Leo Tolstoy - Leo Tolstoy - The Complete Novels (The Greatest Novelists of All Time – Book 4)

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E-artnow presents to you the complete novels by one of the greatest novelist of Russian literature. This collection includes:
Anna Karenina
War and Peace
Resurrection
The Death of Ivan Ilyich
Childhood
Boyhood
Youth
The Cossacks: A Tale of 1852
Family Happiness
The Kreutzer Sonata
The Forged Coupon
Hadji Murad
The Dekabrists
A Morning of a Landed Propietor
Count Lev Nikolayevich Tolstoy or Leo Tolstoy (1828-1910) was a Russian writer who is regarded as one of the greatest authors of all time. Born to an aristocratic Russian family in 1828, he is best known for the novels War and Peace (1869) and Anna Karenina (1877) which are often cited as pinnacles of realist fiction. He also wrote plays and numerous philosophical essays.

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“Ah, how nice of you!” she said, giving her husband her hand, and greeting Sludin, who was like one of the family, with a smile. “You’re staying the night, I hope?” was the first word the spirit of falsehood prompted her to utter; “and now we’ll go together. Only it’s a pity I’ve promised Betsy. She’s coming for me.”

Alexey Alexandrovitch knit his brows at Betsy’s name.

“Oh, I’m not going to separate the inseparables,” he said in his usual bantering tone. “I’m going with Mihail Vassilievitch. I’m ordered exercise by the doctors too. I’ll walk, and fancy myself at the springs again.”

“There’s no hurry,” said Anna. “Would you like tea?”

She rang.

“Bring in tea, and tell Seryozha that Alexey Alexandrovitch is here. Well, tell me, how have you been? Mihail Vassilievitch, you’ve not been to see me before. Look how lovely it is out on the terrace,” she said, turning first to one and then to the other.

She spoke very simply and naturally, but too much and too fast. She was the more aware of this from noticing in the inquisitive look Mihail Vassilievitch turned on her that he was, as it were, keeping watch on her.

Mihail Vassilievitch promptly went out on the terrace.

She sat down beside her husband.

“You don’t look quite well,” she said.

“Yes,” he said; “the doctor’s been with me today and wasted an hour of my time. I feel that some one of our friends must have sent him: my health’s so precious, it seems.”

“No; what did he say?”

She questioned him about his health and what he had been doing, and tried to persuade him to take a rest and come out to her.

All this she said brightly, rapidly, and with a peculiar brilliance in her eyes. But Alexey Alexandrovitch did not now attach any special significance to this tone of hers. He heard only her words and gave them only the direct sense they bore. And he answered simply, though jestingly. There was nothing remarkable in all this conversation, but never after could Anna recall this brief scene without an agonizing pang of shame.

Seryozha came in preceded by his governess. If Alexey Alexandrovitch had allowed himself to observe he would have noticed the timid and bewildered eyes with which Seryozha glanced first at his father and then at his mother. But he would not see anything, and he did not see it.

“Ah, the young man! He’s grown. Really, he’s getting quite a man. How are you, young man?”

And he gave his hand to the scared child. Seryozha had been shy of his father before, and now, ever since Alexey Alexandrovitch had taken to calling him young man, and since that insoluble question had occurred to him whether Vronsky were a friend or a foe, he avoided his father. He looked round towards his mother as though seeking shelter. It was only with his mother that he was at ease. Meanwhile, Alexey Alexandrovitch was holding his son by the shoulder while he was speaking to the governess, and Seryozha was so miserably uncomfortable that Anna saw he was on the point of tears.

Anna, who had flushed a little the instant her son came in, noticing that Seryozha was uncomfortable, got up hurriedly, took Alexey Alexandrovitch’s hand from her son’s shoulder, and kissing the boy, led him out onto the terrace, and quickly came back.

“It’s time to start, though,” said she, glancing at her watch.

“How is it Betsy doesn’t come?…”

“Yes,” said Alexey Alexandrovitch, and getting up, he folded his hands and cracked his fingers. “I’ve come to bring you some money, too, for nightingales, we know, can’t live on fairy tales,” he said. “You want it, I expect?”

“No, I don’t…yes, I do,” she said, not looking at him, and crimsoning to the roots of her hair. “But you’ll come back here after the races, I suppose?”

“Oh, yes!” answered Alexey Alexandrovitch. “And here’s the glory of Peterhof, Princess Tverskaya,” he added, looking out of the window at the elegant English carriage with the tiny seats placed extremely high. “What elegance! Charming! Well, let us be starting too, then.”

Princess Tverskaya did not get out of her carriage, but her groom, in high boots, a cape, and black hat, darted out at the entrance.

“I’m going; good-bye!” said Anna, and kissing her son, she went up to Alexey Alexandrovitch and held out her hand to him. “It was ever so nice of you to come.”

Alexey Alexandrovitch kissed her hand.

“Well, au revoir , then! You’ll come back for some tea; that’s delightful!” she said, and went out, gay and radiant. But as soon as she no longer saw him, she was aware of the spot on her hand that his lips had touched, and she shuddered with repulsion.

Chapter 28

Table of Contents

When Alexey Alexandrovitch reached the race-course, Anna was already sitting in the pavilion beside Betsy, in that pavilion where all the highest society had gathered. She caught sight of her husband in the distance. Two men, her husband and her lover, were the two centers of her existence, and unaided by her external senses she was aware of their nearness. She was aware of her husband approaching a long way off, and she could not help following him in the surging crowd in the midst of which he was moving. She watched his progress towards the pavilion, saw him now responding condescendingly to an ingratiating bow, now exchanging friendly, nonchalant greetings with his equals, now assiduously trying to catch the eye of some great one of this world, and taking off his big round hat that squeezed the tips of his ears. All these ways of his she knew, and all were hateful to her. “Nothing but ambition, nothing but the desire to get on, that’s all there is in his soul,” she thought; “as for these lofty ideals, love of culture, religion, they are only so many tools for getting on.”

From his glances towards the ladies’ pavilion (he was staring straight at her, but did not distinguish his wife in the sea of muslin, ribbons, feathers, parasols and flowers) she saw that he was looking for her, but she purposely avoided noticing him.

“Alexey Alexandrovitch!” Princess Betsy called to him; “I’m sure you don’t see your wife: here she is.”

He smiled his chilly smile.

“There’s so much splendor here that one’s eyes are dazzled,” he said, and he went into the pavilion. He smiled to his wife as a man should smile on meeting his wife after only just parting from her, and greeted the princess and other acquaintances, giving to each what was due—that is to say, jesting with the ladies and dealing out friendly greetings among the men. Below, near the pavilion, was standing an adjutant-general of whom Alexey Alexandrovitch had a high opinion, noted for his intelligence and culture. Alexey Alexandrovitch entered into conversation with him.

There was an interval between the races, and so nothing hindered conversation. The adjutant-general expressed his disapproval of races. Alexey Alexandrovitch replied defending them. Anna heard his high, measured tones, not losing one word, and every word struck her as false, and stabbed her ears with pain.

When the three-mile steeplechase was beginning, she bent forward and gazed with fixed eyes at Vronsky as he went up to his horse and mounted, and at the same time she heard that loathsome, never-ceasing voice of her husband. She was in an agony of terror for Vronsky, but a still greater agony was the never-ceasing, as it seemed to her, stream of her husband’s shrill voice with its familiar intonations.

“I’m a wicked woman, a lost woman,” she thought; “but I don’t like lying, I can’t endure falsehood, while as for him (her husband) it’s the breath of his life—falsehood. He knows all about it, he sees it all; what does he care if he can talk so calmly? If he were to kill me, if he were to kill Vronsky, I might respect him. No, all he wants is falsehood and propriety,” Anna said to herself, not considering exactly what it was she wanted of her husband, and how she would have liked to see him behave. She did not understand either that Alexey Alexandrovitch’s peculiar loquacity that day, so exasperating to her, was merely the expression of his inward distress and uneasiness. As a child that has been hurt skips about, putting all his muscles into movement to drown the pain, in the same way Alexey Alexandrovitch needed mental exercise to drown the thoughts of his wife that in her presence and in Vronsky’s, and with the continual iteration of his name, would force themselves on his attention. And it was as natural for him to talk well and cleverly, as it is natural for a child to skip about. He was saying:

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