George Nathan - The Collected Works of H. L. Mencken
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- Название:The Collected Works of H. L. Mencken
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The Philosophy of Friedrich Nietzsche
A Book of Burlesques
A Book of Prefaces
In Defense of Women
Damn! A Book of Calumny
The American Language
The American Credo
Heliogabalus: A Buffoonery in Three Acts
Ventures Into Verse
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The Origin of Philosophy. —Nietzsche believed that introspection and self-analysis, as they were ordinarily manifested, were signs of disease, and that the higher man and superman would waste little time upon them. The first thinkers, he said, were necessarily sufferers, for it was only suffering that made a man think and only disability that gave him leisure to do so. "Under primitive conditions," he said, "the individual, fully conscious of his power, is ever intent upon transforming it into action. Sometimes this action takes the form of hunting, robbery, ambuscade, maltreatment or murder, and at other times it appears as those feebler imitations of these things which alone are countenanced by the community. But when the individual's power declines—when he feels fatigued, ill, melancholy or satiated, and in consequence, temporarily lacks the yearning to function—he is a comparatively better and less dangerous man." That is to say, he contents himself with thinking instead of doing, and so puts into thought and words "his impressions and feelings regarding his companions, his wife or his gods." Naturally enough, since his efficiency is lowered and his mood is gloomy his judgments are evil ones. He finds fault and ponders revenges. He gloats over enemies or envies his friends. "In such a state of mind he turns prophet and so adds to his store of superstitions or devises new acts of devotion or prophesies the downfall of his enemies. Whatever he thinks, his thoughts reflect his state of mind: his fear and weariness are more than normal; his tendency to action and enjoyment are less than normal. Herein we see the genesis of the poetic, thoughtful, priestly mood. Evil thoughts must rule supreme therein.... In later stages of culture, there arose a caste of poets, thinkers, priests and medicine men who all acted the same as, in earlier years, individuals used to act in their comparatively rare hours of illness and depression. These persons led sad, inactive lives and judged maliciously.... The masses, perhaps, yearned to turn them out of the community, because they were parasites, but in this enterprise there was great risk, because these men were on terms of familiarity with the gods and so possessed vast and mysterious power. Thus the most ancient philosophers were viewed. The masses hearkened unto them in proportion to the amount of dread they inspired. In such a way contemplation made its appearance in the world, with an evil heart and a troubled head. It was both weak and terrible, and both secretly abhorred and openly worshipped.... Pudenda origo! " 5
Priestcraft. —So long as man feels capable of taking care of himself he has no need of priests to intercede for him with the deity. Efficiency is proverbially identified with impiety: it is only when the devil is sick that the devil a monk would be. Therefore "the priest must be regarded as the saviour, shepherd and advocate of the sick.... It is his providence to rule over the sufferers...." In order that he may understand them and appeal to them he must be sick himself, and to attain this end there is the device of asceticism. The purpose of asceticism, as we have seen, is to make a man voluntarily destroy his own efficiency. But the priest must have a certain strength, nevertheless, for he must inspire both confidence and dread in his charges, and must be able to defend them—against whom? "Undoubtedly against the sound and strong.... He must be the natural adversary and despiser of all barbarous, impetuous, unbridled, fierce, violent, beast-of-prey healthiness and power." 6Thus he must fashion himself into a new sort of fighter—"a new zoological terror, in which the polar bear, the nimble and cool tiger and the fox are blended into a unity as attractive as it is awe-inspiring." He appears in the midst of the strong as "the herald and mouthpiece of mysterious powers, with the determination to sow upon the soil, whenever and wherever possible, the seeds of suffering, dissension and contradiction.... Undoubtedly he brings balms and balsams with him, but he must first inflict the wound, before he may act as physician.... It is only the unpleasantness of disease that is combated by him—not the cause, not the disease itself!" He dispenses, not specifics, but narcotics. He brings surcease from sorrow, not by showing men how to attain the happiness of efficiency, but by teaching them that their sufferings have been laid upon them by a god who will one day repay them with bliss illimitable.
God. —"A god who is omniscient and omnipotent and yet neglects to make his wishes and intentions certainly known to his creatures—certainly this is not a god of goodness. One who for thousands of years has allowed the countless scruples and doubts of men to afflict them and yet holds out terrible consequences for involuntary errors—certainly this is not a god of justice. Is he not a cruel god if he knows the truth and yet looks down upon millions miserably searching for it? Perhaps he is good, but is unable to communicate with his creatures more intelligibly. Perhaps he is wanting in intelligence—or in eloquence. So much the worse! For, in that case, he may be mistaken in what he calls the truth. He may, indeed, be a brother to the 'poor, duped devils' below him. If so, must he not suffer agonies on seeing his creatures, in their struggle for knowledge of him, submit to tortures for all eternity? Must it not strike him with grief to realize that he cannot advise them or help them, except by uncertain and ambiguous signs?... All religions bear traces of the fact that they arose during the intellectual immaturity of the human race—before it had learned the obligation to speak the truth. Not one of them makes it the duty of its god to be truthful and understandable in his communications with man." 7
Self-Control. —Self-control, says Nietzsche, consists merely in combating a given desire with a stronger one. Thus the yearning to commit a murder may be combated and overcome by the yearning to escape the gallows and to retain the name and dignity of a law-abiding citizen. The second yearning is as much unconscious and instinctive as the first, and in the battle between them the intellect plays but a small part. In general there are but six ways in which a given craving may be overcome. First, we may avoid opportunities for its gratification and so, by a long disuse, weaken and destroy it. Secondly, we may regulate its gratification, and by thus encompassing its flux and reflux within fixed limits, gain intervals during which it is faint. Thirdly, we may intentionally give ourselves over to it and so wear it out by excess—provided we do not act like the rider who lets a runaway horse gallop itself to death and, in so doing, breaks his own neck,—which unluckily is the rule in this method. Fourthly, by an intellectual trick, we may associate gratification with an unpleasant idea, as we have associated sexual gratification, for example, with the idea of indecency. Fifthly, we may find a substitute in some other craving that is measurably less dangerous, Sixthly, we may find safety in a general war upon all cravings, good and bad alike, after the manner of the ascetic, who, in seeking to destroy his sensuality, at the same time destroys his physical strength, his reason and, not infrequently, his life.
The Beautiful. —Man's notion of beauty is the fruit of his delight in his own continued existence. Whatever makes this existence easy, or is associated, in any manner, with life or vigor, seems to him to be beautiful. "Man mirrors himself in things. He counts everything beautiful which reflects his likeness. The word 'beautiful' represents the conceit of his species.... Nothing is truly ugly except the degenerating man. But other things are called ugly, too, when they happen to weaken or trouble man. They remind him of impotence, deterioration and danger: in their presence he actually suffers a loss of power. Therefore he calls them ugly. Whenever man is at all depressed he has an intuition of the proximity of something 'ugly.' His sense of power, his will to power, his feeling of pride and efficiency—all sink with the ugly and rise with the beautiful. The ugly is instinctively understood to be a sign and symptom of degeneration. That which reminds one, in the remotest degree, of degeneracy seems ugly. Every indication of exhaustion, heaviness, age, or lassitude, every constraint—such as cramp or paralysis—and above all, every odor, color or counterfeit of decomposition—though it may be no more than a far-fetched symbol—calls forth the idea of ugliness. Aversion is thereby excited—man's aversion to the decline of his type." 8The phrase "art for art's sake" voices a protest against subordinating art to morality—that is, against making it a device for preaching sermons—but as a matter of fact, all art must praise and glorify and so must lay down values. It is the function of the artist, indeed, to select, to choose, to bring into prominence. The very fact that he is able to do this makes us call him an artist. And when do we approve his choice? Only when it agrees with our fundamental instinct—only when it exhibits "the desirableness of life." "Therefore art is the great stimulus to life. We cannot conceive it as being purposeless or aimless. 'Art for art's sake' is a phrase without meaning." 9
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