Leo Tolstoy - Leo Tolstoy - The Complete Novels and Novellas (Active TOC) (A to Z Classics)

“Spare us these sentimental scenes, my dear,” he said coldly. “To go back to Nikolskoye is a good idea, for our money is running short; but the notion of stopping there for ever’ is fanciful. I know you would not settle down. Have some tea, and you will feel better,” and he rose to ring for the waiter.

I imagined all he might be thinking about me; and I was offended by the horrible thoughts which I ascribed to him when I encountered the dubious and shame-faced look he directed at me. “He will not and cannot understand me.” I said I would go and look at the child, and I left the room. I wished to be alone, and to cry and cry and cry...

The house at Nikolskoye, so long unheated and uninhabited, came to life again; but much of the past was dead beyond recall. Tatyana Semyonovna was no more, and we were now alone together. But far from desiring such close companionship, we even found it irksome. To me that winter was the more trying because I was in bad health, from which In only recovered after the birth of my second son. My husband and I were still on the same terms as during our life in Petersburg: we were coldly friendly to each other; but in the country each room and wall and sofa recalled what he had once been to me, and what I had lost. It was if some unforgiven grievance held us apart, as if he were punishing me and pretending not to be aware of it. But there was nothing to ask pardon for, no penalty to deprecate; my punishment was merely this, that he did not give his whole heart and mind to me as he used to do; but he did not give it to anyone or to anything; as though he had no longer a heart to give. Sometimes it occurred to me that he was only pretending to be like that, in order to hurt me, and that the old feeling was still alive in his breast; and I tried to call it forth. But I always failed: he always seemed to avoid frankness, evidently suspecting me of insincerity, and dreading the folly of any emotional display. I could read in his face and the tone of his voice, “What is the good of talking? I know all the facts already, and I know what is on the tip of your tongue, and I know that you will say one thing and do another.” At first I was mortified by his dread of frankness, but I came later to think that it was rather the absence, on his part, of any need of frankness. It would never have occurred to me now, to tell him of a sudden that I loved him, or to ask him to repeat the prayers with me or listen while Ii played the piano. Our intercourse came to be regulated by a fixed code of good manners. We lived our separate lives: he had his own occupations in which I was not needed, and which I no longer wished to share, while I continued my idle life which no longer vexed or grieved him. The children were still too young to form a bond between us.

But spring came round and brought Katya and Sonya to spend the summer with us in the country. as the house at Nikolskoye was under repair, we went to live at my old home at Pokrovskoye. The old house was unchanged — the veranda, the folding table and the piano in the sunny drawing room, and my old bedroom with its white curtains and the dreams of my girlhood which I seemed to have left behind me there. In that room there were two beds: one had been mine, and in it now my plump little Kokosha lay sprawling, when I went at night to sign him with the cross; the other was a crib, in which the little face of my baby, Vanya, peeped out from his swaddling clothes. Often when I had made the sign over them and remained standing in the middle of the quiet room, suddenly there rose up from all the corners, from the walls and curtains, old forgotten visions of youth. Old voices began to sing the songs of my girlhood. Where were those visions now? where were those dear old sweet songs? All that I had hardly dared to hope for had come to pass. My vague confused dreams had become a reality, and the reality had become an oppressive, difficult, and joyless life. All remained the same — the garden visible through the window, the grass, the path, the very same bench over there above the dell, the same song of the nightingale by the pond, the same lilacs in full bloom, the same moon shining above the house; and yet, in everything such a terrible inconceivable change! Such coldness in all that might have been near and dear! Just as in old times Katya and I sit quietly alone together in the parlour and talk, and talk of him. But Katya has grown wrinkled and pale; and her eyes no longer shine with joy and hope, but express only sympathy, sorrow, and regret. We do not go into raptures as we used to, we judge him coolly; we do not wonder what we have done to deserve such happiness, or long to proclaim our thoughts to all the world. No! we whisper together like conspirators and ask each other for the hundredth time why all has changed so sadly. Yet he was still the same man, save for the deeper furrow between his eyebrows and the whiter hair on his temples; but his serious attentive look was constantly veiled from me by a cloud. And I am the same woman, but without love or desire for love, with no longing for work and not content with myself. My religious ecstasies, my love for my husband, the fullness of my former life — all these now seem utterly remote and visionary. Once it seemed so plain and right that to live for others was happiness; but now it has become unintelligible. Why live for others, when life had no attraction even for oneself?

I had given up my music altogether since the time of our first visit to Petersburg; but now the old piano and the old music tempted me to begin again.

One day i was not well and stayed indoors alone. My husband had taken Katya and Sonya to see the new buildings at Nikolskoye. Tea was laid; I went downstairs and while waiting for them sat down at the piano. I opened the “Moonlight sonata” and began to play. There was no one within sight or sound, the windows were open over the garden, and the familiar sounds floated through the room with a solemn sadness. At the end of the first movement I looked round instinctively to the corner where he used once to sit and listen to my playing. He was not there; his chair, long unmoved, was still in its place; through the window I could see a lilac bush against the light of the setting sun; the freshness of evening streamed in through the open windows. I rested my elbows on the piano and covered my face with both hands; and so I sat for a long time, thinking. I recalled with pain the irrevocable past, and timidly imagined the future. But for me there seemed to be no future, no desires at all and no hopes. “Can life be over for me?” I thought with horror; then I looked up, and, trying to forget and not to think, I began playing the same movement over again. “Oh, God!” I prayed, “forgive me if I have sinned, or restore to me all that once blossomed in my heart, or teach me what to do and how to live now.” There was a sound of wheels on the grass and before the steps of the house; then I heard cautious and familiar footsteps pass along the veranda and cease; but my heart no longer replied to the sound. When I stopped playing the footsteps were behind me and a hand was laid on my shoulder.

“How clever of you to think of playing that!” he said.

I said nothing.

“Have you had tea?” he asked.

I shook my head without looking at him — I was unwilling to let him see the signs of emotion on my face.

“They’ll be here immediately,” he said; “the horse gave trouble, and they got out on the high road to walk home.”

“Let us wait for them,” I said, and went out to the veranda, hoping that he would follow; but he asked about the children and went upstairs to see them. Once more his presence and simple kindly voice made me doubt if I had really lost anything. What more could I wish? “He is kind and gentle, a good husband, a good father; I don’t know myself what more I want.” I sat down under the veranda awning on the very bench on which I had sat when we became engaged. The sun had set, it was growing dark, and a little spring rain cloud hung over the house and garden, and only behind the trees the horizon was clear, with the fading glow of twilight, in which one star had just begun to twinkle. The landscape, covered by the shadow of the cloud, seemed waiting for the light spring shower. There was not a breath of wind; not a single leaf or blade of grass stirred; the scent of lilac and bird cherry was so strong in the garden and veranda that it seemed as if all the air was in flower; it came in wafts, now stronger and now weaker, till one longed to shut both eyes and hears and drink in that fragrance only. The dahlias and rose bushes, not yet in flower, stood motionless on the black mould of the border, looking as if they were growing slowly upwards on their white-shaved props; beyond the dell, the frogs were making the most of their time before the rain drove them to the pond, croaking busily and loudly. Only the high continuous note of water falling at some distance rose above their croaking. From time to time the nightingales called to one another, and I could hear them flitting restlessly from bush to bush. Again this spring a nightingale had tried to build in a bush under the window, and I heard her fly off across the avenue when I went into the veranda. From there she whistled once and then stopped; she, too, was expecting the rain.