P. C. Wren - The Collected Works of P. C. Wren - Complete Beau Geste Series, Novels & Short Stories

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This carefully edited collection of P. C. Wren has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Table of Contents:
The Beau Geste Trilogy
BEAU GESTE
BEAU SABREUR
BEAU IDEAL
Novels:
SNAKE AND SWORD
THE WAGES OF VIRTUE
DRIFTWOOD SPARS
CUPID IN AFRICA (The Baking of Bertram in Love and War)
Short Stories
STEPSONS OF FRANCE:
Ten little Legionaries
À la Ninon de L'Enclos
An Officer and—a Liar
The Dead Hand
The Gift
The Deserter
Five Minutes
"Here are Ladies"
The MacSnorrt
"Belzébuth"
The Quest
"Vengeance is Mine…"
Sermons in Stones
Moonshine
The Coward of the Legion
Mahdev Rao
The Merry Liars
GOOD GESTES:
What's in a Name
A Gentleman of Colour
David and His Incredible Jonathan
The McSnorrt Reminiscent
Mad Murphy's Miracle
Buried Treasure
If Wishes were Horses
The Devil and Digby Geste
The Mule
Low Finance
Presentiments
Dreams Come True
FLAWED BLADES: Tales from the Foreign Legion
No. 187017
Bombs
Mastic–and Drastic
The Death Post
E Tenebris
Nemesis
The Hunting of Henri
PORT O' MISSING MEN: Strange Tales of the Stranger Regiment
The Return of Odo Klemens
The Betrayal of Odo Klemens
The Life of Odo Klemens
Moon-rise
Moon-shadows
Moon-set
Percival Christopher Wren (1875-1941) was an English writer, mostly of adventure fiction. He is remembered best for Beau Geste, a much-filmed book of 1924, involving the French Foreign Legion in North Africa. This was one of 33 novels and short story collections that he wrote, mostly dealing with colonial soldiering in Africa. While his fictional accounts of life in the pre-1914 Foreign Legion are highly romanticized, his details of Legion uniforms, training, equipment and barrack room layout are generally accurate, which has led to unproven suggestions that Wren himself served with the legion.

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The rest I knew until the moment when I had seen Digby, who was de Beaujolais' trumpeter, climb into the fort. . . .

"Well--you know what I saw as I got on to the roof," said Digby, "and you can imagine (can you, I wonder?) what I felt when I saw Beau lying there. . . . I dashed down below and rushed round to see if you were among the wounded, and then realised that there were no wounded, and that the entire garrison was on that awful roof. . . . That meant that you had cleared out, and that it was your bayonet ornamenting Lejaune's chest, and that it was you who had disposed Michael's body and closed his eyes. Someone must have done it, and it wasn't one of those dead men. . . . Who else but you would have treated Michael's body differently from the others? As I have told you, I was mighty anxious, coming along, as to how you and Michael were getting on, and whether we should be in time, and I had been itching to get up on to the roof while de Beaujolais was being dramatic with Rastignac. . . . You can guess how anxious I was now . . . . What with Michael's death and your disappearance. . . .

"I could almost see you killing Lejaune, and felt certain it was because he had killed Michael and tried to kill you for that cursed 'diamond,' . . . I tell you I went dotty. . . .

"' Anyhow--he shall have a "Viking's Funeral ,"' I swore, and I believe I yelled the words at the top of my voice, ' and then I must find John .' . . . You know, it was always Beau's constant worry that harm would come to you. It was the regret of his life, that he was responsible for your bolting from home. . . . You young ass. . . .

"Anyhow, my one idea was to give him a proper funeral and then to follow you up. I guessed that you had stuck there, the sole survivor, until you saw de Beaujolais, and then slipped over the wall. . . .

"Then I heard someone scrambling and scraping at the wall, climbing up, and I crept off and rushed down below, with the idea of hiding till I got a chance to set fire to the beastly place, if I could do nothing better for Beau. . . . I saw the door of the punishment-cell standing open, and I slipped in there and hid behind the door. There was just room for me, and I should never be seen until someone came in and closed the door of the cell--which wasn't likely to happen for a long while. . . .

"Soon I heard de Beaujolais bawling out for me, and by the sound of his voice he wasn't much happier than I was. . . . The sight upstairs was enough to shake anybody's nerve, let alone the puzzle of it all. . . . By and by I heard him and the Sergeant-Major talking and hunting for me. They actually looked into the cell once, but it was obviously empty--besides being a most unlikely place for a soldier to shut himself in voluntarily! . . . I gathered that old Dufour was even less happy than de Beaujolais, who certainly wasn't enjoying himself. . . . Presently they went away, and the place became as silent as the grave. It occurred to me that whatever else they made of it they must be certain that Lejaune had been killed by one of his own men and that the man must have bolted. If I could also vanish in this mysterious place, it would give them something more to puzzle over; and if I could absolutely destroy it, there would be no evidence for them to lay before a court martial. . . . Mind, I had been marching for twenty-four hours and was all but sleeping on my feet, so I wasn't at my brightest and best, by a long way--apart from what I had just seen. . . .

"When I felt pretty certain that there was no one about, I crept up on to the roof again and took a look round.

"There was a sentry at the gate, and the company was evidently going to camp in the oasis, and have a sleep before entering the fort.

"I pulled myself together, crawled over to where Beau lay, heaved him up in my arms and carried him below to his own bed in the barrack-room. All round his cot I laid piles of wood from the cook-house and drenched it with lamp oil. I did my best to make it a real ' Viking's Funeral ' for him, just like we used to have at home. Just like he used to want it. My chief regret was that I had no Union Jack to drape over him. . . .

"However, I did the best I could, and covered the whole pyre with sheets of canvas and things. . . . All white, more or less. . . . There was no sign of the wood and oil. . . . He looked splendid. . . . Then, after thinking it over, I took the spare Tri-couleur and laid that over all. . . . It wasn't what I would have liked, but he had fought and died under it, so it served. . . . It served. . . . Served. . . ."

Digby's head was nodding as he talked. He was like a somnambulist. I tried to stop him.

"Shut up, John. . . . I must get it clear. . . . Oh, Beau! Beau! . . . I did my best for you, old chap. . . . There was no horse, nor spear, nor shield to lay beside you. . . . But I put a dog at your feet though. . . . And your rifle and bayonet was for sword and spear. . . ."

He must be going mad, I feared.

"A dog, old chap?" I said, trying to get him back to realities. "You are not getting it right, you know. . . ."

"Yes, a dog. . . . A dog at his feet. . . . A dog lying crouching with its head beneath his heels. . . ."

This was getting dreadful.

"I did not carry it down, as I carried Beau. I took it by one foot and dragged it down. . . ."

" Lejaune? " I whispered.

"Yes, John. Lejaune--with your bayonet through his heart. He won't give dumb evidence against you--and Beau had his ' Viking's Funeral ' with a dog at his feet. . . ."

I think I felt worse then than I had felt since Michael died. I gave Digby a sharp nudge in the ribs with my elbows.

"Get on with it and don't drivel," I said as though in anger.

"Where was I?" said Digby, in the tone of a man waking from a nap.

"Oh, yes. And when all was ready, John, I sat and talked to Beau and told him I hadn't the faintest idea as to what he'd been up to in this 'Blue Water' business, but what I did know was that, far from being anything shady, it was something quixotic and noble. . . . And then what do you think I did, John? . . . I fell asleep --and slept till the evening. . . .

"I was a bit more my own man when I woke up. I went up on the roof to see what was doing. . . . Creeping to the wall and peeping over, I saw that the Company was parading, and that I had cut it very fine. I thanked God that I had awakened in time, for in a few minutes they would be marching in, to clean up and take over.

"I crept back and set fire to Beau's funeral pyre. Then I rushed off and poured a can of oil over the pile of benches and furniture that I had heaped up in the next room. I set light to that and knocked another can over at the foot of the stairs. I lit it and bolted up to the stair of the look-out platform. At the bottom of this, I did the same, and by that time it would have taken more water than there is in the Sahara to put the place out. . . . I decided that Beau's funeral was all right, the evidence against you destroyed, and the time arrived for me to clear out. . . ."

He yawned prodigiously.

"So I came to look for you, John. . . . To look for . . . for . . ."

Digby was asleep.

Should I go to sleep too? The temptation was sore. But I felt that if we were to save ourselves, we must do it at once. We could hardly hope to lie there all night and escape detection in the morning, when the place would be swarming with scouts and skirmishers.

I decided to watch for an hour or two, while poor Digby slept. At the end of that time I would wake him and say that I was going to make the attempt to get a camel. . . .

It was extraordinarily silent. . . . It seemed impossible that the oasis, lying there so black and still, was alive with armed men. Even the camels and mules were behaving as though aware that the night was unusual. Not a grunting gurgle from the one or a whinnying bray from the other broke the brooding stillness of the night. I wondered if every man had been made responsible for the silence of his own animal, and had muzzled and gagged it. I smiled at the idea.

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