Gerald Durrell: The Corfu Trilogy

But the fruit that Achilles liked best were wild strawberries. He would become positively hysterical at the mere sight of them, lumbering to and fro, craning his head to see if you were going to give him any, gazing at you pleadingly with his tiny shoe-button eyes. The very small strawberries he could devour at a gulp, for they were only the size of a fat pea. But if you gave him a big one, say the size of a hazel nut, he behaved in a way that I had never seen another tortoise emulate. He would grab the fruit and, holding it firmly in his mouth, would stumble off at top speed until he reached a safe and secluded spot among the flower beds, where he would drop the fruit and then eat it at leisure, returning for another one when he had finished.

As well as developing a passion for strawberries, Achilles also developed a passion for human company. Let anyone come into the garden to sit and sun-bathe, to read, or for any other reason, and before long there would be a rustling among the sweet-williams, and Achilles’s wrinkled and earnest face would be poked through. If you were sitting in a chair, he contented himself with getting as close to your feet as possible, and there he would sink into a deep and peaceful sleep, his head drooping out of his shell, his nose resting on the ground. If, however, you were lying on a rug, sun-bathing, Achilles would be convinced that you were lying on the ground simply in order to provide him with amusement. He would surge down the path and onto the rug with an expression of bemused good humour on his face. He would pause, survey you thoughtfully, and then choose a portion of your anatomy on which to practise mountaineering. Suddenly to have the sharp claws of a determined tortoise embedded in your thigh as he tries to lever himself up onto your stomach is not conducive to relaxation. If you shook him off and moved the rug it would only give you temporary respite, for Achilles would circle the garden grimly until he found you again. This habit became so tiresome that, after many complaints and threats from the family, I had to lock him up whenever we lay in the garden. Then one day the garden gate was left open and Achilles was nowhere to be found. Search parties were immediately organized, and the family, who up till then had spent most of their time openly making threats against the reptile’s life, wandered about the olive groves, shouting, ‘Achilles… strawberries, Achilles… Achilles… strawberries…’ At length we found him. Ambling along in his usual detached manner, he had fallen into a disused well, the wall of which had long since disintegrated, and the mouth of which was almost covered by ferns. He was, to our regret, quite dead. Even Leslie’s attempts at artificial respiration and Margo’s suggestion of forcing strawberries down his throat (to give him, as she explained, something to live for) failed to get any response. So, mournfully and solemnly, his corpse was buried in the garden under a small strawberry plant (Mother’s suggestion). A short funeral address, written and read in a trembling voice by Larry, made the occasion a memorable one. It was only marred by Roger, who, in spite of all my protests, insisted on wagging his tail throughout the burial service.

Not long after Achilles had been taken from us I obtained another pet from the Rose-Beetle Man. This time it was a pigeon. He was still very young and had to be force-fed on bread-and-milk and soaked corn. He was the most revolting bird to look at, with his feathers pushing through the wrinkled scarlet skin, mixed with the horrible yellow down that covers baby pigeons and makes them look as though they have been peroxiding their hair. Owing to his repulsive and obese appearance, Larry suggested we called him Quasimodo, and, liking the name without realizing the implications, I agreed. For a long time after he could feed himself, and when all his feathers had grown, Quasimodo retained a sprig of yellow down on his head which gave him the appearance of a rather pompous judge wearing a wig several sizes too small.

Owing to his unorthodox upbringing, and the fact that he had no parents to teach him the facts of life, Quasimodo became convinced that he was not a bird at all, and refused to fly. Instead he walked everywhere. If he wanted to get onto a table or a chair, he stood below it, ducking his head and cooing in a rich contralto until someone lifted him up. He was always eager to join us in anything we did, and would even try to come for walks with us. This, however, we had to stop, for either you carried him on your shoulder, which was risking an accident to your clothes, or else you let him walk behind. If you let him walk, then you had to slow down your own pace to suit his, for should you get too far ahead you would hear the most frantic and imploring coos and turn round to find Quasimodo running desperately after you, his tail wagging seductively, his iridescent chest pouted out with indignation at your cruelty.

Quasimodo insisted on sleeping in the house; no amount of coaxing or scolding would get him to inhabit the pigeon loft I had constructed for him. He preferred to sleep on the end of Margo’s bed. Eventually, however, he was banished to the drawing-room sofa, for if Margo turned over in bed at night Quasimodo would wake, hobble up the bed, and perch on her face, cooing loudly and lovingly.

It was Larry who discovered that Quasimodo was a musical pigeon. Not only did he like music, but he actually seemed to recognize two different varieties, the waltz and the military march. For ordinary music he would waddle as close to the gramophone as possible and sit there with pouting chest, eyes half closed, purring softly to himself. But if the tune was a waltz he would move round and round the machine, bowing, twisting, and cooing tremulously. For a march, on the other hand – Sousa for preference – he drew himself up to his full height, inflated his chest, and stamped up and down the room, while his coo became so rich and throaty that he seemed in danger of strangling himself. He never attempted to perform these actions for any other kind of music than marches and waltzes. Occasionally, however, if he had not heard any music for some time, he would (in his enthusiasm at hearing the gramophone) do a march for a waltz, or vice versa, but he invariably stopped and corrected himself half-way through.

One sad day we found, on waking Quasimodo, that he had duped us all, for there among the cushions lay a glossy white egg. He never quite recovered from this. He became embittered, sullen, and started to peck irritably if you attempted to pick him up. Then he laid another egg, and his nature changed completely. He, or rather she, became wilder and wilder, treating us as though we were her worst enemies, slinking up to the kitchen door for food as if she feared for her life. Not even the gramophone would tempt her back into the house. The last time I saw her she was sitting in an olive tree, cooing in the most pretentious and coy manner, while further along the branch a large and very masculine-looking pigeon twisted and cooed in a perfect ecstasy of admiration.

For some time the Rose-Beetle Man would turn up at the villa fairly regularly with some new addition to my menagerie: a frog, perhaps, or a sparrow with a broken wing. One afternoon Mother and I, in a fit of extravagant sentimentalism, bought up his entire stock of rose-beetles and, when he had left, let them all go in the garden. For days the villa was full of rose-beetles, crawling on the beds, lurking in the bathroom, banging against the light at night, and falling like emeralds into our laps.

The last time I saw the Rose-Beetle Man was one evening when I was sitting on a hill-top overlooking the road. He had obviously been to some fiesta and had been plied with much wine, for he swayed to and fro across the road, piping a melancholy tune on his flute. I shouted a greeting, and he waved extravagantly without looking back. As he rounded the corner he was silhouetted for a moment against the pale lavender evening sky. I could see his battered hat with the fluttering feathers, the bulging pockets of his coat, the bamboo cages full of sleepy pigeons on his back, and above his head, circling drowsily round and round, I could see the dim specks that were the rose-beetles. Then he rounded the curve of the road and there was only the pale sky with a new moon floating in it like a silver feather, and the soft twittering of his flute dying away in the dusk.