E. Delafield - The Collected Works of E. M. Delafield (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of E. M. Delafield's renowned novels, short stories and plays. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
E. M. Delafield (1890-1943) was a prolific English author. She is best known for her largely autobiographical works like Zella Sees Herself, The Provincial Lady Series etc. which look at the lives of upper-middle class Englishwomen.
TABLE OF CONTENTS
PROVINCIAL LADY SERIES
The Diary of a Provincial Lady
The Provincial Lady Goes Further
The Provincial Lady in America
The Provincial Lady in Russia
The Provincial Lady in Wartime
NOVELS
Zella Sees Herself
The War-Workers
Consequences
Tension
The Heel of Achilles
Humbug: A Study in Education
Messalina of the Suburbs
Gay Life
General Impressions
Late and Soon
SHORT STORIES
The Bond of Union
Lost in Transmission
Time Work Wonders
The Hotel Child
The Gallant Little Lady
Impasse
The Appeal
The Philistine
PLAYS
The First Stone
To See Ourselves. A Domestic Comedy in Three Acts

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Realise too late that this not very happily expressed.

J. L. says Yes indeed, and tells me that he finds poetry more helpful than anything else. The Elizabethans for choice. Don't I agree?

Reply at once that I am less familiar with the Elizabethan poets than I should like to be, and hope he may think this means that I know plenty of others. (Am quite unable to recall any poetry at all at the moment, except "How they Brought the Good News from Ghent" and cannot imagine why in the world I should have thought of that.)

Ah, says J. L. very thoughtfully, there is a lot to be said for prose. He personally finds that the Greeks provide him with escapist literature. Plato.

Should not at all wish him to know that The Fairchild Family performs the same service for me—but remember with shame that E. M. Forster, in admirable wireless talk, has told us not to be ashamed of our taste in reading.

Should like to know if he would apply this to The Fairchild Family and can only hope that he would.

Refer to Dickens—compromise here between truth and desire to sound reasonably cultured—but J. L. looks distressed, says Ah yes—really? and changes conversation at once.

Can see that I have dished myself with him for good.

Talk about black-out—Serena alleges that anonymous friend of hers goes out in the dark with extra layer of chalk-white powder on her nose, so as to be seen, and resembles Dong with the Luminous Nose.

J. L. not in the least amused and merely replies that there are little disks on sale, covered with luminous paint, or that pedestrians are now allowed electric torch if pointed downwards, and shrouded in tissue-paper. Serena makes fresh start, and enquires whether he doesn't know Sir Archibald and Lady Blowfield—acquaintances of mine.

He does know them—had hoped that Sir A. could offer him war work—but that neither here nor there. Lady Blowfield is a charming woman.

I say Yes, isn't she—which is quite contrary to my real opinion. Moreover, am only distressed at this lapse from truth because aware that Serena will recognise it as such. Spiritual and moral degradation well within sight, but cannot dwell on this now. (Query: Is it in any way true that war very often brings out the best in civil population? Answer: So far as I am concerned, Not at all.)

Suggestion from Serena that Sir Archibald and Lady Blowfield both take rather pessimistic view of international situation causes J. L. to state it as his considered opinion that no one, be he whom he may, no one, is in a position at this moment to predict with certainty what the Future may hold.

Do not like to point out to him that no one ever has been, and shortly afterwards J. L. departs, telling Serena that he will ring her up when he knows any more. (Any more what?)

October 1st. —Am at last introduced by Serena Fiddlededee to underworld Commandant. She is dark, rather good-looking young woman wearing out-size in slacks and leather jacket, using immensely long black cigarette-holder, and writing at wooden trestle-table piled with papers.

Serena—voice sunk to quite unnaturally timid murmur—explains that I am very anxious to make myself of use in any way whatever, while waiting to be summoned by Ministry of Information.

The Commandant—who has evidently heard this kind of thing before—utters short incredulous ejaculation, in which I very nearly join, knowing even better than she does herself how thoroughly well justified it is.

Serena—voice meeker than ever—whispers that I can drive a car if necessary, and have passed my First Aid examination—(hope she isn't going to mention date of this achievement which would take us a long way back indeed)—and am also well used to Home Nursing. Moreover, I can write shorthand and use a typewriter.

Commandant goes on writing rapidly and utters without looking up for a moment—which I think highly offensive. Utterance is to the effect that there are no paid jobs going.

Oh, says Serena, sounding shocked, we never thought of anything like that. This is to be voluntary work, and anything in the world, and at any hour.

Commandant—still writing—strikes a bell sharply.

It has been said that the Canteen wants an extra hand, suggests Serena, now almost inaudible. She knows that I should be perfectly willing to work all through the night, or perhaps all day on Sundays, so as to relieve others. And, naturally, voluntary work. To this Commandant—gaze glued to her rapidly-moving pen—mutters something to the effect that voluntary work is all very well—

Have seldom met more un-endearing personality.

Bell is answered by charming-looking elderly lady wearing overall, and armlet badge inscribed Messenger, which seems to me unsuitable.

Commandant—tones very peremptory indeed—orders her to Bring the Canteen Time-Sheet. Grey-haired messenger flies away like the wind. Cannot possibly have gone more than five yards from the door before the bell is again struck, and on her reappearance Commandant says sharply that she has just asked for Canteen Time-Sheet. Why hasn't it come?

Obvious reply is that it hasn't come because only a pair of wings could have brought it in the time—but no one says this, and Messenger again departs and can be heard covering the ground at race-track speed.

Commandant continues to write—says Damn once, under her breath, as though attacked by sudden doubt whether war will stop exactly as and when she has ordained—and drops cigarette-ash all over the table.

Serena looks at me and profanely winks enormous eye.

Bell is once more banged—am prepared to wager it will be broken before week is out at this rate. It is this time answered by smart-looking person in blue trousers and singlet and admirable make-up. Looks about twenty-five, but has prematurely grey hair, and am conscious that this gives me distinct satisfaction.

(Not very commendable reaction.)

Am overcome with astonishment when she enquires of Commandant in brusque, official tones: Isn't it time you had some lunch, darling?

Commandant for the first time raises her eyes and answers No, darling, she can't possibly bother with lunch, but she wants a staff car instantly, to go out to Wimbledon for her. It's urgent.

Serena looks hopeful but remains modestly silent while Commandant and Darling rustle through quantities of lists and swear vigorously, saying that it's a most extraordinary thing, the Time-Sheets ought to be always available at a second's notice, and they never are.

Darling eventually turns to Serena, just as previous—and infinitely preferable—Messenger returns breathless, and asks curtly, Who is on the Staff Car? Serena indicates that she is herself scheduled for it, is asked why she didn't say so, and commanded to get car out instantly and dash to Wimbledon.

Am deeply impressed by this call to action, but disappointed when Commandant instructs her to go straight to No. 478 Mottisfont Road, Wimbledon, and ask for clean handkerchief, which Commandant forgot to bring this morning.

She is to come straight back, as quickly as possible, with the handkerchief. Has she, adds Commandant suspiciously, quite understood?

Serena replies that she has. Tell myself that in her place I should reply No, it's all too complicated for me to grasp—but judging from lifelong experience, this is a complete fallacy and should in reality say nothing of the kind but merely wish, long afterwards, that I had.

Departure of Serena, in search, no doubt, of tin helmet and gas-mask, and am left, together with elderly Messenger, to be ignored by Commandant whilst she and Darling embark on earnest argument concerning Commandant's next meal, which turns out to be lunch, although time now five o'clock in the afternoon.

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