Sinclair Lewis - The Collected Works of Sinclair Lewis

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This edition includes the complete novels and the iconic short stories of the great Sinclair Lewis:
Novels:
Babbitt
Free Air
Main Street
The Trail of the Hawk
The Innocents
The Job
Our Mr. Wrenn
Arrowsmith
Mantrap
Elmer Gantry
The Man Who Knew Coolidge
Dodsworth
Ann Vickers
Work of Art
It Can't Happen Here
The Prodigal Parents
Bethel Merriday
Gideon Planish
Cass Timberlane
Kingsblood Royal
World So Wide
Short Stories:
Things
Moths in the Arc Light
The Willow Walk
Nature, Inc.
The Cat of the Stars
The Ghost Patrol
The Kidnaped Memorial
Speed
Young Man Axelbrod
Seven Million Dollars
Let's Play King
Land
A Letter From the Queen
The Hack Driver
Go East, Young Man
Little Bear Bongo
Sinclair Lewis (1885-1951) was an American writer and playwright. In 1930, he became the first writer from the United States to receive the Nobel Prize in Literature. He is best known for his novels Main Street, Babbitt, Arrowsmith, and It Can't Happen Here. His works are known for their critical views of American capitalism and materialism in the interwar period. He is also respected for his strong characterizations of modern working women.

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Eathorne's inquiries as to the healths of Mrs. Babbitt, Miss Babbitt, and the Other Children were softly paternal, but Babbitt had nothing with which to answer him. It was indecent to think of using the “How's tricks, ole socks?” which gratified Vergil Gunch and Frink and Howard Littlefield — men who till now had seemed successful and urbane. Babbitt and Frink sat politely, and politely did Eathorne observe, opening his thin lips just wide enough to dismiss the words, “Gentlemen, before we begin our conference — you may have felt the cold in coming here — so good of you to save an old man the journey — shall we perhaps have a whisky toddy?”

So well trained was Babbitt in all the conversation that befits a Good Fellow that he almost disgraced himself with “Rather than make trouble, and always providin' there ain't any enforcement officers hiding in the waste-basket — ” The words died choking in his throat. He bowed in flustered obedience. So did Chum Frink.

Eathorne rang for the maid.

The modern and luxurious Babbitt had never seen any one ring for a servant in a private house, except during meals. Himself, in hotels, had rung for bell-boys, but in the house you didn't hurt Matilda's feelings; you went out in the hall and shouted for her. Nor had he, since prohibition, known any one to be casual about drinking. It was extraordinary merely to sip his toddy and not cry, “Oh, maaaaan, this hits me right where I live!” And always, with the ecstasy of youth meeting greatness, he marveled, “That little fuzzy-face there, why, he could make me or break me! If he told my banker to call my loans — ! Gosh! That quarter-sized squirt! And looking like he hadn't got a single bit of hustle to him! I wonder — Do we Boosters throw too many fits about pep?”

From this thought he shuddered away, and listened devoutly to Eathorne's ideas on the advancement of the Sunday School, which were very clear and very bad.

Diffidently Babbitt outlined his own suggestions:

“I think if you analyze the needs of the school, in fact, going right at it as if it was a merchandizing problem, of course the one basic and fundamental need is growth. I presume we're all agreed we won't be satisfied till we build up the biggest darn Sunday School in the whole state, so the Chatham Road Presbyterian won't have to take anything off anybody. Now about jazzing up the campaign for prospects: they've already used contesting teams, and given prizes to the kids that bring in the most members. And they made a mistake there: the prizes were a lot of folderols and doodads like poetry books and illustrated Testaments, instead of something a real live kid would want to work for, like real cash or a speedometer for his motor cycle. Course I suppose it's all fine and dandy to illustrate the lessons with these decorated book-marks and blackboard drawings and so on, but when it comes down to real he-hustling, getting out and drumming up customers — or members, I mean, why, you got to make it worth a fellow's while.

“Now, I want to propose two stunts: First, divide the Sunday School into four armies, depending on age. Everybody gets a military rank in his own army according to how many members he brings in, and the duffers that lie down on us and don't bring in any, they remain privates. The pastor and superintendent rank as generals. And everybody has got to give salutes and all the rest of that junk, just like a regular army, to make 'em feel it's worth while to get rank.

“Then, second: Course the school has its advertising committee, but, Lord, nobody ever really works good — nobody works well just for the love of it. The thing to do is to be practical and up-to-date, and hire a real paid press-agent for the Sunday School-some newspaper fellow who can give part of his time.”

“Sure, you bet!” said Chum Frink.

“Think of the nice juicy bits he could get in!” Babbitt crowed. “Not only the big, salient, vital facts, about how fast the Sunday School — and the collection — is growing, but a lot of humorous gossip and kidding: about how some blowhard fell down on his pledge to get new members, or the good time the Sacred Trinity class of girls had at their wieniewurst party. And on the side, if he had time, the press-agent might even boost the lessons themselves — do a little advertising for all the Sunday Schools in town, in fact. No use being hoggish toward the rest of 'em, providing we can keep the bulge on 'em in membership. Frinstance, he might get the papers to — Course I haven't got a literary training like Frink here, and I'm just guessing how the pieces ought to be written, but take frinstance, suppose the week's lesson is about Jacob; well, the press-agent might get in something that would have a fine moral, and yet with a trick headline that'd get folks to read it — say like: 'Jake Fools the Old Man; Makes Getaway with Girl and Bankroll.' See how I mean? That'd get their interest! Now, course, Mr. Eathorne, you're conservative, and maybe you feel these stunts would be undignified, but honestly, I believe they'd bring home the bacon.”

Eathorne folded his hands on his comfortable little belly and purred like an aged pussy:

“May I say, first, that I have been very much pleased by your analysis of the situation, Mr. Babbitt. As you surmise, it's necessary in My Position to be conservative, and perhaps endeavor to maintain a certain standard of dignity. Yet I think you'll find me somewhat progressive. In our bank, for example, I hope I may say that we have as modern a method of publicity and advertising as any in the city. Yes, I fancy you'll find us oldsters quite cognizant of the shifting spiritual values of the age. Yes, oh yes. And so, in fact, it pleases me to be able to say that though personally I might prefer the sterner Presbyterianism of an earlier era — ”

Babbitt finally gathered that Eathorne was willing.

Chum Frink suggested as part-time press-agent one Kenneth Escott, reporter on the Advocate-Times.

They parted on a high plane of amity and Christian helpfulness.

Babbitt did not drive home, but toward the center of the city. He wished to be by himself and exult over the beauty of intimacy with William Washington Eathorne.

II

A snow-blanched evening of ringing pavements and eager lights.

Great golden lights of trolley-cars sliding along the packed snow of the roadway. Demure lights of little houses. The belching glare of a distant foundry, wiping out the sharp-edged stars. Lights of neighborhood drug stores where friends gossiped, well pleased, after the day's work.

The green light of a police-station, and greener radiance on the snow; the drama of a patrol-wagon — gong beating like a terrified heart, headlights scorching the crystal-sparkling street, driver not a chauffeur but a policeman proud in uniform, another policeman perilously dangling on the step at the back, and a glimpse of the prisoner. A murderer, a burglar, a coiner cleverly trapped?

An enormous graystone church with a rigid spire; dim light in the Parlors, and cheerful droning of choir-practise. The quivering green mercury-vapor light of a photo-engraver's loft. Then the storming lights of down-town; parked cars with ruby tail-lights; white arched entrances to movie theaters, like frosty mouths of winter caves; electric signs — serpents and little dancing men of fire; pink-shaded globes and scarlet jazz music in a cheap up-stairs dance-hall; lights of Chinese restaurants, lanterns painted with cherry-blossoms and with pagodas, hung against lattices of lustrous gold and black. Small dirty lamps in small stinking lunchrooms. The smart shopping-district, with rich and quiet light on crystal pendants and furs and suave surfaces of polished wood in velvet-hung reticent windows. High above the street, an unexpected square hanging in the darkness, the window of an office where some one was working late, for a reason unknown and stimulating. A man meshed in bankruptcy, an ambitious boy, an oil-man suddenly become rich?

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