P. C. Wren - The Collected Works of P. C. Wren - Complete Beau Geste Series, Novels & Short Stories

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This carefully edited collection of P. C. Wren has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Table of Contents:
The Beau Geste Trilogy
BEAU GESTE
BEAU SABREUR
BEAU IDEAL
Novels:
SNAKE AND SWORD
THE WAGES OF VIRTUE
DRIFTWOOD SPARS
CUPID IN AFRICA (The Baking of Bertram in Love and War)
Short Stories
STEPSONS OF FRANCE:
Ten little Legionaries
À la Ninon de L'Enclos
An Officer and—a Liar
The Dead Hand
The Gift
The Deserter
Five Minutes
"Here are Ladies"
The MacSnorrt
"Belzébuth"
The Quest
"Vengeance is Mine…"
Sermons in Stones
Moonshine
The Coward of the Legion
Mahdev Rao
The Merry Liars
GOOD GESTES:
What's in a Name
A Gentleman of Colour
David and His Incredible Jonathan
The McSnorrt Reminiscent
Mad Murphy's Miracle
Buried Treasure
If Wishes were Horses
The Devil and Digby Geste
The Mule
Low Finance
Presentiments
Dreams Come True
FLAWED BLADES: Tales from the Foreign Legion
No. 187017
Bombs
Mastic–and Drastic
The Death Post
E Tenebris
Nemesis
The Hunting of Henri
PORT O' MISSING MEN: Strange Tales of the Stranger Regiment
The Return of Odo Klemens
The Betrayal of Odo Klemens
The Life of Odo Klemens
Moon-rise
Moon-shadows
Moon-set
Percival Christopher Wren (1875-1941) was an English writer, mostly of adventure fiction. He is remembered best for Beau Geste, a much-filmed book of 1924, involving the French Foreign Legion in North Africa. This was one of 33 novels and short story collections that he wrote, mostly dealing with colonial soldiering in Africa. While his fictional accounts of life in the pre-1914 Foreign Legion are highly romanticized, his details of Legion uniforms, training, equipment and barrack room layout are generally accurate, which has led to unproven suggestions that Wren himself served with the legion.

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When I reached the roof, with bursting lungs and dry mouth, I saw Miss Vanbrugh in a corner, her raised riding-crop reversed in her hand, as, with set mouth and protruding chin, she faced the bloodthirsty and bestial fanatics, whom, to my horror, I saw to be armed with swords as well as long knives.

In view of the stringent regulations of the Arms Act, this meant that the inevitable rising and massacre was about to begin, or had already begun.

It was no moment for kid-gloved warfare, nor for the niceties of chivalrous fighting, and I drove my sword through the back of one man who was in the very act of yelling, "Hack the . . . in pieces and throw her to the dogs," and I cut half-way through the neck of another before it was realized that the flying feet behind them had not been those of a brother.

My rush carried me through to Miss Vanbrugh, and as I wheeled about, I laid one black throat open to the bone and sent my point through another filthy and ragged jellabia in the region of its owner's fifth rib.

And then the rest were on me, and it was parry, and parry, and parry, for dear life, with no chance to do anything else--until suddenly a heavy crop fell crashing on an Arab wrist and I could thrust home as the stricken hand swerved.

Only two remained, and, as I took on my hilt a smashing blow aimed at my head, dropped my point into the brute's face and thrust hard--the while I expected the other man's sword in my side--I was aware, with the tail of my eye, of a pair of white-clad arms flung round a black neck from behind. As the great sword of the disconcerted Arab went wildly up, I sprang sideways, and thrust beneath his arm-pit. . . .

Then I sat me down, panting like a dog, and fought for breath--while from among seven bodies, some yet twitching in the pool of blood, a spouting Thing dragged itself by its fingers and toes towards the stairs. . . . Had I been a true Hero of Romance, I should have struck an attitude, leaning on my dripping sword, and awaited applause. In point of actual fact, I felt sick and shaky.

"The boys seem a little--er-- fresh ," complained a cool quiet voice, and I looked up from my labours of breath-getting. She was pale, but calm and collected, though splashed with blood from head to foot.

" Some dog-fight, Major Ivan," she said. "Are you hurt?"

"No, Miss Vanbrugh," I answered. "Scratched and chipped a bit, that's all. . . . Are you all right? . . . You are the coolest and bravest woman I have ever met. . . . You saved my life. . . ."

"Nonsense!" was the reply. "What about mine? I certainly was in some trouble when you strolled in. . . . And I was mad that I couldn't explain to these beauties that this was the first time I had ever come out without my little gun! . . . I could have wept at myself. . . .

"Major, I'm going to be just a bit sick. . . . I've got to go home right now. . . . Steward! Basin . . ."

I wiped my sword (and almost kissed it), sheathed it, picked the girl up, and carried her like a baby, straight to my quarters. . . . That I had heard no rifle-fire nor mob-howling, showed that the revolt had not begun. . . .

Achmet was on guard at my door, but Dufour had taken his place at the Review as I had told him.

I laid her on my bed, brought cognac and water, and said, "Listen, Miss Vanbrugh. I am going to bring your maid here. Don't you dare go out of this room till I return with her--in fact Achmet won't let you. There's going to be Hell to-night--or sooner--and you'll be safer here than at the Governor's house, until I can get burkhas and barracans for you and the maid, and smuggle you down to Ibrahim Maghruf's. . . ."

"But what about all the pretty soldier-boys, won't they deal with the Arabs?" interrupted the girl.

"Yes, while they're alive to do it," I replied, and ran off. . . .

§ 6

Not a soul in the streets! A very bad sign, though fortunate for my immediate purpose of getting Maudie to my quarters unseen.

I had not far to go, and was thankful to find she was at home. Otis Vanbrugh had gone out. I noted that the maid was exhilarated and thrilled rather than frightened and anxious, when I explained that there was likely to be trouble.

"Just like Jenny What's-her-name, the Scotch girl in the Indian Mutiny. . . . You know, sir, the Siege of Lucknow and the bagpipes and all that. . . . I know a bit of po'try about it. . . . Gimme half a mo', sir, and I'll put some things together for Miss Mary. . . . Lumme! What a lark!" and as the droll, brave little soul bustled off, I swear she murmured " Sheikhs! "

Sheikhs! A lark! Une escapade! . . . And suppose the house of Sidi Ibrahim Maghruf was the first that was looted and burnt by a victorious blood-mad mob, as being the house of a rich, renegade friend of the Hell-doomed Infidel? . . .

"Hurry, Maudie," I shouted, and out she came--her pretty face alight and alive at the anticipation of her "lark"--with a big portmanteau or suit-case. Taking this, I hurried her at top speed back to the Bab-el-Souq.

"Oh, my Gord ! Look!" ejaculated poor Maudie as we came to where the slaughtered horse lay in its blackening pool, and a Thing still edged along with toes and fingers, leaving a trail. It must have rolled down those stairs. . . .

Some of the bloom was gone from the "lark" for the gay little Cockney, and from her bright cheeks too. . . .

* * *

For me a stiff cognac and off again, this time to the house of Sidi Ibrahim Maghruf. It was useless to go to Colonel Levasseur yet. I had said all I could say, and he had got all his men--for the moment--precisely where they ought to be, all in one place, under one command; and if the rising came while they were there, so much the better.

I would see Sidi Ibrahim Maghruf, and then, borrowing a horse, ride to Levasseur, tell him of the attack on Miss Vanbrugh, assure him that the rising would be that night, and beg him to act accordingly.

* * *

Sidi Ibrahim Maghruf's house, as usual, appeared to be deserted, empty and dead. From behind high blind walls rose a high blind house, and from neither of the lanes that passed the place could a window be seen.

My private and particular knock with my sword-hilt--two heavy, two light, and two heavy--brought a trembling ancient to the iron-plated wicket in the tremendously heavy door. It was good old Ali Mansur.

I stepped inside and the old mummy, whose eye was still bright and wits keen, gave me a message which I doubt not was word for word as his master and owner had delivered it to him.

"Ya, Sidi, the Protection of the Prophet and the Favour of Allah upon Your Honour's head. My Master has been suddenly called away upon a journey to a far place, and this slave is alone here with Djikki, the Soudanese soldier. This slave is to render faithful account to your Excellency of his property in the camel-sacks; and Djikki, the Soudanese, is ready with the beautiful camels. The house of my Master, and all that is in it, is at the disposal of the Sidi, and these words of my Master are for the Sidi's ear. ' Jackals and hyenas enter the cave of the absent lion to steal his meat! '" . . .

Quite so. The wily Ibrahim knew more than he had said. He had cleared out in time, taking his family and money, until after the massacre of the tiny garrison and the subsequent looting was over, the town had been recaptured, a sharp lesson taught it, and an adequate garrison installed. . . . There is a time to run like the hare and a time to hunt with the hounds.

No--this would be no place to which to bring the two women.

I ordered the ancient Ali to tell Djikki to saddle me a horse quickly, and then to fetch me any women's clothing he could find-- tobhs , aabaias , foutas , guenaders , haiks , lougas , melah'af , mendilat , roba , sederiya , hezaam , barracan --any mortal thing he could produce, of female attire.

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