P. C. Wren - The Collected Works of P. C. Wren - Complete Beau Geste Series, Novels & Short Stories

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This carefully edited collection of P. C. Wren has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Table of Contents:
The Beau Geste Trilogy
BEAU GESTE
BEAU SABREUR
BEAU IDEAL
Novels:
SNAKE AND SWORD
THE WAGES OF VIRTUE
DRIFTWOOD SPARS
CUPID IN AFRICA (The Baking of Bertram in Love and War)
Short Stories
STEPSONS OF FRANCE:
Ten little Legionaries
À la Ninon de L'Enclos
An Officer and—a Liar
The Dead Hand
The Gift
The Deserter
Five Minutes
"Here are Ladies"
The MacSnorrt
"Belzébuth"
The Quest
"Vengeance is Mine…"
Sermons in Stones
Moonshine
The Coward of the Legion
Mahdev Rao
The Merry Liars
GOOD GESTES:
What's in a Name
A Gentleman of Colour
David and His Incredible Jonathan
The McSnorrt Reminiscent
Mad Murphy's Miracle
Buried Treasure
If Wishes were Horses
The Devil and Digby Geste
The Mule
Low Finance
Presentiments
Dreams Come True
FLAWED BLADES: Tales from the Foreign Legion
No. 187017
Bombs
Mastic–and Drastic
The Death Post
E Tenebris
Nemesis
The Hunting of Henri
PORT O' MISSING MEN: Strange Tales of the Stranger Regiment
The Return of Odo Klemens
The Betrayal of Odo Klemens
The Life of Odo Klemens
Moon-rise
Moon-shadows
Moon-set
Percival Christopher Wren (1875-1941) was an English writer, mostly of adventure fiction. He is remembered best for Beau Geste, a much-filmed book of 1924, involving the French Foreign Legion in North Africa. This was one of 33 novels and short story collections that he wrote, mostly dealing with colonial soldiering in Africa. While his fictional accounts of life in the pre-1914 Foreign Legion are highly romanticized, his details of Legion uniforms, training, equipment and barrack room layout are generally accurate, which has led to unproven suggestions that Wren himself served with the legion.

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My left hand was round a coat-sleeve, beneath which was the stiff cuff of a dress shirt, and my right grasped a wrist. I was very glad that it was a man's arm. Had it been a girl's I should have let go. Ghastly Gustus, of course. . . . It was just the silly sort of thing he would do, and it was just like him to take advantage of the darkness, when he found the joke had fallen remarkably flat. I did not envy him the look that would appear on Aunt Patricia's face when the light went up and he was discovered in my grip.

I would have let him go, I think, had he not endeavoured to put the blame on me, and insisted on my nearness to the table when the light failed.

I was a little surprised that he did not struggle, and I was prepared for a sudden violent twist and a swift evasion in the dark.

He kept perfectly still.

"I am going to count ten, and then up goes the light. Are you ready, villain?" came the voice of Isobel from the door.

"Yes, I've put it back," said Digby.

"So have I," said Michael, close to me.

"And I," echoed Claudia.

Then Isobel switched on the light, and I found that my hands were clenched on the right arm of--my brother Michael!

I was more surprised than I can say.

It was only a small matter, of course; a pointless practical joke and a pointless lie, but it was so utterly unlike Michael. It was unlike him to do it, and more unlike him flatly to deny having done it. And my surprise increased when Michael, looking at me queerly, actually remarked:

"So it was me , John, was it? Oh, Feeble Geste!"

I felt absurdly hurt, and turning to Augustus said, "I apologise, Gussie. I admit I thought it was you."

"Oh, don't add insult to injury," he replied. "Put the beastly thing back, and stop being a funny ass. Enough of you is too much."

Put the beastly thing back! I turned and looked at the cushion. It was empty still. I looked at Michael and Michael looked at me.

"Oh, shove it back, Beau," I said. "It's all been most extraordinarily clever and amusing, I'm sure. But I'm inclined to agree with Gussie."

Michael gave me one of his long, thoughtful, penetrating looks. "H'm," said he.

Isobel came over from the door.

"I do think you might have played up, sillies," said she. "Put it back, Beau, and let's have a dance. May we, Aunt?"

"Certainly," said Aunt Patricia, "as soon as ever the great humorist in our midst has received our felicitations," and I really pitied the said humorist, when he should make his avowal, annoyed with him as I felt.

The Chaplain looked from face to face of the six of us and said nothing. Aunt Patricia did the same.

We all stood silent.

"Now stop this fooling," said she. "Unless the 'Blue Water' is produced at once, I shall be very seriously annoyed."

"Come on, somebody," said Digby.

Another minute's silence.

It began to grow unbearable.

"I am waiting," said Lady Brandon at last, and her foot began to tap.

From that moment the matter became anything but a joke, swiftly growing unpleasant and increasingly so.

§3.

I shall not forget the succeeding hours in a hurry, and their horrible atmosphere of suspicion--seven people suspecting one of the other seven, and the eighth person pretending to do so.

My capable and incisive aunt quickly brought things to a clear issue, upon getting no reply to her "I am waiting," and her deliberate look from face to face of the angry and uncomfortable group around her.

"Maurice," said she to the Chaplain, laying her hand upon his sleeve, her face softening and sweetening incredibly, "come and sit by me until I have asked each of these young people a question. Then I want you to go to bed, for it's getting late," and she led him to a big and deep chesterfield that stood on a low dais in a big window recess.

Seating herself with the air and presence of a queen on a throne, she said, quietly and very coldly:

"This is getting serious, and unless it ends at once, the consequences will be serious too. For the last time I ask the boy, or girl, who moved the 'Blue Water,' to give it to me and we will end the silly business now and here, and make no further reference to it. If not . . . Come, this is absurd and ridiculous. . . ."

"Oh, come off it, John," said Augustus, "for God's sake."

Nobody else spoke.

"Very well," said my aunt, "since the fool won't leave his folly. . . . Come here, Claudia. . . . Have you touched the 'Blue Water' since the Chaplain restored it to its place?" She laid her hand on Claudia's arm, drew her close, and looked into her eyes.

"No, Aunt. . . ."

"No, Aunt," said Claudia again.

"Of course not," said Aunt Patricia. "Go to bed, dear. Good night."

And Claudia departed, not without an indignant glance at me.

"Come here, Isobel," continued my aunt. "Have you touched the 'Blue Water' since the Chaplain put it back in its place?"

"No, Aunt, I have not," replied Isobel.

"I am sure you have not. Go to bed. Good night," said Lady Brandon.

Isobel turned to go and then stopped.

"But I might have done, Aunt, if the idea had occurred to me," she said. "It is just a joke, of course."

"Bed," rejoined her aunt, and Isobel departed with a kind glance at me.

Aunt Patricia turned to Augustus.

"Come here," she said coldly, and with a hard stare into his somewhat shifty eyes. "Please answer absolutely truthfully--for your own sake. If you have got the 'Blue Water,' and give it to me now, I shall not say another word about the matter. Have you?"

"I swear to God, Aunt . . ." broke out Augustus.

"You need not swear to God, nor to me, Augustus," was the cold reply. "Yes or No. Have you got it?"

" No , Aunt! I take my solemn oath I . . ." the unhappy youth replied vehemently, when the cold voice interrupted:

"Have you touched the sapphire since the Chaplain put it under its cover?"

"No, Aunt. Really , I haven't! I assure you I . . ." began Augustus, to be again interrupted by the cold question:

"Do you know where the 'Blue Water' is now?"

"No, Aunt," promptly replied he, "upon my soul I don't. If I did, I'd jolly well . . ."

"John," said my aunt, without further notice of Augustus, "do you know where the stone is?"

"No, Aunt," I replied, and added, "nor have I touched it since the Chaplain did."

She favoured me with a long, long look, which I was able to meet quite calmly, and I hope not at all rudely. As I looked away, my eyes met Michael's. He was watching me queerly.

Then came Digby's turn. He said quite simply and plainly that he knew nothing about the jewel's disappearance and had not touched it since it was passed to him by Claudia, and handed on by him to Isobel.

There remained Michael. He was the culprit, or else one of us had told a most deliberate, calculated, and circumstantial lie, inexcusable and disgraceful.

I felt angrier with Michael than I had ever done in my life, yet I was angry rather for him than with him. It was so utterly unlike him to do such a stupid thing, and to allow all this unpleasant and undignified inquisition to go on, when a word from him would have ended it.

Why must my idol act as though he had feet of clay--or, at any rate, smear clay upon his feet? The joke was unworthy, but the lie was really painfully so.

I have no objection to the good thumping lie that is "a very present help in time of trouble," told at the right time and in the right cause (such as to save the other fellow's bacon). But I have the strongest distaste for a silly lie that merely gives annoyance to other people, and puts blame upon an innocent person.

From the moment I had caught him in the act of trying to return the jewel secretly, I had felt sick with indignation, and literally and physically sick when, his effort frustrated by me, he had pretended innocence and held on for another opportunity of returning the thing unseen.

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