Edgar Allan Poe - Mystery & Investigation Anthology

"It would have its effect on her mind," he said gravely. "And I wish, for your sake, the thing had not happened. However, we have discovered that there WAS a predisposing influence against you—and there is one uncertainty cleared out of our way, at any rate. I see nothing more that we can do now. Our next step in this inquiry must be the step that takes us to Rachel."

He rose, and began walking thoughtfully up and down the room. Twice, I was on the point of telling him that I had determined on seeing Rachel personally; and twice, having regard to his age and his character, I hesitated to take him by surprise at an unfavourable moment.

"The grand difficulty is," he resumed, "how to make her show her whole mind in this matter, without reserve. Have you any suggestions to offer?"

"I have made up my mind, Mr. Bruff, to speak to Rachel myself."

"You!" He suddenly stopped in his walk, and looked at me as if he thought I had taken leave of my senses. "You, of all the people in the world!" He abruptly checked himself, and took another turn in the room. "Wait a little," he said. "In cases of this extraordinary kind, the rash way is sometimes the best way." He considered the question for a moment or two, under that new light, and ended boldly by a decision in my favour. "Nothing venture, nothing have," the old gentleman resumed. "You have a chance in your favour which I don't possess—and you shall be the first to try the experiment."

"A chance in my favour?" I repeated, in the greatest surprise.

Mr. Bruff's face softened, for the first time, into a smile.

"This is how it stands," he said. "I tell you fairly, I don't trust your discretion, and I don't trust your temper. But I do trust in Rachel's still preserving, in some remote little corner of her heart, a certain perverse weakness for YOU. Touch that—and trust to the consequences for the fullest disclosures that can flow from a woman's lips! The question is—how are you to see her?"

"She has been a guest of yours at this house," I answered. "May I venture to suggest—if nothing was said about me beforehand—that I might see her here?"

"Cool!" said Mr. Bruff. With that one word of comment on the reply that I had made to him, he took another turn up and down the room.

"In plain English," he said, "my house is to be turned into a trap to catch Rachel; with a bait to tempt her, in the shape of an invitation from my wife and daughters. If you were anybody else but Franklin Blake, and if this matter was one atom less serious than it really is, I should refuse point-blank. As things are, I firmly believe Rachel will live to thank me for turning traitor to her in my old age. Consider me your accomplice. Rachel shall be asked to spend the day here; and you shall receive due notice of it."

"When? To-morrow?"

"To-morrow won't give us time enough to get her answer. Say the day after."

"How shall I hear from you?"

"Stay at home all the morning and expect me to call on you."

I thanked him for the inestimable assistance which he was rendering to me, with the gratitude that I really felt; and, declining a hospitable invitation to sleep that night at Hampstead, returned to my lodgings in London.

Of the day that followed, I have only to say that it was the longest day of my life. Innocent as I knew myself to be, certain as I was that the abominable imputation which rested on me must sooner or later be cleared off, there was nevertheless a sense of self-abasement in my mind which instinctively disinclined me to see any of my friends. We often hear (almost invariably, however, from superficial observers) that guilt can look like innocence. I believe it to be infinitely the truer axiom of the two that innocence can look like guilt. I caused myself to be denied all day, to every visitor who called; and I only ventured out under cover of the night.

The next morning, Mr. Bruff surprised me at the breakfast-table. He handed me a large key, and announced that he felt ashamed of himself for the first time in his life.

"Is she coming?"

"She is coming to-day, to lunch and spend the afternoon with my wife and my girls."

"Are Mrs. Bruff, and your daughters, in the secret?"

"Inevitably. But women, as you may have observed, have no principles. My family don't feel my pangs of conscience. The end being to bring you and Rachel together again, my wife and daughters pass over the means employed to gain it, as composedly as if they were Jesuits."

"I am infinitely obliged to them. What is this key?"

"The key of the gate in my back-garden wall. Be there at three this afternoon. Let yourself into the garden, and make your way in by the conservatory door. Cross the small drawing-room, and open the door in front of you which leads into the music-room. There, you will find Rachel—and find her, alone."

"How can I thank you!"

"I will tell you how. Don't blame me for what happens afterwards."

With those words, he went out.

I had many weary hours still to wait through. To while away the time, I looked at my letters. Among them was a letter from Betteredge.

I opened it eagerly. To my surprise and disappointment, it began with an apology warning me to expect no news of any importance. In the next sentence the everlasting Ezra Jennings appeared again! He had stopped Betteredge on the way out of the station, and had asked who I was. Informed on this point, he had mentioned having seen me to his master Mr. Candy. Mr. Candy hearing of this, had himself driven over to Betteredge, to express his regret at our having missed each other. He had a reason for wishing particularly to speak to me; and when I was next in the neighbourhood of Frizinghall, he begged I would let him know. Apart from a few characteristic utterances of the Betteredge philosophy, this was the sum and substance of my correspondent's letter. The warm-hearted, faithful old man acknowledged that he had written "mainly for the pleasure of writing to me."

I crumpled up the letter in my pocket, and forgot it the moment after, in the all-absorbing interest of my coming interview with Rachel.

As the clock of Hampstead church struck three, I put Mr. Bruff's key into the lock of the door in the wall. When I first stepped into the garden, and while I was securing the door again on the inner side, I own to having felt a certain guilty doubtfulness about what might happen next. I looked furtively on either side of me; suspicious of the presence of some unexpected witness in some unknown corner of the garden. Nothing appeared, to justify my apprehensions. The walks were, one and all, solitudes; and the birds and the bees were the only witnesses.

I passed through the garden; entered the conservatory; and crossed the small drawing-room. As I laid my hand on the door opposite, I heard a few plaintive chords struck on the piano in the room within. She had often idled over the instrument in this way, when I was staying at her mother's house. I was obliged to wait a little, to steady myself. The past and present rose side by side, at that supreme moment—and the contrast shook me.

After the lapse of a minute, I roused my manhood, and opened the door.

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