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Генрик Ибсен: The Lady from the Sea

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Генрик Ибсен The Lady from the Sea

The Lady from the Sea: краткое содержание, описание и аннотация

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When the lighthouse keeper’s daughter Ellida meets the widower Dr Wangel, she tries to put her long-lost first love far behind her and begin a new life as a wife and stepmother. But the tide is turning, an English ship is coming down the fjord, and the undercurrents threaten to drag a whole family beneath the surface in this passionate and sweeping drama. Ellida must choose between the values of the land: solidity and reliability against those of the sea: mystery and fluidity. Ibsen’s lyrical and still startlingly modern masterpiece, anticipated the emergence of psychoanalysis and talking cures. Similar to Hedda Gabler and A Doll’s House, The Lady from the Sea vibrantly explores the constrained social position of women, exploring themes of choice, marriage, responsibility and freedom.

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Arnholm. Do you believe there is something in it, then?

Wangel. I neither believe nor deny; I simply don't know. That's why I leave it alone.

Arnholm. Yes. But just one thing: her extraordinary, weird assertion about the child's eyes—

Wangel (eagerly). I don't believe a word about the eyes. I will not believe such a thing. It must be purely fancy on her part, nothing else.

Arnholm. Did you notice the man's eyes when you saw him yesterday?

Wangel. Of course I did.

Arnholm. And you saw no sort of resemblance?

Wangel (evasively). Hm—good heavens! What shall I say? It wasn't quite light when I saw him; and, besides, Ellida had been saying so much about this resemblance, I really don't know if I was capable of observing quite impartially.

Arnholm. Well, well, may be. But that other matter? All this terror and unrest coming upon her at the very time, as it seems, this strange man was on his way home.

Wangel. That—oh! that's something she must have persuaded and dreamed herself into since it happened. She was not seized with this so suddenly—all at once—as she now maintains. But since she heard from young Lyngstrand that Johnston—or Friman, or whatever his name is—was on his way hither, three years ago, in the month of March, she now evidently believes her unrest of mind came upon her at that very time.

Arnholm. It was not so, then?

Wangel. By no means. There were signs and symptoms of it before this time, though it did happen, by chance, that in that month of March, three years ago, she had a rather severe attack.

Arnholm. After all, then—?

Wangel. Yes, but that is easily accounted for by the circumstances—the condition she happened to be in at the time.

Arnholm. So, symptom for symptom, then.

Wangel (wringing his hands). And not to be able to help her! Not to know how to counsel her! To see no way!

Arnholm. Now if you could make up your mind to leave this place, to go somewhere else, so that she could live amid surroundings that would seem more homelike to her?

Wangel. Ah, dear friend! Do you think I haven't offered her that, too? I suggested moving out to Skjoldviken, but she will not.

Arnholm. Not that either?

Wangel. No, for she doesn't think it would be any good; and perhaps she's right.

Arnholm. Hm. Do you say that?

Wangel. Moreover, when I think it all over carefully, I really don't know how I could manage it. I don't think I should be justified, for the sake of the girls, in going away to such a desolate place. After all, they must live where there is at least a prospect of their being provided for someday.

Arnholm. Provided for! Are you thinking about that already?

Wangel. Heaven knows, I must think of that too! But then, on the other hand, again, my poor sick Ellida! Oh, dear Arnholm! in many respects I seem to be standing between fire and water!

Arnholm. Perhaps you've no need to worry on Bolette's account. (Breaking off.) I should like to know where she—where they have gone. (Goes up to the open door and looks out.)

Wangel. Oh, I would so gladly make any sacrifice for all three of them, if only I knew what!

(ELLIDA enters from the door on the left.)

Ellida (quickly to WANGEL). Be sure you don't go out this morning.

Wangel. No, no! of course not. I will stay at home with you. (Pointing to ARNHOLM, who is coming towards them.) But won't you speak to our friend?

Ellida (turning). Oh, are you here, Mr. Arnholm? (Holding out her hand to him.) Good–morning.

Arnholm. Good–morning, Mrs. Wangel. So you've not been bathing as usual today?

Ellida. No, no, no! That is out of the question today. But won't you sit down a moment?

Arnholm. No, thanks, not now. (Looks at WANGEL.) I promised the girls to go down to them in the garden.

Ellida. Goodness knows if you'll find them there. I never know where they may be rambling.

Wangel. They're sure to be down by the pond.

Arnholm. Oh! I shall find them right enough. (Nods, and goes out across the verandah into the garden.)

Ellida. What time is it, Wangel?

Wangel (looking at his watch). A little past eleven.

Ellida. A little past. And at eleven o'clock, or half–past eleven tonight, the steamer is coming. If only that were over!

Wangel (going nearer to her). Dear Ellida, there is one thing I should like to ask you.

Ellida. What is it?

Wangel. The evening before last—up at the "View"—you said that during the last three years you had so often seen him bodily before you.

Ellida. And so I have. You may believe that.

Wangel. But, how did you see him?

Ellida. How did I see him?

Wangel. I mean, how did he look when you thought you saw him?

Ellida. But, dear Wangel, why, you now know yourself how he looks.

Wangel. Did he look exactly like that in your imagination?

Ellida. He did.

Wangel. Exactly the same as you saw him in reality yesterday evening?

Ellida. Yes, exactly.

Wangel. Then how was it you did not at once recognise him?

Ellida. Did I not?

Wangel. No; you said yourself afterwards that at first you did not at all know who the strange man was.

Ellida (perplexed). I really believe you are right. Don't you think that strange, Wangel? Fancy my not knowing him at once!

Wangel. It was only the eyes, you said.

Ellida. Oh, yes! The eyes—the eyes.

Wangel. Well, but at the "View" you said that he always appeared to you exactly as he was when you parted out there—ten years ago.

Ellida. Did I?

Wangel. Yes.

Ellida. Then, I suppose he did look much as he does now.

Wangel. No. On our way home, the day before yesterday, you gave quite another description of him. Ten years ago he had no beard, you said. His dress, too, was quite different. And that breast–pin with the pearl? That man yesterday wore nothing of the sort.

Ellida. No, he did not.

Wangel (looks searchingly at her). Now just think a little, dear Ellida. Or perhaps you can't quite remember how he looked when he stood by you at Bratthammer?

Ellida (thoughtfully closing her eyes for a moment). Not quite distinctly. No, today I can't. Is it not strange?

Wangel. Not so very strange after all. You have now been confronted by a new and real image, and that overshadows the old one, so that you can no longer see it.

Ellida. Do you believe that, Wangel?

Wangel. Yes. And it overshadows your sick imaginings, too. That is why it is good a reality has come.

Ellida. Good? Do you think it good?

Wangel. Yes. That it has come. It may restore you to health.

Ellida (sitting down on sofa). Wangel, come and sit down by me. I must tell you all my thoughts.

Wangel. Yes, do, dear Ellida.

(He sits down on a chair on the other side of the table.)

Ellida. It was really a great misfortune—for us both—that we two of all people should have come together.

Wangel (amazed). What are you saying?

Ellida. Oh, yes, it was. And it's so natural. It could bring nothing but unhappiness, after the way in which we came together.

Wangel. What was there in that way?

Ellida. Listen, Wangel; it's no use going on, lying to ourselves and to one another.

Wangel. Are we doing so? Lying, you say?

Ellida. Yes, we are; or, at least, we suppress the truth. For the truth—the pure and simple truth is—that you came out there and bought me.

Wangel. Bought—you say bought!

Ellida. Oh! I wasn't a bit better than you. I accepted the bargain. Sold myself to you!

Wangel (looks at her full of pain). Ellida, have you really the heart to call it that?

Ellida. But is there any other name for it? You could no longer bear the emptiness of your house. You were on the look–out for a new wife.

Wangel. And a new mother for the children, Ellida.

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