George Sand - George Sand - The Collected Works (The Greatest Novelists of All Time – Book 11)

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George Sand was one of the most notable writers of the European Romantic era. In her novels Sand blends the conventions of romanticism, realism and idealism. Her writing was immensely popular during her lifetime and she was highly respected by the literary and cultural elite in France. Sand's works influenced many authors including Dostoevsky, Marcel Proust, Virginia Woolf and Walt Whitman. This unique collection includes some of her best and most famous novels:
The Devil's Pool
Indiana
Mauprat
The Countess of Rudolstadt
Valentine
The Sin of Monsieur Antoine
Leone Leoni
The Marquis de Villemer
The Bagpipers
Antonia

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Even behind the manifold girdle of the walls of Paris the small town pursued that ill-starred couple. Well-to-do families from Melun and Fontainebleau took up their abode in the capital for the winter and brought thither the blessing of their provincial manners. Cliques were formed around Delmare and his wife, and all that was humanly possible was attempted in order to make their position with respect to each other more uncomfortable. Their unhappiness was increased thereby and their mutual obstinacy did not diminish.

Ralph had the good sense not to meddle in their dissensions. Madame Delmare had suspected him of embittering her husband against her, or at least of seeking to put an end to Raymon's intimacy with her; but she soon realized the injustice of her suspicions. The colonel's perfect tranquillity with respect to Monsieur de Ramière was irrefutable evidence of her cousin's silence. Thereupon she felt that she must thank him; but he sedulously avoided any conversation on that subject; whenever she was alone with him, he eluded her hints and pretended not to understand them. It was such a delicate subject that Madame Delmare had not the courage to force Ralph to discuss it; she simply endeavored, by her loving attentions, by her delicate and affectionate deference to him, to make him understand her gratitude; but Ralph seemed to pay no heed, and Indiana's pride was wounded by this display of supercilious generosity. She was afraid that she should seem to play the rôle of the guilty wife imploring the indulgence of a stern witness; she became cold and constrained once more with poor Ralph. It seemed to her that his conduct in this matter was the natural consequence of his selfishness; that he loved her still, although he no longer esteemed her; that he simply desired her society for his own diversion, that he disliked to abandon habits which she had formed for him in her home and to deprive himself of the attentions that she was never weary of bestowing upon him. She fancied that he was by no means anxious to invent grievances against her husband or herself.

"That is just like his contempt for women," she thought; "in his eyes they are simply domestic animals, useful to keep a house in order, prepare meals and serve tea. He doesn't do them the honor of entering into a discussion with them; their faults have no effect on him provided that they do not interfere with his comfort or with his mode of life. Ralph has no need of my heart; so long as my hands retain the knack of preparing his pudding and of touching the strings of the harp for him, what does he care for my love for another man, my secret suffering, my deathly impatience under the yoke which is crushing me? I am his servant, he asks nothing more of me than that."

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Indiana had ceased to reproach Raymon; he defended himself so badly that she was afraid of finding him too worthy of blame. There was one thing which she dreaded much more than being deceived, and that was being abandoned. She could not live without her belief in him, without her hope of the future he had promised her; for her life with Monsieur Delmare and Ralph had become hateful to her, and if she had not expected soon to escape from the power of those two men, she would have drowned herself at once. She often thought of it; she said to herself that if Raymon treated her as he had treated Noun there would be no other way for her to avoid an unendurable future than to join Noun. That sombre thought followed her everywhere and she took pleasure in it.

Meanwhile the time fixed for their departure from France drew near. The colonel seemed to have no suspicion of the resistance which his wife was meditating; every day he made some progress in the settlement of his affairs, every day he paid off one more creditor; and Madame Delmare looked on with a tranquil eye at all these preparations, sure as she was of her own courage. She was preparing, too, for her struggle with the difficulties she anticipated. She sought to procure an ally in her aunt, Madame de Carvajal, and dilated to her upon her repugnance to the journey; and the old marchioness who—to give her no more than her due—built great hopes of attracting custom to her salon upon her niece's beauty, declared that it was the colonel's duty to leave his wife in France; that it would be downright barbarity to expose her to the fatigues and dangers of an ocean voyage when her health had just begun to show some slight improvement; in a word, that it was his place to go to work at rebuilding his fortune, Indiana's to remain with her old aunt and take care of her. At first Monsieur Delmare looked upon these insinuations as the doting talk of an old woman; but he was forced to pay more attention to them when Madame de Carvajal gave him clearly to understand that her inheritance was to be had only at that price. Although Delmare loved money like a man who had worked hard all his life to amass it, he had some pride in his composition; he pronounced his ultimatum with decision, and declared that his wife should go with him at any risk. The marchioness, who could not believe that money was not the absolute sovereign of every man of good sense, did not look upon this as Monsieur Delmare's last word; she continued to encourage her niece in her resistance, proposing to assume the responsibility for her action in the eyes of the world. It needed all the indelicacy of a mind corrupted by intrigue and ambition, all the shuffling of a heart distorted by constant devotion to mere external show, to close her eyes thus to the real causes of Indiana's rebellion. Her passion for Monsieur de Ramière was a secret to no one but her husband; but as Indiana had as yet given scandal nothing to seize upon, the secret was mentioned only in undertones, and Madame de Carvajal had been confidentially informed of it by more than a score of persons. The foolish old woman was flattered by it; all that she desired was to have her niece à la mode in society, and an intrigue with Raymon was a fine beginning. And yet Madame de Carvajal's moral character was not of the Regency type; the Restoration had given a virtuous impulse to minds of that stamp; and as conduct was demanded at court, the marchioness detested nothing so much as the scandal that ruins and destroys. Under Madame du Barry she would have been less rigid in her principles; under the Dauphiness she became one of the high-necked. But all this was for show, for the sake of appearances; she kept her disapprobation and her scorn for notorious misconduct, and she always awaited the result of an intrigue before condemning it. Those infidelities which did not cross the threshold were venial in her eyes. She became a Spaniard once more to pass judgment on passions inside the blinds; in her eyes there was no guilt save that which was placarded in the streets for passers-by to see. So that Indiana, passionate but chaste, enamored but reserved, was a precious subject to exhibit and exploit; such a woman as she was might fascinate the strongest brains in that hypocritical society and withstand the perils of the most delicate missions. There was an excellent chance to speculate on the responsibility of so pure a mind and so passionate a heart. Poor Indiana! luckily her fatal destiny surpassed all her hopes and led her into an abyss of misery where her aunt's pernicious protection did not seek her out.

Raymon was not disturbed as to what was to become of her. This intrigue had already reached the last stage of distaste, deathly ennui, so far as he was concerned. To cause ennui is to descend as low as possible in the regard of the person whom one loves. Luckily for the last days of her illusion, Indiana had no suspicion of it.

One morning, on returning from a ball, he found Madame Delmare in his room. She had come at midnight; for five mortal hours she had been waiting! It was in the coldest part of the year; she had no fire, but sat with her head resting on her hand, enduring cold and anxiety with the gloomy patience which the whole course of her life had taught her. She raised her head when he entered, and Raymon, speechless with amazement, could detect on her pale face no indication of anger or reproach.

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