Arthur Morrison - British Mystery Classics - Arthur Morrison Edition (Illustrated)

Здесь есть возможность читать онлайн «Arthur Morrison - British Mystery Classics - Arthur Morrison Edition (Illustrated)» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: unrecognised, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

British Mystery Classics - Arthur Morrison Edition (Illustrated): краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «British Mystery Classics - Arthur Morrison Edition (Illustrated)»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

This carefully edited collection of mystery & thriller novels has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Table of Contents: Arthur Morrison (1863-1945) was an English writer and journalist known for his detective stories, featuring the detective Martin Hewitt, low-key, realistic, lower class answer to Sherlock Holmes. Martin Hewitt stories are similar in style to those of Conan Doyle, cleverly plotted and very amusing. Morrison is also known for his realistic novels and stories about working-class life in London's East End, A Child of the Jago being the best known. Table of Contents: Martin Hewitt Series: Martin Hewitt, Investigator The Lenton Croft Robberies The Loss of Sammy Crockett The Case of Mr. Foggatt The Case of the Dixon Torpedo The Quinton Jewel Affair The Stanway Cameo Mystery The Affair of the Tortoise Chronicles of Martin Hewitt The Ivy Cottage Mystery The Nicobar Bullion Case The Holford Will Case The Case of the Missing Hand The Case of Laker, Absconded The Case of the Lost Foreigner Adventures of Martin Hewitt The Affair of Mrs. Seton's Child The Case of Mr. Geldard's Elopement The Case of the Dead Skipper The Case of the «Flitterbat Lancers» The Case of the Late Mr. Rewse The Case of the Ward Lane Tabernacle The Red Triangle The Affair of Samuel's Diamonds The Case of Mr. Jacob Mason The Case of the Lever Key The Case of the Burnt Barn The Case of the Admiralty Code The Adventure of Channel Marsh Other Detective Stories: The Dorrington Deed Box The Narrative of Mr. James Rigby The Case of Janissary The Case of «The Mirror of Portugal» The Affair of the «Avalanche Bicycle & Tyre Co., Ltd.» The Case of Mr. Loftus Deacon Old Cater's Money The Green Eye of Goona The First Magnum Mr. Norie's Magnum Mr. Clifton's Magnum The Steward's Magnum—and Another Mr. Pooley's Magnum A Box of Oddments Mr. Smith's Magnums The Green Eye

British Mystery Classics - Arthur Morrison Edition (Illustrated) — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «British Mystery Classics - Arthur Morrison Edition (Illustrated)», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

“Well — yes,” Hewitt answered, “it is. But all those other pieces are important, too.”

“But why?”

“Because there are no holes in them.” He looked quizzically at my wondering face, and laughed aloud. “Come,” he said, “I won’t puzzle you much longer. Here is the post-office. I’ll send my wire, and then we’ll go and dine at Luzatti’s.”

He sent his telegram, and we cabbed it to Luzatti’s. Among actors, journalists, and others who know town and like a good dinner, Luzatti’s is well known. We went upstairs for the sake of quietness, and took a table standing alone in a recess just inside the door. We ordered our dinner, and then Hewitt began:

“Now tell me what your conclusion is in this matter of the Ivy Cottage murder.”

“Mine? I haven’t one. I’m sorry I’m so very dull, but I really haven’t.”

“Come, I’ll give you a point. Here is the newspaper account (torn sacrilegiously from my scrap-book for your benefit) of the robbery perpetrated on Harvey Challitt a few months before his forgery. Read it.”

“Oh, but I remember the circumstances very well. He was carrying two packets of diamonds belonging to his firm downstairs to the office of another firm of diamond merchants on the ground-floor. It was a quiet time in the day, and halfway down he was seized on a dark landing, made insensible by chloroform, and robbed of the diamonds — five or six thousand pounds’ worth altogether, of stones of various smallish individual values up to thirty pounds or so. He lay unconscious on the landing till one of the partners, noticing that he had been rather long gone, followed and found him. That’s all, I think.”

“Yes, that’s all. Well, what do you make of it?”

“I’m afraid I don’t quite see the connection with this case.”

“Well, then, I’ll give you another point. The telegram I’ve just sent releases information to the police, in consequence of which they will probably apprehend Harvey Challitt and his confederate Henry Gillard, alias Jones, for the murder of Gavin Kingscote. Now, then.”

“Challitt! But he’s in gaol already.”

“Tut, tut, consider. Five years’ penal was his dose, although for the first offence, because the forgery was of an extremely dangerous sort. You left Chelsea over three years ago yourself, and you told me that his difficulty occurred a year before. That makes four years, at least. Good conduct in prison brings a man out of a five year’s sentence in that time or a little less, and, as a matter of fact, Challitt was released rather more than a week ago.”

“Still, I’m afraid I don’t see what you are driving at.”

“Whose story is this about the diamond robbery from Harvey Challitt?”

“His own.”

“Exactly. His own. Does his subsequent record make him look like a person whose stories are to be accepted without doubt or question?”

“Why, no. I think I see — no, I don’t. You mean he stole them himself? I’ve a sort of dim perception of your drift now, but still I can’t fix it. The whole thing’s too complicated.”

“It is a little complicated for a first effort, I admit, so I will tell you. This is the story. Harvey Challitt is an artful young man, and decides on a theft of his firm’s diamonds. He first prepares a hiding-place somewhere near the stairs of his office, and when the opportunity arrives he puts the stones away, spills his chloroform, and makes a smell — possibly sniffs some, and actually goes off on the stairs, and the whole thing’s done. He is carried into the office — the diamonds are gone. He tells of the attack on the stairs, as we have heard, and he is believed. At a suitable opportunity he takes his plunder from the hiding-place, and goes home to his lodgings. What is he to do with those diamonds? He can’t sell them yet, because the robbery is publicly notorious, and all the regular jewel buyers know him.

“Being a criminal novice, he doesn’t know any regular receiver of stolen goods, and if he did would prefer to wait and get full value by an ordinary sale. There will always be a danger of detection so long as the stones are not securely hidden, so he proceeds to hide them. He knows that if any suspicion were aroused his rooms would be searched in every likely place, so he looks for an unlikely place. Of course, he thinks of taking out a panel and hiding them behind that. But the idea is so obvious that it won’t do; the police would certainly take those panels out to look behind them. Therefore he determines to hide them in the panels. See here”— he took the two pieces of wood with the filled hole from his tail pocket and opened his penknife — the putty near the surface is softer than that near the bottom of the hole; two different lots of putty, differently mixed, perhaps, have been used, therefore, presumably, at different times.

“But to return to Challitt. He makes holes with a centre-bit in different places on the panels, and in each hole he places a diamond, embedding it carefully in putty. He smooths the surface carefully flush with the wood, and then very carefully paints the place over, shading off the paint at the edges so as to leave no signs of a patch. He doesn’t do the whole job at once, creating a noise and a smell of paint, but keeps on steadily, a few holes at a time, till in a little while the whole wainscoting is set with hidden diamonds, and every panel is apparently sound and whole.”

“But, then — there was only one such hole in the whole lot.”

Just so, and that very circumstance tells us the whole truth. Let me tell the story first — I’ll explain the clue after. The diamonds lie hidden for a few months — he grows impatient. He wants the money, and he can’t see a way of getting it. At last he determines to make a bolt and go abroad to sell his plunder. He knows he will want money for expenses, and that he may not be able to get rid of his diamonds at once. He also expects that his suddenly going abroad while the robbery is still in people’s minds will bring suspicion on him in any case, so, in for a penny in for a pound, he commits a bold forgery, which, had it been successful, would have put him in funds and enabled him to leave the country with the stones. But the forgery is detected, and he is haled to prison, leaving the diamonds in their wainscot setting.

“Now we come to Gavin Kingscote. He must have been a shrewd fellow — the sort of man that good detectives are made of. Also he must have been pretty unscrupulous. He had his suspicions about the genuineness of the diamond robbery, and kept his eyes open. What indications he had to guide him we don’t know, but living in the same house a sharp fellow on the look — out would probably see enough. At any rate, they led him to the belief that the diamonds were in the thief’s rooms, but not among his movables, or they would have been found after the arrest. Here was his chance. Challitt was out of the way for years, and there was plenty of time to take the house to pieces if it were necessary. So he changed into Challitt’s rooms.

“How long it took him to find the stones we shall never know. He probably tried many other places first, and, I expect, found the diamonds at last by pricking over the panels with a needle. Then came the problem of getting them out without attracting attention. He decided not to trust to the needle, which might possibly leave a stone or two undiscovered, but to split up each panel carefully into splinters so as to leave no part unexamined. Therefore he took measurements, and had a number of panels made by a joiner of the exact size and pattern of those in the room, and announced to his landlady his intention of painting her panels with a pretty design. This to account for the wet paint, and even for the fact of a panel being out of the wall, should she chance to bounce into the room at an awkward moment. All very clever, eh?”

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «British Mystery Classics - Arthur Morrison Edition (Illustrated)»

Представляем Вашему вниманию похожие книги на «British Mystery Classics - Arthur Morrison Edition (Illustrated)» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «British Mystery Classics - Arthur Morrison Edition (Illustrated)»

Обсуждение, отзывы о книге «British Mystery Classics - Arthur Morrison Edition (Illustrated)» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x