Gordon Dahlquist - Glass Books of the Dream Eaters

In response, the man only chuckled, and squeezed her arm all the harder. Their ramp made a turn just like the other had, and they walked on level ground to another door. The man pushed it open and thrust her deliberately into the room. When she had stumbled several steps forward he came in behind and closed the door. Only then did he let go of Miss Temple’s arm. She looked around her. They were not alone.

The room was in its way the opposite of where she had changed clothes, for just as it was on the opposite side of the theatre so it must be used for an opposite kind of preparation—an entirely different kind of participant. It felt like a kitchen, with a flagged stone floor and white tiled walls. There were several heavy wooden tables, also fitted with restraints, and on the walls various bolts and collars, clearly meant for securing the struggling or insensible. However, and strangely, one of the wooden tables was covered with an array of white feather pillows, and on the pillows sat three women, all wearing masks of white feathers and white robes, and each of them dangling their naked calves off of the table, the robes reaching just below their knees. All of their feet were bare. There was no sign of the woman in red.

No one was speaking—perhaps they’d gone silent at her arrival—and no one spoke as her escort left her where she was and crossed to one of the other tables, where his companion, the other dog-fellow, stood drinking from a flask. Her escort accepted the flask from him, swallowed manfully, and returned it, wiping his mouth. He took another puff from his cigar and tapped it against the edge of the table, knocking a stub of ash to the floor. Both men leaned back and studied their charges with evident pleasure. The moment became increasingly awkward. Miss Temple did not move to the table of women—there wasn’t really room, and none of the others had shifted to make any. Instead, she smiled, and pushed her discomfort aside to make conversation.

“We have just seen the theatre. I must say it is impressive. I’m sure I don’t know how many it will seat compared to other such theatres in the city, but I am confident it must seat plenty—perhaps up to one hundred. The notion of so many attendees in such a relatively distant place is quite a testament to the work at hand, in my own opinion. I should find it satisfying to be a part of that endeavor, however much as a tangent, even as a distraction, even for only this evening alone—for surely the fineness of the facility must parallel the work done in it. Do you not agree?”

There was no reply. She continued—for this was often her experience in public conversation and she was perfectly able to press on, adopting the pose of the knowing veteran.

“I am also, of course, happy for any excuse to be wearing so much silk—”

She was interrupted when the man with the flask stood and crossed to the far door. He took another nip and stuffed the flask into his tailcoat as he walked, then opened the door and closed it behind him. Miss Temple looked at the remaining man, whose face in the interval had gone even redder, if that were possible. She wondered if he were in the midst of some kind of attack, but he smiled passively enough and continued to smoke. The door opened again and the man with the flask poked his head through, nodded to the man with the cigar, and disappeared from view. The man with the cigar stood and, smiling once more at them all—the gaze of each woman following him closely—crossed to the open doorway. “Any time you’re ready,” he said and walked out, closing the door behind him. A moment later Miss Temple heard the distinct sharp click of that door being locked. Their only path led back to the theatre.

“You’ve kept your shoes,” said one of the women, on the right.

“I have,” said Miss Temple. It was not what she wanted to talk about. “Have any of you been in the theatre?” They shook their heads no, but said nothing more. Miss Temple indicated the restraints, the bolts, the collars. “Have you looked at this room?” They blandly nodded that they had. She became almost completely annoyed. “He has locked the door!”

“It will be fine,” said the woman who had spoken before. Miss Temple was suddenly caught up—did this voice seem familiar?

“It is merely a room,” said the woman in the middle, kicking at one of the leather restraints hanging near to her leg. “It’s not what it is used for now .”

The others nodded blankly, as if no more needed saying.

“And what exactly would that be?” demanded Miss Temple.

The woman giggled. It was a giggle she’d heard before too. It was from the coach. This was the woman who’d let the men unbutton her dress. Miss Temple looked at the other two—seeing them in such different apparel, such different light—were they the pirate and silken woman whose eyes she had poked? She had no idea. She saw that they were smiling at her too, as if her question had indeed been very foolish. Were they drunk? Miss Temple stepped forward and grasped the woman’s chin, tilting her face upwards—which she passively, strangely, allowed—and then lowered her own face to the woman’s mouth and sniffed. She well knew what alcohol—particularly rum—smelled like, and its squalid influence. The woman wore perfume—sandalwood?—but there was another odor that Miss Temple did not recognize. It was not alcohol, or indeed anything she had smelled before—nor, further, did the odor emanate from around the woman’s mouth (again occupied with giggling), but higher on her face. The odor was vaguely mechanical, almost industrial, but it wasn’t coal, nor rubber, nor lamp oil, nor ether, nor even burnt hair, though it seemed adjacent to all of these unpleasant smells joined together. She could not place it—not in her mind, nor on the woman’s body—was it around her eyes?—behind the mask? Miss Temple released her and stepped away. As if this were a signal to all three of them, they hopped off the table as one.

“Where are you going?” Miss Temple asked.

“We are going in,” said the one in the middle.

“But what have they told you? What will happen?”

“Nothing will happen,” said the woman on the right, “save everything we desire.”

“They are expecting us,” said the woman on the left, who had not yet spoken. Miss Temple was certain it was the woman who had arrived wearing the blue silk dress.

They pushed past her to the door—but there was so much more to ask them, so much more they could say! Were they invited guests? Did they know of any hotel? Miss Temple sputtered, dropping for the moment her condescending pose, crying to them all, “Wait! Wait! Where are your clothes? Where is the lady in red?”

All three erupted into stifled laughter. The one in front opened the door, and the one in the rear dismissed Miss Temple with a derisive flip of her hand. They walked out, the last closing the door behind them. There was silence.

Miss Temple looked around her at the cold, menacing room, her early confidence and pluck having quite ebbed away. Obviously, if she were bold, the path to full investigation lay up the dark ramp and into the theatre. Why else had she met the challenge of changing clothes, of formulating questions, of coming all this way ? At the same time, she was not a fool, and knew enough that this room and the theatre, this party—all legitimately disquieting—could well pose a keen danger to both her virtue and her person. The outside door was locked, and the men outside that locked door horrid. The room held no cabinets or alcoves in which to crouch concealed. She pointed out to herself that the other women—who must know more than she—were unconcerned. The other women might equally be whores.

She took a breath, and chided herself for so brusque a judgment—after all the women had been finely dressed. They might be unchaste, even slatternly, they might indeed be here by way of some hotel—who knew the complications of another’s life? The true question was whether this must lead perforce to a situation beyond her skills to manage. There were great gaps in Miss Temple’s experience—which she would freely acknowledge, when pressed—that were only generally filled in with equally great swathes of inference and surmise. About many of these things she nevertheless felt she had a good idea. About others, she preferred to find pleasure in mystery. In the matter of the strange theatre, however, she was determined that no gaps, so to speak, should be filled at all.