George Sand - George Sand - The Collected Works (The Greatest Novelists of All Time – Book 11)

And Raymon sprinkled it with his tears.

At that moment Noun returned, in her neckerchief and apron; she fancied, when she saw Raymon kneeling, that he was praying. She did not know that society people do not pray. She stood waiting in silence, until he should deign to notice her presence.

Raymon, when he saw her, had a feeling of embarrassment and irritation, but without the courage to scold her, without the strength to say a friendly word to her.

"Why did you lock me in this room?" he said at last. "Do you forget that it is broad daylight and that I cannot go out without compromising you openly?"

"So you're not to go out," said Noun caressingly. "The house is deserted and no one can see you; the gardener never comes to this part of the building to which I alone have the keys. You must stay with me all day; you are my prisoner."

This arrangement drove Raymon to despair; he had no other feeling for his mistress than a sort of aversion. However, he could do nothing but submit, and it may be that, notwithstanding what he suffered in that room, an invincible attraction detained him there.

When Noun left him to go and find something for breakfast, he set about examining by daylight all those dumb witnesses of Indiana's solitude. He opened her books, turned the leaves of her albums, then closed them precipitately; for he still shrank from committing a profanation and violating some feminine mystery. At last he began to pace the room and noticed, on the wooden panel opposite Madame Delmare's bed, a large picture, richly framed and covered with a double thickness of gauze.

Perhaps it was Indiana's portrait. Raymon, in his eagerness to see it, forgot his scruples, stepped on a chair, removed the pins, and was amazed to see a full-length portrait of a handsome young man.

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"It seems to me that I know that face," he said to Noun, struggling to assume an indifferent attitude.

"Fi! monsieur," said the girl, as she placed on a table the tray that she brought containing the breakfast; "it is not right to try and find out my mistress's secrets."

This remark made Raymon turn pale.

"Secrets!" he said. "If this is a secret, it has been confided to you, Noun, and you were doubly guilty in bringing me to this room."

"Oh! no, it's not a secret," said Noun with a smile; "for Monsieur Delmare himself assisted in hanging Sir Ralph's portrait on that panel. As if madame could have any secrets with a husband so jealous!"

"Sir Ralph, you say? Who is Sir Ralph?"

"Sir Rodolphe Brown, madame's cousin, her playmate in childhood, and my own, too, I might say; he is such a good man!"

Raymon scrutinized the picture with surprise and some uneasiness.

We have said that Sir Ralph was an extremely comely person, physically; with a red and white complexion and abundant hair, a tall figure, always perfectly dressed, and capable, if not of turning a romantic brain, of satisfying the vanity of an unromantic one. The peaceable baronet was represented in hunting costume, about as we saw him in the first chapter of this narrative, and surrounded by his dogs, the beautiful pointer Ophelia in the foreground, because of the fine silver-gray tone of her silky coat and the purity of her Scotch blood. Sir Ralph had a hunting-horn in one hand and in the other the rein of a superb, dapple-gray English hunter, who filled almost the whole background of the picture. It was an admirably executed portrait, a genuine family picture with all its perfection of detail, all its puerile niceties of resemblance, all its bourgeois minutiæ; a picture to make a nurse weep, dogs bark and a tailor faint with joy. There was but one thing on earth more insignificant than the portrait, and that was the original.

Nevertheless it kindled a violent flame of wrath in Raymon.

"Upon my word!" he said to himself, "this dapper young Englishman enjoys the privilege of being admitted to Madame Delmare's most secret apartment! His vapid face is always here, looking coldly on at the most private acts of her life! He watches her, guards her, follows her every movement, possesses her every hour in the day! At night he watches her asleep and surprises the secret of her dreams; in the morning, when she comes forth, all white and quivering, from her bed, he sees the dainty bare foot that steps lightly on the carpet; and when she dresses with all precaution—when she draws the curtains at her window and forbids even the daylight from entering her presence too boldly—when she believes that she is quite alone, hidden from every eye—that insolent face is there, feasting on her charms! That man, all booted and spurred, presides over her toilet. Is this gauze usually spread over the picture?" he asked the maid.

"Always," she replied, "when madame is absent. But don't take the trouble to replace it, for madame is coming in a few days."

"In that case, Noun, you would do well to tell her that the expression of the face is very impertinent. If I had been in Monsieur Delmare's place I wouldn't have consented to leave it here unless I had cut out the eyes. But that's just like the stupid jealousy of the ordinary husband! They imagine everything and understand nothing."

"For heaven's sake, what have you against good Monsieur Brown's face?" said Noun, as she made her mistress's bed; "he is such an excellent master! I used not to care much for him, because I always heard madame say that he was selfish; but ever since the day that he took care of you——"

"True," Raymon interrupted her, "it was he who helped me that day; I remember him perfectly now. But I owe his interest only to Madame Delmare's prayers."

"Because she is so kind-hearted," said poor Noun. "Who could help being kind-hearted after living with her?"

When Noun spoke of Madame Delmare, Raymon listened with an interest of which she had no suspicion.

The day passed quietly enough, but Noun dared not lead the conversation to her real object. At last, toward evening, she made an effort and compelled him to declare his intentions.

Raymon had no other intention than to rid himself of a dangerous witness and of a woman whom he no longer loved. But he proposed to assure her future, and in fear and trembling he made her the most liberal offers.

It was a bitter affront to the poor girl; she tore her hair, and would have beaten her head against the wall if Raymon had not put forth all his strength to hold her. Thereupon, employing all the resources of language and intellect with which nature had endowed him, he made her understand that it was not for her, but for the child she was to bring into the world, that he desired to make provision.

"It is my duty," he said; "I hand the funds over to you as the child's heritage, and you would fail in your duty to him if a false sense of delicacy should lead you to reject them."

Noun became calmer and wiped her eyes.

"Very well," she said, "I will accept the money if you will promise to keep on loving me; for, just by doing your duty to the child, you will not do it to the mother. Your gift will keep him alive, but your indifference will kill me. Can't you take me into your service? I am not exacting; I don't aspire to all that another woman in my place might have had the skill to obtain. But let me be your servant. Obtain a place for me in your mother's family. She will be satisfied with me, I give you my word; and, even if you don't love me, I shall at least see you."

"What you ask is impossible, my dear Noun. In your present condition you cannot think of entering anyone's service; and to deceive my mother—to play upon her confidence in me—would be a base act to which I shall never consent. Go to Lyon or Bordeaux; I will undertake to see to it that you want nothing until such time as you can show yourself again. Then I will obtain a place for you with some one of my acquaintances—at Paris, if you wish, if you insist upon being near me—but as to living under the same roof, that is impossible."