George Sand - George Sand - The Collected Works (The Greatest Novelists of All Time – Book 11)

"Some moralists criticise your solitary life; they claim that every man belongs to society, which demands his presence. They add that you set an example which it is dangerous to follow."

"Society should demand nothing of the man who expects nothing from it," Sir Ralph replied. "As for the contagion of example, I do not believe in it, monsieur; too much energy is required to break with the world, and too much suffering to acquire that energy. So let this unknown happiness flow on in peace, for it costs nobody anything, and conceals itself for fear of making others envious. Go, young man, follow the course of your destiny; have friends, a profession, a reputation, a fatherland. As for me, I have Indiana. Do not break the chains that bind you to society, respect its laws if they protect you, accept its judgments if they are fair to you: but if some day it calumniates you and spurns you, have pride enough to find a way to do without it."

"Yes," said I, "a pure heart will enable us to endure exile; but, to make us love it, one must have such a companion as yours."

"Ah!" he said, "if you knew how I pity this world of yours, which looks down on me!"

The next day I left Ralph and Indiana; one embraced me, the other shed a few tears.

"Adieu," they said to me; "return to the world; if some day it banishes you, remember our Indian cottage."

Table of Contents

Preface

Mauprat

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX

XX

XXI

XXII

XXIII

XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

XXX

Footnote

Table of Contents

When I wrote my novel Mauprat at Nohant—in 1846, if I remember rightly—I had just been suing for a separation. Hitherto I had written much against the abuses of marriage, and perhaps, though insufficiently explaining my views, had induced a belief that I failed to appreciate its essence; but it was at this time that marriage itself stood before me in all the moral beauty of its principle.

Misfortune is not without its uses to the thoughtful mind. The more clearly I had realized the pain and pity of having to break a sacred bond, the more profoundly I felt that where marriage is wanting, is in certain elements of happiness and justice of too lofty a nature to appeal to our actual society. Nay, more; society strives to take from the sanctity of the institution by treating it as a contract of material interests, attacking it on all sides at once, by the spirit of its manners, by its prejudices, by its hypocritical incredulity.

While writing a novel as an occupation and distraction for my mind, I conceived the idea of portraying an exclusive and undying love, before, during, and after marriage. Thus I drew the hero of my book proclaiming, at the age of eighty, his fidelity to the one woman he had ever loved.

The ideal of love is assuredly eternal fidelity. Moral and religious laws have aimed at consecrating this ideal. Material facts obscure it. Civil laws are so framed as to make it impossible or illusory. Here, however, is not the place to prove this. Nor has Mauprat been burdened with a proof of the theory; only, the sentiment by which I was specially penetrated at the time of writing it is embodied in the words of Mauprat towards the end of the book: “She was the only woman I loved in all my life; none other ever won a glance from me, or knew the pressure of my hand.”

GEORGE SAND.

June 5, 1857.

TO GUSTAVE PAPET

Though fashion may proscribe the patriarchal fashion of dedications, I would ask you, brother and friend, to accept this of a tale which is not new to you. I have drawn my materials in part from the cottages of our Noire valley. May we live and die there, repeating every evening our beloved invocation:

SANCTA SIMPLICITAS! GEORGE SAND.

Table of Contents

On the borders of La Marche and Berry, in the district known as Varenne, which is naught but a vast moor studded with forests of oak and chestnut, and in the most thickly wooded and wildest part of the country, may be found, crouching within a ravine, a little ruined chateau. The dilapidated turrets would not catch your eye until you were about a hundred yards from the principal portcullis. The venerable trees around and the scattered rocks above, bury it in everlasting obscurity; and you would experience the greatest difficulty, even in broad daylight, in crossing the deserted path leading to it, without stumbling against the gnarled trunks and rubbish that bar every step. The name given to this dark ravine and gloomy castle is Roche-Mauprat.

It was not so long ago that the last of the Mauprats, the heir to this property, had the roofing taken away and all the woodwork sold. Then, as if to give a kick to the memory of his ancestors, he ordered the entrance gate to be thrown down, the north tower to be gutted, and a breach to be made in the surrounding wall. This done, he departed with his workmen, shaking the dust from off his feet, and abandoning his domain to foxes, and cormorants, and vipers. Since then, whenever the wood-cutters and charcoal-burners from the huts in the neighbourhood pass along the top of the Roche-Mauprat ravine, if it is in daytime they whistle with a defiant air or hurl a hearty curse at the ruins; but when day falls and the goat-sucker begins to screech from the top of the loopholes, wood-cutter and charcoal-burner pass by silently, with quickened step, and cross themselves from time to time to ward off the evil spirits that hold sway among the ruins.

For myself, I own that I have never skirted the ravine at night without feeling a certain uneasiness; and I would not like to swear that on some stormy nights I have not given my horse a touch of the spur, in order to escape the more quickly from the disagreeable impression this neighbourhood made on me.

The reason is that in childhood I classed the name of Mauprat with those of Cartouche and Bluebeard; and in the course of horrible dreams I often used to mix up the ancient legends of the Ogre and the Bogey with the quite recent events which in our province had given such a sinister lustre to this Mauprat family.

Frequently, out shooting, when my companions and I have left our posts to go and warm ourselves at the charcoal fires which the workmen keep up all night, I have heard this name dying away on their lips at our approach. But when they had recognised us and thoroughly satisfied themselves that the ghosts of none of these robbers were hiding in our midst, they would tell us in a whisper such stories as might make one’s hair stand on end, stories which I shall take good care not to pass on to you, grieved as I am that they should ever have darkened and pained my own memory.

Not that the story I am about to tell is altogether pleasant and cheerful. On the contrary, I must ask your pardon for unfolding so sombre a tale. Yet, in the impression which it has made on myself there is something so consoling and, if I may venture the phrase, so healthful to the soul, that you will excuse me, I hope, for the sake of the result. Besides this is a story which has just been told to me. And now you ask me for one. The opportunity is too good to be missed for one of my laziness or lack of invention.

It was only last week that I met Bernard Mauprat, the last of the line, the man who, having long before severed himself from his infamous connections, determined to demolish his manor as a sign of the horror aroused in him by the recollections of childhood. This Bernard is one of the most respected men in the province. He lives in a pretty house near Chateauroux, in a flat country. Finding myself in the neighbourhood, with a friend of mine who knows him, I expressed a wish to be introduced; and my friend, promising me a hearty welcome, took me to his house then and there.