Sinclair Lewis - The Collected Works of Sinclair Lewis

The children were at breakfast — children surely not of the same species as the smeary-cheeked brats she had seen tumbling by roadsides along the way — sturdy Mason, with his cap of curls, and Virginia, with bobbed ash-blond hair prim about her delicate face. They curtsied, and in voices that actually had intonations they besought her, "Oh, Cousin Claire, would you pleasssssse tell us about drive-to-the-coast?"

After breakfast, she went out on the terrace for the View.

In Seattle, even millionaires, and the I. W. W., and men with red garters on their exposed shirt-sleeves who want to give you real estate, all talk about the View. The View is to Seattle what the car-service, the auditorium, the flivver-factory, or the price of coal is to other cities. At parties in Seattle, you discuss the question of whether the View of Lake Union or the View of the Olympics is the better, and polite office-managers say to their stenographers as they enter, "How's your View this morning?" All real-estate deeds include a patent on the View, and every native son has it as his soundest belief that no one in Tacoma gets a View of Mount Rainier.

Mrs. Gilson informed Claire that they had the finest View in Seattle.

Below Claire was the harbor, with docks thrust far out into the water, and steamers alive with smoke. Mrs. Gilson said they were Blue Funnel Liners, loading for Vladivostok and Japan. The names, just the names, shot into Claire's heart a wistful unexpressed desire that was somehow vaguely connected with a Milt Daggett who, back in the Middlewestern mud and rain, had longed for purple mountains and cherry blossoms and the sea. But she cast out the wish, and lifted her eyes to mountains across the sound — not purple mountains, but sheer silver streaked with black, like frozen surf on a desolate northern shore — the Olympics, two-score miles away.

Up there, one could camp, with a boy in a deteriorated sweater singing as he watched the coffee ——

Hastily she looked to the left, across the city, with its bright new skyscrapers, its shining cornices and masses of ranked windows, and the exclamation-point of the "tallest building outside of New York" — far livelier than her own rusty Brooklyn. Beyond the city was a dun cloud, but as she stared, far up in the cloud something crept out of the vapor, and hung there like a dull full moon, aloof, majestic, overwhelming, and she realized that she was beholding the peak of Mount Rainier, with the city at its foot like white quartz pebbles at the base of a tower.

A landing-stage for angels, she reflected.

It did seem larger than dressing-tables and velvet hangings and scented baths.

But she dragged herself from the enticing path of that thought, and sighed wretchedly, "Oh, yes, he would appreciate Rainier, but how — how would he manage a grape-fruit? I mustn't be a fool! I mustn't!" She saw that Mrs. Gilson was peeping at her, and she made herself say adequate things about the View before she fled inside — fled from her sputtering inquiring self.

In the afternoon they drove to Capitol Hill; they dropped in at various pretty houses and met the sort of people Claire knew back home. Between people they had Views; and the sensible Miss Boltwood, making a philosophic discovery, announced to herself, "After all, I've seen just as much from this limousine as I would from a bone-breaking Teal bug. Silly to make yourself miserable to see things. Oh yes, I will go wandering some more, but not like a hobo. But —— What can I say to him? Good heavens, he may be here any time now, with our car. Oh, why — why — why was I insane on that station platform?"

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Snoqualmie Pass lies among mountains prickly with rocks and burnt stumps, but the road is velvet, with broad saucer curves; and to Milt it was pure beauty, it was release from life, to soar up coaxing inclines and slip down easy grades in the powerful car. "No more Teals for me," he cried, in the ecstasy of handling an engine that slowed to a demure whisper, then, at a touch of the accelerator, floated up a rise, effortless, joyous, humming the booming song of the joy in speed. He suddenly hated the bucking tediousness of the Teal. The Gomez-Dep symbolized his own new life.

So he came to Lake Washington, and just across it was the city of his long dreams, the city of the Pacific — and of Claire. There was no ferry in sight, and he rounded the lake, struck a brick pavement, rolled through rough woods, suburban villas, and petty business streets, to a region of factories and mills, with the funnels of ships beyond.

And every minute he drove more slowly and became more uneasy.

The pavement — the miles of it; the ruthless lumbermills, with their thousands of workmen quite like himself; the agitation of realizing that every three minutes he was passing a settlement larger than Schoenstrom; the strangeness of ships and all the cynical ways of the sea — the whole scene depressed him as he perceived how little of the world he knew, and how big and contemptuous of Milt Daggetts that world must be.

"Huh!" he growled. "Quite some folks living here. Don't suppose they spend such a whale of a lot of time thinking about Milt Daggett and Bill McGolwey and Prof Jones. I guess most of these people wouldn't think Heinie Rauskukle's store was so gosh-awful big. I wasn't scared of Minneapolis — much — but there they didn't ring in mountains and an ocean on you. And I didn't have to go up on the hill and meet folks like Claire's relations, and figure out whether you shake hands catch-as-catch-can or Corinthian. Look at that sawmill chimney — isn't it nice of 'em to put the fly-screen over it so the flies won't get down into the flames. No, they haven't got much more than a million feet of lumber in that one pile. And here's a bum little furniture store — it wouldn't cost more 'n about ten times all I've got to buy one of those Morris chairs. Oh Gooooooosh, won't these houses ever stop? Say, that must be a jitney. The driver snickered at me. Will the whole town be onto me? Milt, you're a kind young fellow, and you know what's the matter with Heinie's differential, but they don't need you here. Quite a few folks to carry on the business. Gosh, look at that building ahead — nine stories!"

He had planned to stop at a hotel, to wash up, and to gallop to Claire. But — well — wouldn't it maybe be better to leave the car at a public garage, so the Boltwoods could get it when they wanted to? He'd better "just kind of look around before he tackled the watch-dog."

It was the public garage which finally crushed him. It was a garage of enameled brick and colored tiles, with a plate-glass-enclosed office in which worked young men clad as the angels. One of them wore a carnation, Milt noted.

"Huh! I'll write back and tell Ben Sittka that hereafter he's to wear his best-Sunday-go-to-meeting clothes and a milkweed blossom when he comes down to work at the Red Trail Garage!"

Milt drove up the brick incline into a room thousands of miles long, with millions of new and recently polished cars standing in lines as straight as a running-board. He begged of a high-nosed colored functionary — not in khaki overalls but in maroon livery — "Where'll I put this boat?"

The Abyssinian prince gave him a check, and in a tone of extreme lack of personal interest snapped, "Take it down the aisle to the elevator."

Milt had followed the natural lines of traffic into the city; he had spoken to no one; the prince's snort was his welcome to Seattle.

Meekly he drove past the cars so ebon and silvery, so smug and strong, that they would have regarded a Teal bug as an insult. Another attendant waved him into the elevator, and Milt tried not to look surprised when the car started, not forward, but upward, as though it had turned into an aeroplane.