George Sand - George Sand - The Collected Works (The Greatest Novelists of All Time – Book 11)

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George Sand was one of the most notable writers of the European Romantic era. In her novels Sand blends the conventions of romanticism, realism and idealism. Her writing was immensely popular during her lifetime and she was highly respected by the literary and cultural elite in France. Sand's works influenced many authors including Dostoevsky, Marcel Proust, Virginia Woolf and Walt Whitman. This unique collection includes some of her best and most famous novels:
The Devil's Pool
Indiana
Mauprat
The Countess of Rudolstadt
Valentine
The Sin of Monsieur Antoine
Leone Leoni
The Marquis de Villemer
The Bagpipers
Antonia

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Nevertheless, when she had curled her short black locks about her pale and melancholy brow, when she had placed upon her shapely head a little English hat, called then, by way of allusion to the recent blow to great fortunes, a three per cent. ; when she had fastened at her girdle a bunch of the flowers whose perfume Raymon loved, she hoped that she would still find favor in his sight; for she was as pale and fragile as in the first days of their acquaintance, and the effect of her illness had effaced the traces of the tropical sunshine.

She hired a cab in the afternoon and arrived about nine at night at a village on the outskirts of Fontainebleau. There she ordered the driver to put up his horse and wait for her until the next day, and started off alone, on foot, by a path which led to Lagny park by a walk of less than quarter of an hour through the woods. She tried to open the small gate but found it locked on the inside. It was her wish to enter by stealth, to avoid the eyes of the servants and take Raymon by surprise. She skirted the park wall. It was quite old; she remembered that there were frequent breaches, and, by good luck, she found one and passed over without much difficulty.

When she stood upon ground which belonged to Raymon and was to be thenceforth her refuge, her sanctuary, her fortress and her home, her heart leaped for joy. With light, triumphant foot she hastened along the winding paths she knew so well. She reached the English garden, which was dark and deserted on that side. Nothing was changed in the flower-beds; but the bridge, the painful sight of which she dreaded, had disappeared, and the course of the stream had been altered; the spots which might have recalled Noun's death had been changed, and no others.

"He wished to banish that cruel memory," thought Indiana. "He was wrong, I could have endured it. Was it not for my sake that he planted the seeds of remorse in his life? Henceforth we are quits, for I too have committed a crime. I may have caused my husband's death. Raymon can open his arms to me, we will take the place of innocence and virtue to each other."

She crossed the stream on boards laid across where a bridge was to be built and passed through the flower-garden. She was forced to stop, for her heart was beating as if it would burst; she looked up at the windows of her old bedroom. O bliss! a light was shining through the blue curtains, Raymon was there. As if he could occupy any other room! The door to the secret stairway was open.

"He expects me at any time," she thought; "he will be happy but not surprised."

At the top of the staircase she paused again to take breath; she felt less strong to endure joy than sorrow. She stooped and looked through the keyhole. Raymon was alone, reading. It was really he, it was Raymon overflowing with life and vigor; his trials had not aged him, the tempests of politics had not taken a single hair from his head; there he sat, placid and handsome, his head resting on his white hand which was buried in his black hair.

Indiana impulsively tried the door, which opened without resistance.

"You expected me!" she cried, falling on her knees and resting her feeble head upon Raymon's bosom; "you counted the months and days, you knew that the time had passed, but you knew too that I could not fail to come at your call. You called me and I am here, I am here! I am dying!"

Her ideas became tangled in her brain; for some time she knelt there, silent, gasping for breath, incapable of speech or thought. Then she opened her eyes, recognized Raymon as if just waking from a dream, uttered a cry of frantic joy, and pressed her lips to his, wild, ardent and happy. He was pale, dumb, motionless, as if struck by lightning.

"Speak to me, in Heaven's name," she cried; "it is I, your Indiana, your slave whom you recalled from exile and who has travelled three thousand leagues to love you and serve you; it is your chosen companion, who has left everything, risked everything, defied everything, to bring you this moment of joy! You are happy, you are content with her, are you not? I am waiting for my reward; with a word, a kiss I shall be paid a hundred fold."

But Raymon did not reply; his admirable presence of mind had abandoned him. He was crushed with surprise, remorse and terror when he saw that woman at his feet; he hid his face in his hands and longed for death.

"My God! my God! you don't speak to me, you don't kiss me, you have nothing to say to me!" cried Madame Delmare, pressing Raymon's knees to her breast; "is it because you cannot? Joy makes people ill, it kills sometimes, I know! Ah! you are not well, you are suffocating, I surprised you too suddenly! Try to look at me; see how pale I am, how old I have grown, how I have suffered! But it was for you, and you will love me all the better for it! Say one word to me, Raymon, just one."

"I would like to weep," said Raymon in a stifled tone.

"And so would I," said she, covering his hands with kisses. "Ah! yes, that would do you good. Weep, weep on my bosom, and I will wipe your tears away with my kisses. I have come to bring you happiness, to be whatever you choose—your companion, your servant or your mistress. Formerly I was very cruel, very foolish, very selfish. I made you suffer terribly, and I refused to understand that I demanded what was beyond your strength. But since then I have reflected, and as you are not afraid to defy public opinion with me, I have no right to refuse to make any sacrifice. Dispose of me, of my blood, of my life, as you will; I am yours body and soul. I have travelled three thousand leagues to tell you this, to give myself to you. Take me, I am your property, you are my master."

I cannot say what infernal project passed rapidly through Raymon's brain. He removed his clenched hands from his face and looked at Indiana with diabolical sang-froid ; then a wicked smile played about his lips and made his eyes gleam, for Indiana was still lovely.

"First of all, we must conceal you," he said, rising.

"Why conceal me here?" she said; "aren't you at liberty to take me in and protect me, who have no one but you on earth, and who, without you, shall be compelled to beg on the public highway? Why, even society can no longer call it a crime for you to love me; I have taken everything on my own shoulders! But where are you going?" she cried, as she saw him walking toward the door.

She clung to him with the terror of a child who does not wish to be left alone a single instant, and dragged herself along on her knees behind him.

His purpose was to lock the door; but he was too late. The door opened before he could reach it, and Laure de Nangy entered. She seemed less surprised than exasperated, and did not utter an exclamation, but stooped a little to look with snapping eyes at the half-fainting woman on the floor; then, with a cold, bitter, scornful smile, she said:

"Madame Delmare, you seem to enjoy placing three persons in a very strange situation; but I thank you for assigning me the least ridiculous rôle of the three, and this is how I discharge it. Be good enough to retire."

Indignation renewed Indiana's strength; she rose and drew herself up to her full height.

"Who is this woman, pray?" she said to Raymon, "and by what right does she give me orders in your house?"

"You are in my house, madame," retorted Laure.

"Speak, in heaven's name, monsieur," cried Indiana fiercely, shaking the wretched man's arm; "tell me whether she is your mistress or your wife!"

"She is my wife," Raymon replied with a dazed air.

"I forgive your uncertainty," said Madame de Ramière with a cruel smile. "If you had remained where your duty required you to remain, you would have received cards to monsieur's marriage. Come, Raymon," she added in a tone of sarcastic amiability, "I am moved to pity by your embarrassment. You are rather young; you will realize now, I trust, that more prudence is advisable. I leave it for you to put an end to this absurd scene. I would laugh at it if you didn't look so utterly wretched."

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