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Генрик Ибсен: Ghosts

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Генрик Ибсен Ghosts

Ghosts: краткое содержание, описание и аннотация

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In this drama Ibsen has touched issues that were severely sensitive. The characters drawn in detail are deeply embedded in the plot. The themes of infidelity, illegitimate children and incest have been touched upon that were taboo topics of the time. He proved his mettle as a brilliant and bold writer as he delves into the psychology of the main characters and discusses their troubles.

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MRS. ALVING. [Shrieks.] Oswald!

OSWALD. [Springs up and paces the room.] And now you have taken Regina from me. If I could only have had her! She would have come to the rescue, I know.

MRS. ALVING. [Goes to him.] What do you mean by that, my darling boy? Is there any help in the world that I would not give you?

OSWALD. When I got over my attack in Paris, the doctor told me that when it comes again—and it will come—there will be no more hope.

MRS. ALVING. He was heartless enough to—

OSWALD. I demanded it of him. I told him I had preparations to make—[He smiles cunningly.] And so I had. [He takes a little box from his inner breast pocket and opens it.] Mother, do you see this?

MRS. ALVING. What is it?

OSWALD. Morphia.

MRS. ALVING. [Looks at him horror–struck.] Oswald—my boy!

OSWALD. I've scraped together twelve pilules—

MRS. ALVING. [Snatches at it.] Give me the box, Oswald.

OSWALD. Not yet, mother. [He hides the box again in his pocket.]

MRS. ALVING. I shall never survive this!

OSWALD. It must be survived. Now if I'd had Regina here, I should have told her how things stood with me—and begged her to come to the rescue at the last. She would have done it. I know she would.

MRS. ALVING. Never!

OSWALD. When the horror had come upon me, and she saw me lying there helpless, like a little new–born baby, impotent, lost, hopeless—past all saving—

MRS. ALVING. Never in all the world would Regina have done this!

OSWALD. Regina would have done it. Regina was so splendidly light–hearted. And she would soon have wearied of nursing an invalid like me.

MRS. ALVING. Then heaven be praised that Regina is not here.

OSWALD. Well then, it is you that must come to the rescue, mother.

MRS. ALVING. [Shrieks aloud.] I!

OSWALD. Who should do it if not you?

MRS. ALVING. I! your mother!

OSWALD. For that very reason.

MRS. ALVING. I, who gave you life!

OSWALD. I never asked you for life. And what sort of a life have you given me? I will not have it! You shall take it back again!

MRS. ALVING. Help! Help! [She runs out into the hall.]

OSWALD. [Going after her.] Do not leave me! Where are you going?

MRS. ALVING. [In the hall.] To fetch the doctor, Oswald! Let me pass!

OSWALD. [Also outside.] You shall not go out. And no one shall come in. [The locking of a door is heard.]

MRS. ALVING. [Comes in again.] Oswald! Oswald—my child!

OSWALD. [Follows her.] Have you a mother's heart for me—and yet can see me suffer from this unutterable dread?

MRS. ALVING. [After a moment's silence, commands herself, and says:] Here is my hand upon it.

OSWALD. Will you—?

MRS. ALVING. If it should ever be necessary. But it will never be necessary. No, no; it is impossible.

OSWALD. Well, let us hope so. And let us live together as long as we can. Thank you, mother. [He seats himself in the arm–chair which MRS. ALVING has moved to the sofa. Day is breaking. The lamp is still burning on the table.]

MRS. ALVING. [Drawing near cautiously.] Do you feel calm now?

OSWALD. Yes.

MRS. ALVING. [Bending over him.] It has been a dreadful fancy of yours, Oswald—nothing but a fancy. All this excitement has been too much for you. But now you shall have along rest; at home with your mother, my own blessëd boy. Everything you point to you shall have, just as when you were a little child.—There now. The crisis is over. You see how easily it passed! Oh, I was sure it would.—And do you see, Oswald, what a lovely day we are going to have? Brilliant sunshine! Now you can really see your home. [She goes to the table and puts out the lamp. Sunrise. The glacier and the snow–peaks in the background glow in the morning light.]

OSWALD. [Sits in the arm–chair with his back towards the landscape, without moving. Suddenly he says:] Mother, give me the sun.

MRS. ALVING. [By the table, starts and looks at him.] What do you say?

OSWALD. [Repeats, in a dull, toneless voice.] The sun. The sun.

MRS. ALVING. [Goes to him.] Oswald, what is the matter with you?

OSWALD. [Seems to shrink together to the chair; all his muscles relax; his face is expressionless, his eyes have a glassy stare.]

MRS. ALVING. [Quivering with terror.] What is this? [Shrieks.] Oswald! what is the matter with you? [Falls on her knees beside him and shakes him.] Oswald! Oswald! look at me! Don't you know me?

OSWALD. [Tonelessly as before.] The sun.—The sun.

MRS. ALVING. [Springs up in despair, entwines her hands in her hair and shrieks.] I cannot bear it! [Whispers, as though petrified]; I cannot bear it! Never! [Suddenly.] Where has he got them? [Fumbles hastily in his breast.] Here! [Shrinks back a few steps and screams:] No! No; no!—Yes!—No; no!

[She stands a few steps away from him with her hands twisted in her hair, and stares at him in speechless horror.]

OSWALD. [Sits motionless as before and says.] The sun.—The sun.

THE END

Примечания

1

See "The Mausoleum of Ibsen," Fortnightly Review , August 1893. See also Mr. Bernard Shaw's Quintessence of Ibsenism , p. 89, and my introduction to Ghosts in the single–volume edition.

2

Chamberlain (Kammerherre) is the only title of honour now existing in Norway. It is a distinction conferred by the King on men of wealth and position, and is not hereditary.

3

This and other French words by Regina are in that language in the original

4

A phrase equivalent to the German Prosit die Mahlzeit —May good digestion wait on appetite.

5

"Sige du" = Fr. tutoyer

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