George Orwell - Keep the Aspidistra Flying

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"Keep the Aspidistra Flying", first published in 1936, is a socially critical novel by George Orwell. It is set in 1930s London. The main theme is Gordon Comstock's romantic ambition to defy worship of the money-god and status, and the dismal life that results. Orwell wrote the book in 1934 and 1935, when he was living at various locations near Hampstead in London, and drew on his experiences in these and the preceding few years. At the beginning of 1928 he lived in lodgings in Portobello Road from where he started his tramping expeditions, sleeping rough and roaming the poorer parts of London. At this time he wrote a fragment of a play in which the protagonist Stone needs money for a life-saving operation for his child. Stone would prefer to prostitute his wife rather than prostitute his artistic integrity by writing advertising copy.

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Down in Mrs Wisbeach's lair the clock struck half past ten. You could always hear it striking at night. Ping-ping, ping-ping—a note of doom! The ticking of the alarm clock on the mantelpiece became audible to Gordon again, bringing with it the consciousness of the sinister passage of time. He looked about him. Another evening wasted. Hours, days, years slipping by. Night after night, always the same. The lonely room, the womanless bed; dust, cigarette ash, the aspidistra leaves. And he was thirty, nearly. In sheer self-punishment he dragged forth a wad of London Pleasures, spread out the grimy sheets and looked at them as one looks at a skull for a memento mori. London Pleasures, by Gordon Comstock, author of Mice. His magnum opus. The fruit (fruit, indeed!) of two years' work—that labyrinthine mess of words! And tonight's achievement—two lines crossed out; two lines backward instead of forward.

The lamp made a sound like a tiny hiccup and went out. With an effort Gordon stood up and flung the quilt back onto his bed. Better get to bed, perhaps, before it got any colder. He wandered over towards the bed. But wait. Work tomorrow. Wind the clock, set the alarm. Nothing accomplished, nothing done, has earned a night's repose.

It was some time before he could find the energy to undress. For a quarter of an hour, perhaps, he lay on the bed fully dressed, his hands under his head. There was a crack on the ceiling that resembled the map of Australia. Gordon contrived to work off his shoes and socks without sitting up. He held up one foot and looked at it. A smallish, delicate foot. Ineffectual, like his hands. Also, it was very dirty. It was nearly ten days since he had had a bath. Becoming ashamed of the dirtiness of his feet, he sagged into a sitting position and undressed himself, throwing his clothes onto the floor. Then he turned out the gas and slid between the sheets, shuddering, for he was naked. He always slept naked. His last suit of pyjamas had gone west more than a year ago.

The clock downstairs struck eleven. As the first coldness of the sheets wore off, Gordon's mind went back to the poem he had begun that afternoon. He repeated in a whisper the single stanza that was finished:

'Sharply the menacing wind sweeps over

The bending poplars, newly bare,

And the dark ribbons of the chimneys

Veer downward; flicked by whips of air,

Torn posters flutter.'

The octosyllables flicked to and fro. Click-click, click-click! The awful, mechanical emptiness of it appalled him. It was like some futile little machine ticking over. Rhyme to rhyme, click-click, click-click. Like the nodding of a clockwork doll. Poetry! The last futility. He lay awake, aware of his own futility, of his thirty years, of the blind alley into which he had led his life.

The clock struck twelve. Gordon had stretched his legs out straight. The bed had grown warm and comfortable. The upturned beam of a car, somewhere in the street parallel to Willowbed Road, penetrated the blind and threw into silhouette a leaf of the aspidistra, shaped like Agamemnon's sword.

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