Washington Irving - The Complete Works of Washington Irving - Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated)

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This carefully crafted ebook: «The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated)» is formatted for your eReader with a functional and detailed table of contents.
Washington Irving (1783-1859) was an American author, essayist, biographer and historian of the 19th century. He is best known for his short stories Rip Van Winkle and The Legend of Sleepy Hollow both of which appear in his book The Sketch Book of Geoffrey Crayon, Gent. His historical works include biographies of George Washington and Oliver Goldsmith, and several histories of 15th-century Spain, dealing with subjects such as the Moors and the Alhambra.
Contents:
INTRODUCTION SPEECH: NEW YORK, FEBRUARY 18, 1842 by Charles Dickens
COLLECTIONS OF SHORT STORIES:
THE SKETCH BOOK OF GEOFFREY CRAYON, GENT.
Rip Van Winkle
The Legend of Sleepy Hollow
Old Christmas
Roscoe
The Wife
TALES OF A TRAVELLER
Strange Stories by a Nervous Gentleman
Buckthorne and His Friends
The Italian Banditti
The Money Diggers
BRACEBRIDGE HALL
The Busy Man
The Widow
The Lovers
Family Reliques
An Old Soldier
WOLFERT'S ROOST AND MISCELLANIES
THE CRAYON PAPERS
TRAVEL SKETCHES AND MEMOIRS:
TALES OF THE ALHAMBRA
ABBOTSFORD AND NEWSTEAD ABBY
A TOUR ON THE PRAIRIES
SATIRICAL WORKS:
KNICKERBOCKER'S HISTORY OF NEW YORK
LETTERS OF JONATHAN OLDSTYLE, GENT.
HISTORICAL WORKS:
THE ADVENTURES OF CAPTAIN BONNEVILLE
ASTORIA
CHRONICLE OF THE CONQUEST OF GRANADA
LIFE OF OLIVER GOLDSMITH
LIFE OF GEORGE WASHINGTON: VOLUME I
THE STUDENT'S LIFE OF WASHINGTON
DRAMAS:
THE WILD HUNTSMAN
ABU HASSAN
POEMS:
ECHO AND SILENCE
ON PASSAIC FALLS
RHYMED ADDRESS
THE DULL LECTURE
TO MISS EMILY FOSTER ON HER BIRTHDAY
SONG
THE LAY OF THE SUNNYSIDE DUCKS
SIGNS OF THE TIMES
WRITTEN IN THE DEEP DENE ALBUM
EXTRACTS FROM ABU HASSAN
SONG FROM THE WILD HUNTSMAN
CORRESPONDENCE BETWEEN WASHINGTON IRVING AND EDGAR ALLAN POE
BIOGRAPHY:
WASHINGTON IRVING by Charles Dudley Warner

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Her words were repeated to the physician, and he seized on them at once. He directed that her idea should be encouraged and acted upon. Her words were echoed through the house. Every one talked of the return of Eugene, as a matter of course; they congratulated her upon her approaching happiness, and assisted her in her preparations. The next morning, the same theme was resumed. She was dressed out to receive her lover. Every bosom fluttered with anxiety. A cabriolet drove into the village. “Eugene is coming!” was the cry. She saw him alight at the door, and rushed with a shriek into his arms.

Her friends trembled for the result of this critical experiment; but she did not sink under it, for her fancy had prepared her for his return. She was as one in a dream, to whom a tide of unlooked-for prosperity, that would have overwhelmed his waking reason, seems but the natural current of circumstances. Her conversation, however, showed that her senses were wandering. There was an absolute forgetfulness of all past sorrow—a wild and feverish gayety, that at times was incoherent.

The next morning, she awoke languid and exhausted. All the occurrences of the preceding day had passed away from her mind, as though they had been the mere illusions of her fancy. She rose melancholy and abstracted, and, as she dressed herself, was heard to sing one of her plaintive ballads. When she entered the parlour, her eyes were swoln with weeping. She heard Eugene’s voice without, and started. She passed her hand across her forehead, and stood musing, like one endeavouring to recall a dream. Eugene entered the room, and advanced towards her; she looked at him with an eager, searching look, murmured some indistinct words, and before he could reach her, sank upon the floor.

She relapsed into a wild and unsettled state of mind; but now that the first shock was over, the physician ordered that Eugene should keep continually in her sight. Sometimes she did not know him; at other times she would talk to him as if he were going to sea, and would implore him not to part from her in anger; and when he was not present, she would speak of him as if buried in the ocean, and would sit, with clasped hands, looking upon the ground, the picture of despair. As the agitation of her feelings subsided, and her frame recovered from the shock which it had received, she became more placid and coherent. Eugene kept almost continually near her. He formed the real object round which her scattered ideas once more gathered, and which linked them once more with the realities of life. But her changeful disorder now appeared to take a new turn. She became languid and inert, and would sit for hours silent, and almost in a state of lethargy. If roused from this stupor, it seemed as if her mind would make some attempts to follow up a train of thought, but would soon become confused. She would regard every one that approached her with an anxious and inquiring eye, that seemed continually to disappoint itself. Sometimes, as her lover sat holding her hand, she would look pensively in his face without saying a word, until his heart was overcome; and after these transient fits of intellectual exertion, she would sink again into lethargy.

By degrees, this stupor increased; her mind appeared to have subsided into a stagnant and almost deathlike calm. For the greater part of the time, her eyes were closed; her face almost as fixed and passionless as that of a corpse. She no longer took any notice of surrounding objects. There was an awfulness in this tranquillity, that filled her friends with apprehensions. The physician ordered that she should be kept perfectly quiet; or that, if she evinced any agitation, she should be gently lulled, like a child, by some favourite tune.

She remained in this state for hours, hardly seeming to breathe, and apparently sinking into the sleep of death. Her chamber was profoundly still. The attendants moved about it with noiseless tread; every thing was communicated by signs and whispers. Her lover sat by her side, watching her with painful anxiety, and fearing that every breath which stole from her pale lips would be the last.

At length she heaved a deep sigh; and, from some convulsive motions, appeared to be troubled in her sleep. Her agitation increased, accompanied by an indistinct moaning. One of her companions, remembering the physician’s instructions, endeavoured to lull her by singing, in a low voice, a tender little air, which was a particular favourite of Annette’s. Probably it had some connexion in her mind with her own story; for every fond girl has some ditty of the kind, linked in her thoughts with sweet and sad remembrances.

As she sang, the agitation of Annette subsided. A streak of faint colour came into her cheeks; her eyelids became swoln with rising tears, which trembled there for a moment, and then, stealing forth, coursed down her pallid cheek. When the song was ended, she opened her eyes and looked about her, as one awakening in a strange place.

“Oh, Eugene! Eugene!” said she, “it seems as if I have had a long and dismal dream; what has happened, and what has been the matter with me?”

The questions were embarrassing; and before they could be answered, the physician, who was in the next room, entered. She took him by the hand, looked up in his face, and made the same inquiry. He endeavoured to put her off with some evasive answer;—”No, no!” cried she, “I know I have been ill, and I have been dreaming strangely. I thought Eugene had left us—and that he had gone to sea—and that—and that he was drowned!—But he has been to sea!” added she, earnestly, as recollection kept flashing upon her, “and he has been wrecked—and we were all so wretched—and he came home again one bright morning—and—Oh!” said she, pressing her hand against her forehead, with a sickly smile, “I see how it is; all has not been right here: I begin to recollect—but it is all past now—Eugene is here! and his mother is happy—and we shall never—never part again—shall we, Eugene?”

She sunk back in her chair, exhausted; the tears streamed down her cheeks. Her companions hovered round her, not knowing what to make of this sudden dawn of reason. Her lover sobbed aloud. She opened her eyes again, and looked upon them with an air of the sweetest acknowledgment. “You are all so good to me!” said she, faintly.

The physician drew the father aside. “Your daughter’s mind is restored,” said he; “she is sensible that she has been deranged; she is growing conscious of the past, and conscious of the present. All that now remains is to keep her calm and quiet until her health is reestablished, and then let her be married in God’s name!”

“The wedding took place,” continued the good priest, “but a short time since; they were here at the last fête during their honeymoon, and a handsomer and happier couple was not to be seen as they danced under yonder trees. The young man, his wife, and mother, now live on a fine farm at Pont l’Eveque; and that model of a ship which you see yonder, with white flowers wreathed round it, is Annette’s offering of thanks to Our Lady of Grace, for having listened to her prayers, and protected her lover in the hour of peril.”

The captain having finished, there was a momentary silence. The tender-hearted Lady Lillycraft, who knew the story by heart, had led the way in weeping, and indeed had often begun to shed tears before they had come to the right place.

The fair Julia was a little flurried at the passage where wedding preparations were mentioned; but the auditor most affected was the simple Phoebe Wilkins. She had gradually dropt her work in her lap, and sat sobbing through the latter part of the story, until towards the end, when the happy reverse had nearly produced another scene of hysterics. “Go, take this case to my room again, child,” said Lady Lillycraft, kindly, “and don’t cry so much.”

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