E. Delafield - The Collected Works of E. M. Delafield (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of E. M. Delafield's renowned novels, short stories and plays. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
E. M. Delafield (1890-1943) was a prolific English author. She is best known for her largely autobiographical works like Zella Sees Herself, The Provincial Lady Series etc. which look at the lives of upper-middle class Englishwomen.
TABLE OF CONTENTS
PROVINCIAL LADY SERIES
The Diary of a Provincial Lady
The Provincial Lady Goes Further
The Provincial Lady in America
The Provincial Lady in Russia
The Provincial Lady in Wartime
NOVELS
Zella Sees Herself
The War-Workers
Consequences
Tension
The Heel of Achilles
Humbug: A Study in Education
Messalina of the Suburbs
Gay Life
General Impressions
Late and Soon
SHORT STORIES
The Bond of Union
Lost in Transmission
Time Work Wonders
The Hotel Child
The Gallant Little Lady
Impasse
The Appeal
The Philistine
PLAYS
The First Stone
To See Ourselves. A Domestic Comedy in Three Acts

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Stray number of weekly Illustrated Paper appears in hall--cannot say why or how--and Robert asks where this rag came from? and then spends an hour after lunch glued to its pages. Paper subsequently reaches the hands of Vicky, who says Oh, look at that picture of a naked lady, and screams with laughter. Ascertain later that this description, not wholly libellous, applies to full-page photograph of Pamela Pringle--wearing enormous feathered headdress, jewelled breast-plates, one garter, and a short gauze skirt--representing Chastity at recent Pageant of Virtue through the Ages organised by Society women for the benefit of Zenana Mission.

I ask Robert with satirical intent if he would like me to take in Illustrated - фото 36

I ask Robert, with satirical intent, if he would like me to take in Illustrated Weekly regularly, to which he disconcerts me by replying Yes, but not that one. He wants the one that Marsh writes in. Marsh? I say. Yes, Marsh. Marsh is a sound fellow, and knows about books. That, says Robert, should appeal to me. I agree that it does, but cannot, for the moment, trace Marsh. Quite brisk discussion ensues, Robert affirming that I know all about Marsh--everyone does--fellow who writes regularly once a week about books. Illumination suddenly descends upon me, and I exclaim, Oh, Richard King! Robert signifies assent, and adds that he knew very well that I knew about the fellow, everyone does--and goes into the garden.

( Mem. : Wifely intuition very peculiar and interesting, and apparently subject to laws at present quite unapprehended by finite mind. Material here for very deep, possibly scientific, article. Should like to make preliminary notes, but laundry calls, and concentrate instead on total omission of everything except thirty-four handkerchiefs and one face-towel from clothes-basket. Decide to postpone article until after the holidays.)

Ethel's afternoon out, and customary fatality of callers ensues, who are shown in by Cook with unsuitable formula: Someone to see you, 'm. Someone turns out to be unknown Mrs. Poppington, returning call with quite unholy promptitude, and newly grown-up daughter, referred to as My Girl. Mrs. Poppington sits on window-seat--from which I hastily remove Teddy-bear, plasticine, and two pieces of bitten chocolate--and My Girl leans back in arm-chair and reads Punch from start to finish of visit.

Mrs. P. and I talk about servants, cold East Winds and clipped yew hedges. She also says hopefully that she thinks I know Yorkshire, but to this I have to reply that I don't, which leads us nowhere. Am unfortunately inspired to add feebly--Except, of course, the Brontes--at which Mrs. P. looks alarmed, and at once takes her leave. My Girl throws Punch away disdainfully, and we exchange good-byes, Mrs. P. saying fondly that she is sure she does not know what I must think of My Girl's manners. Could easily inform her, and am much tempted to do so, but My Girl at once starts engine of car, and drives herself and parent away.

April 21st. --Final spate of letters, two post cards, and a telegram, herald arrival of Felicity--not, however, by train that she has indicated, and minus luggage, for which Robert is obliged to return to station later. Am gratified to observe that in spite of this, Robert appears pleased to see her, and make mental note to the effect that a Breath of Air from the Great World is of advantage to those living in the country.

April 22nd. --Singular reaction of Felicity to announcement that I am taking her to lunch with novelist, famous in two continents for numerous and brilliant contributions to literature. It is very kind of me, says Felicity, in very unconvincing accents, but should I mind if she stayed at home with the children? I should, I reply, mind very much indeed. At this we glare at one another for some moments in silence, after which Felicity--spirit evidently quailing--mutters successively that: (a) She has no clothes. (b) She won't know what to talk about. (c) She doesn't want to be put into a book.

I treat (a) and (b) with silent contempt, and tell her that (c) is quite out of the question, to which she retorts sharply that she doesn't know what I mean.

Dead-lock is again reached.

Discussion finally closed by my declaring that Casabianca and the children are going to Plymouth to see the dentist, and that Robert will be out, and I have told the maids that there will he no dining-room lunch. Felicity submits, I at once offer to relinquish expedition altogether, she protests violently, and we separate to go and dress.

Query , at this point, suggests itself: Why does my wardrobe never contain anything except heavy garments suitable for arctic regions, or else extraordinarily flimsy ones suggestive of the tropics? Golden mean apparently non-existent.

Am obliged to do the best I can with brown tweed coat and skirt, yellow wool jumper--sleeves extremely uncomfortable underneath coat sleeves--yellow handkerchief tied in artistic sailor's knot at throat, and brown straw hat with ciré ribbon, that looks too summery for remainder of outfit. Felicity achieves better results with charming black-and-white check, short pony-skin jacket, and becoming black felt hat.

Car, which has been washed for the occasion, is obligingly brought to the door by Casabianca, who informs me that he does not think the self-starter is working, but she will probably go on a slope, only he doesn't advise me to try and wind her, as she kicked badly just now. General impression diffused by this speech is to the effect that we are dealing with a dangerous wild beast rather than a decrepit motor-car.

I say Thank you to Casabianca, Good-bye to the children, start the car, and immediately stop the engine. Not a very good beginning, is it? says Felicity, quite unnecessarily.

Casabianca Robin and Vicky with better feeling push car vigorously and - фото 37

Casabianca, Robin and Vicky, with better feeling, push car vigorously, and eventually get it into the lane, when engine starts again. Quarter of a mile further on, Felicity informs me that she thinks one of the children is hanging on to the back of the car. I stop, investigate, and discover Robin, to whom I speak severely. He looks abashed. I relent, and say, Well, never mind this time, at which he recovers immediately, and waves us off with many smiles from the top of a hedge.

Conversation is brisk for the first ten miles. Felicity enquires after That odious woman--cannot remember her name--but she wore a ridiculous cape, and read books, from which description I immediately, and correctly, deduce Miss Pankerton, and reply that I have not, Thank Heaven, come across her for weeks. We also discuss summer clothes, Felicity's married sister's children, Lady B.--now yachting in the Mediterranean--and distant days when Felicity and I were at school together.

Pause presently ensues, and Felicity--in totally different voice--wishes to know if we are nearly there? We are; I stop the car before the turning so that we can powder our noses, and we attain small and beautiful Queen Anne house in silence.

Am by this time almost as paralysed as Felicity, and cannot understand why I ever undertook expedition at all. Leave car in most remote corner of exquisite courtyard--where it presents peculiarly sordid and degraded appearance--and permit elegant parlourmaid--mauve-and-white dress and mob cap--to conduct us through panelled hall to sitting-room evidently designed and furnished entirely regardless of cost.

Madam is in the garden, says parlourmaid, and departs in search of her. Felicity says to me, in French--(Why not English?)-- Dites que je ne suis pas literary du tout , and I nod violently just as celebrated hostess makes her appearance.

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