E. Delafield - The Collected Works of E. M. Delafield (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of E. M. Delafield's renowned novels, short stories and plays. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
E. M. Delafield (1890-1943) was a prolific English author. She is best known for her largely autobiographical works like Zella Sees Herself, The Provincial Lady Series etc. which look at the lives of upper-middle class Englishwomen.
TABLE OF CONTENTS
PROVINCIAL LADY SERIES
The Diary of a Provincial Lady
The Provincial Lady Goes Further
The Provincial Lady in America
The Provincial Lady in Russia
The Provincial Lady in Wartime
NOVELS
Zella Sees Herself
The War-Workers
Consequences
Tension
The Heel of Achilles
Humbug: A Study in Education
Messalina of the Suburbs
Gay Life
General Impressions
Late and Soon
SHORT STORIES
The Bond of Union
Lost in Transmission
Time Work Wonders
The Hotel Child
The Gallant Little Lady
Impasse
The Appeal
The Philistine
PLAYS
The First Stone
To See Ourselves. A Domestic Comedy in Three Acts

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The college boy is consulting the guide about his films and his photographs. He has been consulting everybody about them throughout the last two days. His predicament is very far from being peculiar to himself.

He has been in Russia four weeks and has taken a great many snapshots. Belatedly, he has discovered that no undeveloped films will be allowed to leave the country. Very well—he will have them developed and printed in Moscow. He does and is asked to pay a sum in roubles that would handsomely buy up films, photographs, camera, and all, twice over. We have all heard of this outrage and we have all assured him, with varying degrees of sympathy, that the same thing has happened to other tourists in the U.S.S.R. before now.

He seems unable to believe it. I watch him walking agitatedly to and fro, until a new wave of nausea comes over me and I clutch the sides of my bench and pass into a brief, unpleasant coma.

When I emerge, wet through and with the manuscript surely in worse case than ever, the college boy and his films are being dealt with by the officials. Strip after strip of negatives is being unrolled, held up to the light, and scrutinized. The inspection requires the full attention of all the Customs officials—not one is left to attend to anybody else.

The Comrades, seeming neither surprised nor resentful, continue to cough, spit, sleep, or eat fish. The crying baby, still muffled, is being carried up and down by a young man with a beard, who holds a book in one hand and reads as he walks. (Culture)

The tourists mutter a little among themselves at the new delay, but are, I think, supported by the hope of some dramatic discovery, such as that the films include a snapshot of the interior of the Kremlin (where nobody, except officials is now allowed to set foot) or a complete set of naval and military plans of the utmost importance.

Nothing of the kind happens.

However, the last roll of all, which the American youth has not had the sense to slip into his pocket, has not been developed. It is, says the young man, nothing. Just some pictures of the scenery in the Crimea.

Officials of any other nation might be expected to take one of two courses: either to accept this statement and pass the films or to reject it and confiscate them.

In Russia, the situation apparently calls for the formation of a kind of minor parliament. The original officials send for more and higher officials, who come out of the main office one by one, mostly in shirtsleeves, and gather solemnly round the little red cylinder lying on the counter.

The Intourist guide hovers about, talking a great deal and looking anxious.

"If you like, they will keep and have develop' and send after you."

"That'll be very expensive, won't it?"

The guide shrugs her shoulders. We all know that it will be very expensive—and very uncertain into the bargain.

"Better let them go," advises the Englishwoman.

Her husband supports her, though he adds sternly that the principle of the thing is all wrong from start to finish.

The college boy, muttering that it's disgraceful, decides to let the films go. Twelve views of the Crimea scenery are lost for ever to the United States of America.

Nobody else's luggage yields anything sensational.

IV

Mine is the last to be examined, owing to the qualms of sickness which keep on breaking over me and preventing me from moving.

Perhaps I am, after all, starting one of the illnesses against which I was solemnly inoculated before leaving England. I suppose inoculations wear off after a time?

If it's smallpox they won't let me leave the country.

Say nothing about it.

I would rather die at sea than in Russia.

"What is this?"

"A book."

"It is a book you got in Russia?"

Obviously, it is a book I got in Russia. It is a large album with Russian text, containing some beautiful reproductions of the pictures in the gallery of Western Art at Moscow.

As it is large and heavy I have packed it in the bottom of my suitcase, and from thence it is extracted—with a bad effect on all the layers of things above it.

The conscientious Customs official looks through every single page of it. I do not know what he expects to find hidden between them. Perhaps he just likes pictures.

My other books get off lightly—so do my clothes. My letter-case is turned inside out, my very small diary severely scrutinized, upside down.

I am asked to open my hand-bag.

What shall I do if they suggest searching me?

They do not.

They repack my suitcase, quite obligingly, and shut it up again—the heavy Russian album is now on the top of my clothes instead of underneath them—and I have passed the Customs.

"Can I go through to the boat now?"

"You must wait a little," says the guide kindly. "You are tired, yes?"

I am, in my own opinion, at the point of death—but I do not say so.

"It's rather hot in here."

"There are many people."

The Comrades certainly do look numerous as they crowd round the long, dirty wooden counter on which their belongings are now being opened and examined.

The guide keeps on looking at me—no doubt I am pale green by now—and I feel I ought to distract her attention.

Would this be a good opportunity for speaking my mind, for the first and last time, in the Soviet Republic? It must be now or never.

Quite suddenly a crisis supervenes between the Customs officials and a middle-aged and rather battered-looking Comrade. He shouts, and they shout, he tries to get out at the far door that leads to where the boat is lying, and is prevented.

"What is the matter?"

"His passport is not in order. He cannot leave."

"Poor man!"

"He is upset because his family, they will have to go."

"Without him?"

"He cannot go. His passport is not in order."

"But they'll stay behind with him, won't they?"

"No, they will have to go. It is all arranged."

How very dreadful this is...The unfortunate Comrade with the defective passport is now in tears on our side of the counter and his family on the other—two women, a little boy, a baby, and the grandmother whom I mistook for a bundle.

They say good-by, in a very spectacular way, across the counter, though I think there is really no reason why they should not all be on the same side.

"When will he be able to join them?"

"I cannot say."

"I think it would be far better if they all waited together till his papers have been put in order."

"No," says the guide. "They cannot. They have given up their room. There is nowhere for them to be now except the ship."

And I realize that what she says is quite true.

The Swedish astronomers look disturbed, and say "Poor things!" and the college boy gives it as his considered opinion that Russia is not a free country, no, sir, it is not .

The unfortunate family are saying good-by again, and the baby is being handed to and fro across the counter repeatedly. It makes me, if possible, feel dizzier than before and I can watch them no longer.

The far door has been opened. I go out—manuscript and all—along the dock and up the gangway and onto the waiting boat.

I am off the soil of Soviet Russia.

In the very next berth to ours lies the Jan Rudzutak , in which I sailed from London Docks to Leningrad months and months ago.

Time and the hour, I think sententiously, ride through the roughest day. And on the whole, I have found it a fairly rough day.

But it ends on a note of unforeseen brightness.

The Comrade whom I left in such trouble among the officials is, at the eleventh hour, after all allowed to sail. He is hustled up the gangway and into the steerage and all his family receive him with cries and screams, and the baby is again bandied about from hand to hand.

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