercy he would overlook, and pass by, her small subjects, as too diminutive and powerless to add any worthy trophy to his renown. As she besought him to employ his resistless strength against the ambitious Children of Men, and to lay waste their aspiring works, to tumble down their towers and turrets, and the Babels of their pride, fit objects of his devouring Scythe, but to spare her and her harmless race, who had no existence beyond a dream; frail objects of a creed; that lived but in the faith of the believer. And with her little arms, as well as she could, she grasped the stern knees of TIME, and waxing speechless with fear, she beckoned to her chief attendants, and Maids of Honour, to come forth from their hiding places, and to plead the Plea of the Fairies. And one of those small delicate creatures came forth at her bidding, clad all in white like a Chorister, and in a low melodious tone, not louder than the hum of a pretty bee—when it seems to be demurring whether it shall settle upon this sweet flower or that, before it settles—set forth her humble Petition. "We Fairies," she said, "are the most inoffensive race that live, and least deserving to perish. It is we that have the care of all sweet melodies, that no discords may offend the Sun, who is the great Soul of Music. We rouse the lark at morn; and the pretty Echos, which respond to all the twittering quire, are of our making. Wherefore, great King of Years, as ever you have loved the music which is raining from a morning cloud, sent from the messenger of day, the Lark, as he mounts to Heaven's gate, beyond the ken of mortals; or if ever you have listened with a charmed ear to the Night Bird, that