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Генрик Ибсен: The Lady from the Sea

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Генрик Ибсен The Lady from the Sea

The Lady from the Sea: краткое содержание, описание и аннотация

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When the lighthouse keeper’s daughter Ellida meets the widower Dr Wangel, she tries to put her long-lost first love far behind her and begin a new life as a wife and stepmother. But the tide is turning, an English ship is coming down the fjord, and the undercurrents threaten to drag a whole family beneath the surface in this passionate and sweeping drama. Ellida must choose between the values of the land: solidity and reliability against those of the sea: mystery and fluidity. Ibsen’s lyrical and still startlingly modern masterpiece, anticipated the emergence of psychoanalysis and talking cures. Similar to Hedda Gabler and A Doll’s House, The Lady from the Sea vibrantly explores the constrained social position of women, exploring themes of choice, marriage, responsibility and freedom.

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Hilde (stands looking at him). I suppose you're thoroughly tired out now?

Lyngstrand. Yes; I almost think I'm a little tired now. I really believe I shall have to sit down a moment. (He sits on one of the stones in the foreground.)

Hilde (standing in front of him). Do you know there's to be dancing down there on the parade?

Lyngstrand. Yes; I heard there was some talk about it.

Hilde. I suppose you think dancing's great fun?

Bolette (who begins gathering small flowers among the heather). Oh, Hilde! Now do let Mr. Lyngstrand get his breath.

Lyngstrand (to HILDE). Yes, Miss Hilde; I should very much like to dance—if only I could.

Hilde. Oh, I see! Haven't you ever learnt?

Lyngstrand. No, I've not. But it wasn't that I meant. I meant I couldn't because of my chest.

Hilde. Because of that weakness you said you suffered from?

Lyngstrand. Yes; because of that.

Hilde. Aren't you very sorry you've that—weakness?

Lyngstrand. Oh, no! I can't say I am (smiling), for I think it's because of it that everyone is so good, and friendly, and kind to me.

Hilde. Yes. And then, besides, it's not dangerous.

Lyngstrand. No; it's not at all dangerous. So I gathered from what your father said to me.

Hilde. And then it will pass away as soon as ever you begin travelling.

Lyngstrand. Of course it will pass away.

Bolette (with flowers). Look here, Mr. Lyngstrand, you are to put this in your button–hole.

Lyngstrand. Oh! A thousand thanks, Miss Wangel. It's really too good of you.

Hilde (looking down the path). There they are, coming along the road.

Bolette (also looking down). If only they know where to turn off. No; now they're going wrong.

Lyngstrand (rising). I'll run down to the turning and call out to them.

Hilde. You'll have to call out pretty loud.

Bolette. No; it's not worth while. You'll only tire yourself again.

Lyngstrand. Oh, it's so easy going downhill. (Goes off to the right.)

Hilde. Down–hill—yes. (Looking after him.) Why, he's actually jumping! And he never remembers he'll have to come up again.

Bolette. Poor fellow!

Hilde. If Lyngstrand were to propose, would you accept him?

Bolette. Are you quite mad?

Hilde. Of course, I mean if he weren't troubled with that "weakness." And if he weren't to die so soon, would you have him then?

Bolette. I think you'd better have him yourself!

Hilde. No, that I wouldn't! Why, he hasn't a farthing. He hasn't enough even to keep himself.

Bolette. Then why are you always going about with him?

Hilde. Oh, I only do that because of the weakness.

Bolette. I've never noticed that you in the least pity him for it!

Hilde. No, I don't. But I think it so interesting.

Bolette. What is?

Hilde. To look at him and make him tell you it isn't dangerous; and that he's going abroad, and is to be an artist. He really believes it all, and is so thoroughly happy about it. And yet nothing will ever come of it; nothing whatever. For he won't live long enough. I feel that's so fascinating to think of.

Bolette. Fascinating!

Hilde. Yes, I think it's most fascinating. I take that liberty.

Bolette. Hilde, you really are a dreadful child!

Hilde. That's just what I want to be—out of spite. (Looking down.) At last! I shouldn't think Arnholm liked coming up–hill. (Turns round.) By the way, do you know what I noticed about Arnholm at dinner?

Bolette. Well?

Hilde. Just think—his hair's beginning to come off—right on the top of his head.

Bolette. Nonsense! I'm sure that's not true.

Hilde. It is! And then he has wrinkles round both his eyes. Good gracious, Bolette, how could you be so much in love with him when he used to read with you?

Bolette (smiling). Yes. Can you believe it? I remember I once shed bitter tears because he thought Bolette was an ugly name.

Hilde. Only to think! (Looking down.) No! I say, do just look down here! There's the "Mermaid" walking along and chatting with him. Not with father. I wonder if those two aren't making eyes at one another.

Bolette. You ought to be ashamed of yourself! How can you stand there and say such a thing of her? Now, when everything was beginning to be so pleasant between us.

Hilde. Of course—just try and persuade yourself of that, my child! Oh, no! It will never be pleasant between us and her. For she doesn't belong to us at all. And we don't belong to her either. Goodness knows what father dragged her into the house for! I shouldn't wonder if some fine day she went mad under our very eyes.

Bolette. Mad! How can you think such a thing?

Hilde. Oh! it wouldn't be so extraordinary. Her mother went mad, too. She died mad—I know that.

Bolette. Yes, heaven only knows what you don't poke your nose into. But now don't go chattering about this. Do be good—for father's sake. Do you hear, Hilde?

(WANGEL, ELLIDA, ARNHOLM and LYNGSTRAND come up from the right.)

Ellida (pointing to the background). Out there it lies.

Arnholm. Quite right. It must be in that direction.

Ellida. Out there is the sea.

Bolette (to ARNHOLM). Don't you think it is delightful up here?

Arnholm. It's magnificent, I think. Glorious view!

Wangel. I suppose you never used to come up here?

Arnholm. No, never. In my time I think it was hardly accessible; there wasn't any path even.

Wangel. And no grounds. All this has been done during the last few years.

Bolette. And there, at the "Pilot's Mount," it's even grander than here.

Wangel. Shall we go there, Ellida?

Ellida (sitting down on one of the stones). Thanks, not I; but you others can. I'll sit here meanwhile.

Wangel. Then I'll stay with you. The girls can show Arnholm about.

Bolette. Would you like to go with us, Mr. Arnholm?

Arnholm. I should like to, very much. Does a path lead up there too?

Bolette. Oh yes. There's a nice broad path.

Hilde. The path is so broad that two people can walk along it comfortably, arm in arm.

Arnholm (jestingly). Is that really so, little Missie? (To BOLETTE.) Shall we two see if she is right?

Bolette (suppressing a smile). Very well, let's go. (They go out to the left, arm in arm.)

Hilde (to LYNGSTRAND). Shall we go too?

Lyngstrand. Arm in arm?

Hilde. Oh, why not? For aught I care!

Lyngstrand (taking her arm, laughing contentedly). This is a jolly lark.

Hilde. Lark?

Lyngstrand. Yes; because it looks exactly as if we were engaged.

Hilde. I'm sure you've never walked out arm in arm with a lady before, Mr. Lyngstrand. (They go off.)

Wangel (who is standing beside the beacon). Dear Ellida, now we have a moment to ourselves.

Ellida. Yes; come and sit down here, by me.

Wangel (sitting down). It is so free and quiet. Now we can have a little talk together.

Ellida. What about?

Wangel. About yourself, and then about us both. Ellida, I see very well that it can't go on like this.

Ellida. What do you propose instead?

Wangel. Perfect confidence, dear. A true life together—as before.

Ellida. Oh, if that could be! But it is so absolutely impossible!

Wangel. I think I understand you, from certain things you have let fall now and again.

Ellida (passionately). Oh, you do not! Don't say you understand!

Wangel. Yes. Yours is an honest nature, Ellida—yours is a faithful mind.

Ellida. It is.

Wangel. Any position in which you could feel safe and happy must be a completely true and real one.

Ellida (looking eagerly at him). Well, and then?

Wangel. You are not suited to be a man's second wife.

Ellida. What makes you think that?

Wangel. It has often flashed across me like a foreboding. Today it was clear to me. The children's memorial feast—you saw in me a kind of accomplice. Well, yes; a man's memories, after all, cannot be wiped out—not so mine, anyhow. It isn't in me.

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