William Shakespeare - William Shakespeare - Complete Works

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The volume «William Shakespeare – Complete Works» includes:
•The Sonnets
•The Tragedy of Romeo and Juliet
•The Tragedy of Hamlet, Prince of Denmark
•The Tragedy of Macbeth
•The Merchant of Venice
•A Midsummer Night's Dream
•The Tragedy of Othello, Moor of Venice
•The Tragedy of Julius Caesar
•The Comedy of Errors
•The Tragedy of King Lear
•Measure for Measure
•The Merry Wives of Windsor
•Cymbeline
•The Life of King Henry the Fifth
•Henry the Sixth
•King Henry the Eight
•King John
•Pericles, Prince of Tyre
•King Richard the Second
•The Tempest
•Twelfth Night, or, what you will
•The Tragedy of Antony and Cleopatra
•All's well that ends well
•As you like it
and many others.

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Go, go, provide. Exeunt

ACT V SCENE 2. Rousillon. The inner court of the COUNT'S palace

Enter CLOWN and PAROLLES

PAROLLES. Good Monsieur Lavache, give my Lord Lafeu this letter. I

have ere now, sir, been better known to you, when I have held

familiarity with fresher clothes; but I am now, sir, muddied in

Fortune's mood, and smell somewhat strong of her strong

displeasure.

CLOWN. Truly, Fortune's displeasure is but sluttish, if it smell

so strongly as thou speak'st of. I will henceforth eat no fish

of Fortune's butt'ring. Prithee, allow the wind.

PAROLLES. Nay, you need not to stop your nose, sir; I spake but by

a metaphor.

CLOWN. Indeed, sir, if your metaphor stink, I will stop my nose; or

against any man's metaphor. Prithee, get thee further.

PAROLLES. Pray you, sir, deliver me this paper.

CLOWN. Foh! prithee stand away. A paper from Fortune's close-stool

to give to a nobleman! Look here he comes himself.

Enter LAFEU

Here is a pur of Fortune's, sir, or of Fortune's cat, but not

a musk-cat, that has fall'n into the unclean fishpond of her

displeasure, and, as he says, is muddied withal. Pray you, sir,

use the carp as you may; for he looks like a poor, decayed,

ingenious, foolish, rascally knave. I do pity his distress

in my similes of comfort, and leave him to your lordship.

Exit

PAROLLES. My lord, I am a man whom Fortune hath cruelly scratch'd.

LAFEU. And what would you have me to do? 'Tis too late to pare her

nails now. Wherein have you played the knave with Fortune, that

she should scratch you, who of herself is a good lady and would

not have knaves thrive long under her? There's a cardecue for

you. Let the justices make you and Fortune friends; I am for

other business.

PAROLLES. I beseech your honour to hear me one single word.

LAFEU. You beg a single penny more; come, you shall ha't; save your

word.

PAROLLES. My name, my good lord, is Parolles.

LAFEU. You beg more than word then. Cox my passion! give me your

hand. How does your drum?

PAROLLES. O my good lord, you were the first that found me.

LAFEU. Was I, in sooth? And I was the first that lost thee.

PAROLLES. It lies in you, my lord, to bring me in some grace, for

you did bring me out.

LAFEU. Out upon thee, knave! Dost thou put upon me at once both the

office of God and the devil? One brings the in grace, and the

other brings thee out. [Trumpets sound] The King's coming; I

know by his trumpets. Sirrah, inquire further after me; I had

talk of you last night. Though you are a fool and a knave, you

shall eat. Go to; follow.

PAROLLES. I praise God for you. Exeunt

ACT V SCENE 3. Rousillon. The COUNT'S palace

Flourish. Enter KING, COUNTESS, LAFEU, the two FRENCH LORDS, with ATTENDANTS

KING. We lost a jewel of her, and our esteem

Was made much poorer by it; but your son,

As mad in folly, lack'd the sense to know

Her estimation home.

COUNTESS. 'Tis past, my liege;

And I beseech your Majesty to make it

Natural rebellion, done i' th' blaze of youth,

When oil and fire, too strong for reason's force,

O'erbears it and burns on.

KING. My honour'd lady,

I have forgiven and forgotten all;

Though my revenges were high bent upon him

And watch'd the time to shoot.

LAFEU. This I must say-

But first, I beg my pardon: the young lord

Did to his Majesty, his mother, and his lady,

Offence of mighty note; but to himself

The greatest wrong of all. He lost a wife

Whose beauty did astonish the survey

Of richest eyes; whose words all ears took captive;

Whose dear perfection hearts that scorn'd to serve

Humbly call'd mistress.

KING. Praising what is lost

Makes the remembrance dear. Well, call him hither;

We are reconcil'd, and the first view shall kill

All repetition. Let him not ask our pardon;

The nature of his great offence is dead,

And deeper than oblivion do we bury

Th' incensing relics of it; let him approach,

A stranger, no offender; and inform him

So 'tis our will he should.

GENTLEMAN. I shall, my liege. Exit GENTLEMAN

KING. What says he to your daughter? Have you spoke?

LAFEU. All that he is hath reference to your Highness.

KING. Then shall we have a match. I have letters sent me

That sets him high in fame.

Enter BERTRAM

LAFEU. He looks well on 't.

KING. I am not a day of season,

For thou mayst see a sunshine and a hail

In me at once. But to the brightest beams

Distracted clouds give way; so stand thou forth;

The time is fair again.

BERTRAM. My high-repented blames,

Dear sovereign, pardon to me.

KING. All is whole;

Not one word more of the consumed time.

Let's take the instant by the forward top;

For we are old, and on our quick'st decrees

Th' inaudible and noiseless foot of Time

Steals ere we can effect them. You remember

The daughter of this lord?

BERTRAM. Admiringly, my liege. At first

I stuck my choice upon her, ere my heart

Durst make too bold herald of my tongue;

Where the impression of mine eye infixing,

Contempt his scornful perspective did lend me,

Which warp'd the line of every other favour,

Scorn'd a fair colour or express'd it stol'n,

Extended or contracted all proportions

To a most hideous object. Thence it came

That she whom all men prais'd, and whom myself,

Since I have lost, have lov'd, was in mine eye

The dust that did offend it.

KING. Well excus'd.

That thou didst love her, strikes some scores away

From the great compt; but love that comes too late,

Like a remorseful pardon slowly carried,

To the great sender turns a sour offence,

Crying 'That's good that's gone.' Our rash faults

Make trivial price of serious things we have,

Not knowing them until we know their grave.

Oft our displeasures, to ourselves unjust,

Destroy our friends, and after weep their dust;

Our own love waking cries to see what's done,

While shameful hate sleeps out the afternoon.

Be this sweet Helen's knell. And now forget her.

Send forth your amorous token for fair Maudlin.

The main consents are had; and here we'll stay

To see our widower's second marriage-day.

COUNTESS. Which better than the first, O dear heaven, bless!

Or, ere they meet, in me, O nature, cesse!

LAFEU. Come on, my son, in whom my house's name

Must be digested; give a favour from you,

To sparkle in the spirits of my daughter,

That she may quickly come.

[BERTRAM gives a ring]

By my old beard,

And ev'ry hair that's on 't, Helen, that's dead,

Was a sweet creature; such a ring as this,

The last that e'er I took her leave at court,

I saw upon her finger.

BERTRAM. Hers it was not.

KING. Now, pray you, let me see it; for mine eye,

While I was speaking, oft was fasten'd to't.

This ring was mine; and when I gave it Helen

I bade her, if her fortunes ever stood

Necessitied to help, that by this token

I would relieve her. Had you that craft to reave her

Of what should stead her most?

BERTRAM. My gracious sovereign,

Howe'er it pleases you to take it so,

The ring was never hers.

COUNTESS. Son, on my life,

I have seen her wear it; and she reckon'd it

At her life's rate.

LAFEU. I am sure I saw her wear it.

BERTRAM. You are deceiv'd, my lord; she never saw it.

In Florence was it from a casement thrown me,

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