Gordon Dahlquist - Glass Books of the Dream Eaters

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It began with a simple note: a letter of rejection from Miss Temple’s fiancé, written on crisp Ministry paper and delivered on her maid’s silver tray. But for Miss Temple, Roger Bascombe’s cruel rejection will ignite a harrowing quest for answers, plunging her into a mystery as dizzying as a hall of mirrors—and a remote estate where danger abounds and all inhibitions are stripped bare.…Thus begins Gordon Dahlquist’s debut novel of Victorian suspense—at once a dazzling feast for the senses and a beguiling, erotic literary adventure.
Nothing could have prepared Miss Temple for where her pursuit of Roger Bascombe would take her—or for the shocking things she would find behind the closed doors of forbidding Harschmort Manor: men and women in provocative disguise, acts of licentiousness and violence, heroism and awakening. But she will also find two allies: Cardinal Chang, a brutal assassin with the heart of a poet, and a royal doctor named Svenson, at once fumbling and heroic—both of whom, like her, lost someone at Harschmort Manor. As the unlikely trio search for answers—hurtling them from elegant brothels to gaslit alleyways to shocking moments of self-discovery-- they are confronted by puzzles within puzzles. And the closer they get to the truth, the more their lives are in danger. For the conspiracy they face—an astonishing alchemy of science, perverted religion, and lust for power—is so terrifying as to be beyond belief.

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Behind, she heard a distant buzz, of movement, of conversation, of the party itself—but this was fading before the sharp report of the woman’s footfalls on the marble. They must have gone fifty yards—which was but half the length of the hall—when her guide stopped and turned, indicating with her outstretched hand an open door to Miss Temple’s left. They were quite alone. Not knowing at this point that she could do anything else, Miss Temple went into the room. The woman in red followed, and shut the heavy door behind them. Now there was silence.

The room was spread with thick red and black carpets which absorbed the sound of their passage. The walls were fitted with closed cabinets, and between them racks of hooks, as if for clothing, and a full-length mirror. A long, heavy wooden work table was shoved against one wall, but Miss Temple could see no other furniture. It looked like some kind of attiring room, for a theatre, or perhaps sport, for horseback riding, or a gymnasium. She imagined a house of this size might well have its own anything it wanted, if the owner was so inclined. On the far wall was another door, not so fancy, set into the wall to look at first glance like one of the cabinets. Perhaps that led to the gymnasium proper.

The woman behind her said nothing, so she turned to face her, head inclined so as to shadow her face. The woman in red wasn’t looking at Miss Temple at all, but was fitting another cigarette into her holder. She’d dropped the previous one on the carpet and ground it in with her shoe. She looked up at Miss Temple with a quick ghost of a smile, and strode over to the wall, where she jammed the new cigarette into one of the gas lamps and puffed on the holder until it caught. She exhaled, crossed to the table and leaned back against it, inhaled, and exhaled again, gazing at Miss Temple quite seriously.

“Keep the shoes,” the woman said.

“Beg pardon?”

“They’re quaint. Leave the rest in one of the lockers.”

She gestured with the cigarette holder to one of the tall cabinets. Miss Temple turned to the cabinet and opened it; inside, hanging from hooks, were various pieces of clothing. On the hook right in front of her face—as if in answer to her fears—was a small white mask, covered in closely laid small white feathers, as if from a dove or a goose or a swan. Keeping her back to the woman in red, she threw off her hood and tied the white mask into place, weaving the strap beneath her curls, pulling it tight across her eyes. Miss Temple then shucked off her cape—glancing back once to the woman, who seemed to be smiling with wry approval of her progress—and hung it on a hook. She selected what seemed to be a dress from another hook—it was white, and silken—and held it out in front of her. It wasn’t a dress at all. It was a robe, a very short robe, without any kind of buttons or sash, and quite thin.

“Did Waxing Street send you?” the woman asked, in a disinterested, time-passing tone.

Miss Temple turned to her, made a quick decision, and spoke deliberately.

“I do not know any Waxing Street.”

“Ah.”

The woman took a puff of her cigarette. Miss Temple had no idea whether her answer had been wrong—whether there had been a right or wrong answer—but she felt it was better to tell the truth than to guess foolishly. The woman exhaled, a long thin stream of smoke sent toward the ceiling.

“It must have been the hotel, then.”

Miss Temple said nothing, then nodded, slowly. Her mind raced—what hotel? There were hundreds of hotels. Her hotel? Did they know who she was? Did her own hotel supply young women as guests to luxurious parties? Did any hotel do such a thing? Obviously so—the mere question told her that—yet Miss Temple had no idea what this meant as far as her own disguise, what she ought to say or how she was expected to behave or what this exactly implied about the party, though she was beginning to have suspicions. She looked again at the wholly inadequate robe.

She turned to the woman. “When you say hotel —”

Her words were cut off brusquely. The woman was grinding out her second cigarette on the carpet, and her voice was suddenly annoyed.

“Everything is waiting—it’s quite late. You were late. I have no intention of serving as a nursemaid. Get changed—be quick about it—and when you’re presentable, you can come find me.” She walked directly toward Miss Temple, reached out to take hold of her shoulder—her fingers surprisingly hard—and spun her so her face was half-way into the cabinet. “This will help you get started—given the fabric, think of it as an act of mercy.”

Miss Temple squawked. Something sharp touched the small of her back, and then shifted its angle, driving upward. With a sudden ripping sound, and a simultaneous collapse of her garment, Miss Temple realized that the woman had just sheared through the lacings of her dress. She whirled around, her hands holding it to her bosom as it peeled away from her back and off of her shoulders. The woman was tucking something small and bright back into her bag, crossing to the small inner door, and jamming a third cigarette into her holder as she spoke.

“You can come in through here.”

Without a further glance at Miss Temple the woman in red opened the door with impatience, paused to get a light from the nearest wall sconce, and strode from view, pulling the door behind her so it slammed.

Miss Temple stood, at a loss. Her dress was ruined, or at least ruined without immediate access to new lacing and a maid to tie it up. She pulled it off of her upper body and did her best to shift the back section around so she could see it—fragments of green lacework were even now tumbling to the floor. She looked at the door to the hallway. She could hardly leave like this. On the other hand, she could hardly leave in her corset, or in the pitifully gossamer silk robe. She remembered with relief that she did still have her cloak, and could surely cover any less than decorous attire with that. This made her feel a little better and, after a moment of steady breathing, she was in less of a hurry to escape, and began to wonder once more about the woman, the party, and of course, never far from her thoughts, Roger. If she could return to fetch her cloak at any time and simply put it over her corset or ruined dress, then what was the harm in perhaps investigating further? On top of this, she was now intrigued by the reference to the hotel—she was determined to find out if such things happened at the Boniface, and how other than by continuing could she pursue her brave plan? She turned back to the cabinet. Perhaps there were other things than the robe.

There were, but she wasn’t sure if she was any more comfortable at the thought of putting them on. Several items could only be described as undergarments, and probably from a warmer climate than this—Spain? Venice? Tangier?—a pale silken bodice, several sheer petticoats, and a pair of darling little silk pants with an open seam between the legs. There was also another robe, similar to the first, only longer and without any sleeves. The ensemble was all white, save for the second robe, which had a small green circle embroidered repeatedly as a border around the collar and the bottom hem. Miss Temple assumed this was why she was allowed to keep her shoes. She looked at her own undergarments—shift, petticoats, cotton breeches, and her corset. Except for the corset, she didn’t see too much of a difference between what was in the cabinet and the items on her body—save for the former being made of silk. Miss Temple was not in the habit of wearing silk—and it was only rarely that she was provoked into a choice outside her habits. The problem was getting out of her corset and then back into it, without assistance. She felt the silken pants between her fingers and resolved to try.

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