GEORGE SHAW - The Complete Works

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Musaicum Books presents to you this meticulously edited George Bernard Shaw collection:
Introduction:
Mr. Bernard Shaw (by G. K. Chesterton)
Novels:
Cashel Byron's Profession
An Unsocial Socialist
Love Among The Artists
The Irrational Knot
Plays:
Plays Unpleasant:
Widowers' Houses (1892)
The Philanderer (1898)
Mrs. Warren's Profession (1898)
Plays Pleasant:
Arms And The Man: An Anti-Romantic Comedy in Three Acts (1894)
Candida (1898)
You Never Can Tell (1897)
Three Plays for Puritans:
The Devil's Disciple
Caesar And Cleopatra
Captain Brassbound's Conversion
Other Plays:
The Man Of Destiny
The Gadfly Or The Son of the Cardinal
The Admirable Bashville Or Constancy Unrewarded
Man And Superman: A Comedy and A Philosophy
John Bull's Other Island
How He Lied To Her Husband
Major Barbara
Passion, Poison, And Petrifaction
The Doctor's Dilemma: A Tragedy
The Interlude At The Playhouse
Getting Married
The Shewing-Up Of Blanco Posnet
Press Cuttings
Misalliance
The Dark Lady Of The Sonnets
Fanny's First Play
Androcles And The Lion
Overruled: A Demonstration
Pygmalion
Great Catherine (Whom Glory Still Adores)
The Music Cure
Beauty's Duty (Unfinished)
O'Flaherty, V. C.
The Inca Of Perusalem: An Almost Historical Comedietta
Augustus Does His Bit
Skit For The Tiptaft Revue
Annajanska, The Bolshevik Empress
Heartbreak House
Back To Methuselah: A Metabiological Pentateuch
In the Beginning
The Gospel of the Brothers Barnabas
The Thing Happens
Tragedy of an Elderly Gentleman
As Far as Thought Can Reach
The War Indemnities (Unfinished)
Saint Joan
The Glimpse Of Reality: A Tragedietta
Fascinating Foundling: Disgrace To The Author
The Apple Cart: A Political Extravaganza
Too True to Be Good
Village Wooing: A Comedietta for Two Voices
On the Rocks: A Political Comedy
The Simpleton of the Unexpected Isles
The Six of Calais
Arthur and the Acetone
The Millionairess
Cymbeline Refinished: A Variation on Shakespeare's Ending
Geneva
"In Good King Charles' Golden Days"
Playlet on the British Party System
Buoyant Billions: A Comedy of No Manners
Shakes versus Shav
Farfetched Fables
Why She Would Not
Miscellaneous Works:
What do Men of Letters Say? – The New York Times Articles on War (1915):
"Common Sense About the War" by G. B. Shaw
"Shaw's Nonsense About Belgium" By Arnold Bennett
"Bennett States the German Case" by G. B. Shaw
Flaws in Shaw's Logic By Cunninghame Graham
Editorial Comment on Shaw By The New York World
Comment by Readers of Shaw To the Editor of The New York Times
Open Letter to President Wilson by G. B. Shaw
A German Letter to G. Bernard Shaw By Herbert Eulenberg
"Mr. G. Bernard Shaw on Socialism" (Speech)
The Miraculous Revenge
Quintessence Of Ibsenism
The Basis of Socialism Economic
The Transition to Social Democracy
The Impossibilities Of Anarchism
The Perfect Wagnerite, Commentary on the Niblung's Ring
Letter to Beatrice Webb
The Revolutionist's Handbook And Pocket Companion
Maxims For Revolutionists
The New Theology
How to Write A Popular Play: An Essay
A Treatise on Parents and Children: An Essay
Memories of Oscar Wilde
The Intelligent Women's Guide to Socialism and Capitalism: Excerpts
Women in the Labour Market
Socialism and Marriage
Socialism and Children
Letter to Frank Harris
How These Doctors Love One Another!
The Black Girl in Search of God
The Political Madhouse in America and Nearer Home
On Capital Punishment
Essays on Bernard Shaw:
George Bernard Shaw by G. K. Chesterton
The Quintessence of Shaw by James Huneker
Old and New Masters: Bernard Shaw by Robert Lynd
George Bernard Shaw: A Poem by Oliver Herford

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Henrietta seemed a little troubled. She smiled faintly, and said caressingly, “It was not your fault, Sidney. I don’t blame you.”

“Immortal powers!” he exclaimed, sitting bolt upright and appealing to the skies, “here is a woman who believes that the only concern all this causes me is whether she thinks any the worse of me personally on account of it!”

“No, no, Sidney. It is not I alone. Nobody thinks the worse of you for it.”

“Quite so,” he returned, in a polite frenzy. “Nobody sees any harm in it. That is precisely the mischief of it.”

“Besides,” she urged, “your mother belonged to one of the oldest families in England.”

“And what more can man desire than wealth with descent from a county family! Could a man be happier than I ought to be, sprung as I am from monopolists of all the sources and instruments of production — of land on the one side, and of machinery on the other? This very ground on which we are resting was the property of my mother’s father. At least the law allowed him to use it as such. When he was a boy, there was a fairly prosperous race of peasants settled here, tilling the soil, paying him rent for permission to do so, and making enough out of it to satisfy his large wants and their own narrow needs without working themselves to death. But my grandfather was a shrewd man. He perceived that cows and sheep produced more money by their meat and wool than peasants by their husbandry. So he cleared the estate. That is, he drove the peasants from their homes, as my father did afterwards in his Scotch deer forest. Or, as his tombstone has it, he developed the resources of his country. I don’t know what became of the peasants; HE didn’t know, and, I presume, didn’t care. I suppose the old ones went into the workhouse, and the young ones crowded the towns, and worked for men like my father in factories. Their places were taken by cattle, which paid for their food so well that my grandfather, getting my father to take shares in the enterprise, hired laborers on the Manchester terms to cut that canal for him. When it was made, he took toll upon it; and his heirs still take toll, and the sons of the navvies who dug it and of the engineer who designed it pay the toll when they have occasion to travel by it, or to purchase goods which have been conveyed along it. I remember my grandfather well. He was a wellbred man, and a perfect gentleman in his manners; but, on the whole, I think he was wickeder than my father, who, after all, was caught in the wheels of a vicious system, and had either to spoil others or be spoiled by them. But my grandfather — the old rascal! — was in no such dilemma. Master as he was of his bit of merry England, no man could have enslaved him, and he might at least have lived and let live. My father followed his example in the matter of the deer forest, but that was the climax of his wickedness, whereas it was only the beginning of my grandfather’s. Howbeit, whichever bears the palm, there they were, the types after which we all strive.”

“Not all, Sidney. Not we two. I hate tradespeople and country squires. We belong to the artistic and cultured classes, and we can keep aloof from shopkeepers.”

“Living, meanwhile, at the rate of several thousand a year on rent and interest. No, my dear, this is the way of those people who insist that when they are in heaven they shall be spared the recollection of such a place as hell, but are quite content that it shall exist outside their consciousness. I respect my father more — I mean I despise him less — for doing his own sweating and filching than I do the sensitive sluggards and cowards who lent him their money to sweat and filch with, and asked no questions provided the interest was paid punctually. And as to your friends the artists, they are the worst of all.”

“Oh, Sidney, you are determined not to be pleased. Artists don’t keep factories.”

“No; but the factory is only a part of the machinery of the system. Its basis is the tyranny of brain force, which, among civilized men, is allowed to do what muscular force does among schoolboys and savages. The schoolboy proposition is: ‘I am stronger than you, therefore you shall fag for me.’ Its grown up form is: ‘I am cleverer than you, therefore you shall fag for me.’ The state of things we produce by submitting to this, bad enough even at first, becomes intolerable when the mediocre or foolish descendants of the clever fellows claim to have inherited their privileges. Now, no men are greater sticklers for the arbitrary dominion of genius and talent than your artists. The great painter is not satisfied with being sought after and admired because his hands can do more than ordinary hands, which they truly can, but he wants to be fed as if his stomach needed more food than ordinary stomachs, which it does not. A day’s work is a day’s work, neither more nor less, and the man who does it needs a day’s sustenance, a night’s repose, and due leisure, whether he be painter or ploughman. But the rascal of a painter, poet, novelist, or other voluptuary in labor, is not content with his advantage in popular esteem over the ploughman; he also wants an advantage in money, as if there were more hours in a day spent in the studio or library than in the field; or as if he needed more food to enable him to do his work than the ploughman to enable him to do his. He talks of the higher quality of his work, as if the higher quality of it were of his own making — as if it gave him a right to work less for his neighbor than his neighbor works for him — as if the ploughman could not do better without him than he without the ploughman — as if the value of the most celebrated pictures has not been questioned more than that of any straight furrow in the arable world — as if it did not take an apprenticeship of as many years to train the hand and eye of a mason or blacksmith as of an artist — as if, in short, the fellow were a god, as canting brain worshippers have for years past been assuring him he is. Artists are the high priests of the modern Moloch. Nine out of ten of them are diseased creatures, just sane enough to trade on their own neuroses. The only quality of theirs which extorts my respect is a certain sublime selfishness which makes them willing to starve and to let their families starve sooner than do any work they don’t like.”

“INDEED you are quite wrong, Sidney. There was a girl at the Slade school who supported her mother and two sisters by her drawing. Besides, what can you do? People were made so.”

“Yes; I was made a landlord and capitalist by the folly of the people; but they can unmake me if they will. Meanwhile I have absolutely no means of escape from my position except by giving away my slaves to fellows who will use them no better than I, and becoming a slave myself; which, if you please, you shall not catch me doing in a hurry. No, my beloved, I must keep my foot on their necks for your sake as well as for my own. But you do not care about all this prosy stuff. I am consumed with remorse for having bored my darling. You want to know why I am living here like a hermit in a vulgar two-roomed hovel instead of tasting the delights of London society with my beautiful and devoted young wife.”

“But you don’t intend to stay here, Sidney?”

“Yes, I do; and I will tell you why. I am helping to liberate those Manchester laborers who were my father’s slaves. To bring that about, their fellow slaves all over the world must unite in a vast international association of men pledged to share the world’s work justly; to share the produce of the work justly; to yield not a farthing — charity apart — to any full-grown and ablebodied idler or malingerer, and to treat as vermin in the commonwealth persons attempting to get more than their share of wealth or give less than their share of work. This is a very difficult thing to accomplish, because working-men, like the people called their betters, do not always understand their own interests, and will often actually help their oppressors to exterminate their saviours to the tune of ‘Rule Britannia,’ or some such lying doggerel. We must educate them out of that, and, meanwhile, push forward the international association of laborers diligently. I am at present occupied in propagating its principles. Capitalism, organized for repressive purposes under pretext of governing the nation, would very soon stop the association if it understood our aim, but it thinks that we are engaged in gunpowder plots and conspiracies to assassinate crowned heads; and so, whilst the police are blundering in search of evidence of these, our real work goes on unmolested. Whether I am really advancing the cause is more than I can say. I use heaps of postage stamps, pay the expenses of many indifferent lecturers, defray the cost of printing reams of pamphlets and hand-bills which hail the laborer flatteringly as the salt of the earth, write and edit a little socialist journal, and do what lies in my power generally. I had rather spend my ill-gotten wealth in this way than upon an expensive house and a retinue of servants. And I prefer my corduroys and my two-roomed chalet here to our pretty little house, and your pretty little ways, and my pretty little neglect of the work that my heart is set upon. Some day, perhaps, I will take a holiday; and then we shall have a new honeymoon.”

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