Edgar Allan Poe - Edgar Allan Poe - Complete Tales and Poems The Black Cat, The Fall of the House of Usher, The Raven, The Masque of the Red Death...

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This single volume brings together all of Poe's stories and poems, and illuminates the diverse and multifaceted genius of one of the greatest and most influential figures in American literary history.
Quotes from the book:
"Years of love have been forgot, In the hatred of a minute."
"Men have called me mad; but the question is not yet settled, whether madness is or is not the loftiest intelligence– whether much that is glorious– whether all that is profound– does not spring from disease of thought– from moods of mind exalted at the expense of the general intellect."
"Is all that we see or seem
But a dream within a dream?"
Readers' reviews:
"Definitely not light reading, but perfect for the fall and winter. Very dark and poetic. Great stories, and each story is just short enough to maintain attention span. I recommend this to anyone who appreciates a challenging read." (Bailey Jane, goodreads.com)
"Edgar Allan Poe, is best known for the Raven, still the greatest and most famous American poem ever written." (Henry Avila, goodreads.com)
"Poe is, whatever you may have gleaned about him from cheap movies and comic book adaptations, a thoroughly top-notch writer in the Romantic tradition." (David, goodreads.com)

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The fact is, that each and every one of the Magazines in question, gave Mr. “Oppodeldoc” a complete using-up, in the “Monthly Notices to Correspondents.” The “Hum-Drum” gave him a dressing after this fashion:

“‘Oppodeldoc,’ (whoever he is,) has sent us a long tirade concerning a bedlamite whom he styles ‘Ugolino,’ who had a great many children that should have been all whipped and sent to bed without their suppers. The whole affair is exceedingly tame—not to say flat . ‘Oppodeldoc,’ (whoever he is,) is entirely devoid of imagination—and imagination, in our humble opinion, is not only the soul of Poesy , but also its very heart. Oppodeldoc,’ [ C,E:‘Oppodeldoc,’] (whoever he is,) has the audacity to demand of us, for his twattle, a ‘speedy insertion and prompt pay.’ We neither insert nor purchase any stuff of the sort. There can be no doubt, however, that he would meet with a ready sale for all the balderdash he can scribble, at the office of either the ‘Rowdy-Dow,’ the ‘Lollipop,’ or the ‘Goosetherumfoodle.’”

All this, it must be acknowledged, was very severe upon “Oppodeldoc”—but the unkindest cut was putting the word Poesy in small caps. In those five pre-eminent letters what a world of bitterness is there not involved!

But “Oppodeldoc” was punished with equal severity in the “Rowdy-Dow,” which spoke thus:

·1130· “We have received a most singular and insolent communication from a person, (whoever he is,) signing himself ‘Oppodeldoc’—thus desecrating the greatness of the illustrious Roman Emperor so named. Accompanying the letter of ‘Oppodeldoc,’ (whoever he is,) we find sundry lines of most disgusting and unmeaning rant about ‘angels and ministers of grace’—rant [ C°:grace’)—rant] such as no madman short of a Nat Lee, or an ‘Oppodeldoc,’ could possibly perpetrate. And for this trash of trash, we are modestly requested to ‘pay promptly.’ No sir—no! We pay for nothing of that sort. Apply to the ‘Hum-Drum,’ the ‘Lollipop,’ or the ‘Goosetherumfoodle.’ These periodicals will undoubtedly accept any literary offal you may send them—and as undoubtedly promise to pay for it.”

This was bitter indeed upon poor “Oppodeldoc;” but, in this instance, the weight of the satire falls upon the “Hum-Drum,” the “Lollipop,” and the “Goosetherumfoodle,” who are pungently styled “ periodicals ”—in Italics, too—a thing that must have cut them to the heart.

Scarcely less savage was the “Lollipop,” which thus discoursed:

“Some individual , who rejoices in the appellation ‘Oppodeldoc,’ (to what low uses are the names of the illustrious dead too often applied!) has enclosed us some fifty or sixty verses commencing after this fashion:

Achilles’ wrath, to Greece the direful spring

Of woes unnumbered, &c., &c., &c., &c.

“‘Oppodeldoc,’ (whoever he is,) is respectfully informed that there is not a printer’s devil in our office who is not in the daily habit of composing better lines . Those of ‘Oppodeldoc’ will not scan . ‘Oppodeldoc’ should learn to count . But why he should have conceived the idea that we , (of all others, we !) would disgrace our pages with his ineffable nonsense is utterly beyond comprehension. Why, the absurd twattle is scarcely good enough for the ‘Hum-Drum,’ the ‘Rowdy-Dow,’ the ‘Goosetherumfoodle’—things that are in the practice of publishing ‘Mother Goose’s Melodies’ as original lyrics. And ‘Oppodeldoc’ (whoever he is,) has even the assurance to demand pay for this drivel. Does ‘Oppodeldoc,’ (whoever he is,) know—is he aware that we could not be paid to insert it?”

As I perused this I felt myself growing gradually smaller and smaller, and when I came to the point at which the editor sneered at the poem as “ verses ,” there was little more than an ounce of me left. As for “Oppodeldoc,” I began to experience compassion for the poor fellow. But the “Goosetherumfoodle” showed, if possible, ·1131· less mercy than the “Lollipop.” It was the “Goosetherumfoodle” that said:

A wretched poetaster, who signs himself ‘Oppodeldoc,’ is silly enough to fancy that we will print and pay for a medley of incoherent and ungrammatical bombast which he has transmitted to us, and which commences with the following most intelligible line:

‘Hail, Holy Light! Offspring of Heaven, first born.’

“We say, ‘most intelligible .’ ‘Oppodeldoc,’ (whoever he is,) will be kind enough to tell us, perhaps, how ‘ hail ’ can be ‘ holy light .’ We always regarded it as frozen rain . Will he inform us, also, how frozen rain can be, at one and the same time, both ‘holy light,’ (whatever that is,) and an ‘offspring?’—which latter term, (if we understand any thing about English,) is only employed, with propriety, in reference to small babies of about six weeks old. But it is preposterous to descant upon such absurdity—although ‘Oppodeldoc,’ (whoever he is,) has the unparalleled effrontery to suppose that we will not only ‘insert’ his ignorant ravings, but (absolutely) pay for them !

“Now this is fine—it is rich!—and we have half a mind to punish this young scribbler for his egotism by really publishing his effusion, verbatim et literatim , as he has written it. We could inflict no punishment so severe, and we would inflict it, but for the boredom which we should cause our readers in so doing.

“Let ‘Oppodeldoc,’ (whoever he is,) send any future composition of like character to the ‘Hum-Drum,’ the ‘Lollipop,’ or the ‘Rowdy-Dow.’ They will ‘insert’ it. They ‘insert’ every month just such stuff. Send it to them . WE are not to be insulted with impunity.”

This made an end of me; and as for the “Hum-Drum,” the “Rowdy-Dow,” and the “Lollipop,” I never could comprehend how they survived it. The putting them in the smallest possible minion , (that was the rub—thereby insinuating their lowness—their baseness,) while WE stood looking down upon them in gigantic capitals!—oh it was too bitter!—it was wormwood—it was gall. Had I been either of these periodicals I would have spared no pains to have the “Goosetherumfoodle” prosecuted. It might have been done under the Act for the “Prevention of Cruelty to Animals.” As for “Oppodeldoc,” (whoever he was,) I had by this time lost all patience with the fellow, and sympathized with him no longer. He was a fool, beyond doubt, (whoever he was,) and got not a kick more than he deserved.

·1132· The result of my experiment with the old books, convinced me, in the first place, that “honesty is the best policy,” and, in the second, that if I could not write better than Mr. Dante, and the two blind men, and the rest of the old set, it would, at least, be a difficult matter to write worse. I took heart, therefore, and determined to prosecute the “entirely original,” (as they say on the covers of the magazines,) at whatever cost of study and pains. I again placed before my eyes, as a model, the brilliant stanzas on “The Oil-of-Bob” by the editor of the “Gad-Fly,” and resolved to construct an Ode on the same sublime theme, in rivalry of what had already been done.

With my first verse I had no material difficulty. It ran thus:

To pen an Ode upon theOil-of-Bob .”

Having carefully looked out, however, all the legitimate rhymes to “Bob,” I found it impossible to proceed. In this dilemma I had recourse to paternal aid; and, after some hours of mature thought, my father and myself thus constructed the poem:

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