George Bernard Shaw - Pygmalion and Three Other Plays

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Apple-style-span Pygmalion and Three Other Plays
Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of
: George Bernard Shaw
Apple-style-span All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest.
pulls together a constellation of influences — biographical, historical, and literary — to enrich each reader's understanding of these enduring works.
Apple-style-span Hailed as “a Tolstoy with jokes” by one critic,
was the most significant British playwright since the seventeenth century.
persists as his best-loved play, one made into both a classic film — which won Shaw an Academy Award for best screenplay — and the perennially popular musical
.
Apple-style-span Pygmalion
Pygmalion
Apple-style-span This volume also includes
, which attacks both capitalism and charitable organizations,
, a keen-eyed examination of medical morals and malpractice, and
, which exposes the spiritual bankruptcy of the generation responsible for the bloodshed of World War I.
Apple-style-span John A. Bertolini
The Playwrighting Self of Bernard Shaw
Man and Superman and Three Other Plays

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MRS. PEARCE [returning] This is the young woman, sir. The flower girl enters in state. She has a hat with three ostrich feathers, orange, sky-blue, and red. She has a nearly clean apron, and the shoddy coat has been tidied a little. The pathos of this deplorable figure, with its innocent vanity and consequential air, touches PICKERING, who has already straightened himself in the presence of MRS. PEARCE. But as to HIGGINS, the only distinction he makes between men and women is that when he is neither bullying nor exclaiming to the heavens against some featherweight cross, he coaxes women as a child coaxes its nurse when it wants to get anything out of her.

HIGGINS [ brusquely, recognizing her with unconcealed disappointment, and at once, babylike, making an intolerable grievance of it] Why, this is the girl I jotted down last night. Shes no use: Ive got all the records I want of the Lisson Grove lingo; and I’m not going to waste another cylinder on it. [To the girl] Be off with you: I dont want you.

THE FLOWER GIRL Dont you be so saucy. You aint heard what I come for yet. [To MRS. PEARCE, who is waiting at the door for further instruction] Did you tell him I come in a taxi?

MRS. PEARCE Nonsense, girl! what do you think a gentleman like Mr. Higgins cares what you came in?

THE FLOWER GIRL Oh, we are proud! He aint above giving lessons, not him: I heard him say so. Well, I aint come here to ask for any compliment; and if my money’s not good enough I can go elsewhere.

HIGGINS Good enough for what?

THE FLOWER GIRL Good enough for ye-oo. Now you know, dont you? I’m come to have lessons, I am. And to pay for em too: make no mistake.

HIGGINS [ stupent ] [197] Astonished; this Latinate word suits Higgins, who is a Milton aficionado (see note 7 for this play). Well!!! [Recovering his breath with a gasp] What do you expect me to say to you?

THE FLOWER GIRL Well, if you was a gentleman, you might ask me to sit down, I think. Dont I tell you I’m bringing you business?

HIGGINS Pickering: shall we ask this baggage [198] Pejorative word for a woman, ranging in meaning from a pert (saucy, or forward) woman to a prostitute. to sit down or shall we throw her out of the window?

THE FLOWER GIRL [ running away in terror to the piano, where she turns at bay ] Ah-ah-ah-ow-ow-ow-oo! [ Wounded and whimpering ] I wont be called a baggage when Ive offered to pay like any lady.

Motionless, the two men stare at her from the other side of the room, amazed.

PICKERING [ gently ] What is it you want, my girl?

THE FLOWER GIRL I want to be a lady in a flower shop stead of selling at the corner of Tottenham Court Road. But they wont take me unless I can talk more genteel. He said he could teach me. Well, here I am ready to pay him — not asking any favor — and he treats me as if I was dirt.

MRS. PEARCE How can you be such a foolish ignorant girl as to think you could afford to pay Mr. Higgins?

THE FLOWER GIRL Why shouldnt I? I know what lessons cost as well as you do; and I’m ready to pay.

HIGGINS How much?

THE FLOWER GIRL [ coming back to him, triumphant ] Now youre talking! I thought youd come off it when you saw a chance of getting back a bit of what you chucked at me last night. [ Confidentially ] Youd had a drop in, hadnt you?

HIGGINS [ peremptory ] Sit down.

THE FLOWER GIRL Oh, if youre going to make a compliment of it —

HIGGINS [ thundering at her ] Sit down.

MRS. PEARCE [severely] Sit down, girl. Do as youre told. [ She places the stray chair near the hearthrug between Higgins and Pickering, and stands behind it waiting for the girl to sit down ].

THE FLOWER GIRL Ah-ah-ah-ow-ow-oo! [She stands, half rebellious, half bewildered].

PICKERING [very courteous] Wont you sit down?

THE FLOWER GIRL [coyly] Dont mind if I do. [ She sits down. Pickering returns to the hearthrug ].

HIGGINS Whats your name?

THE FLOWER GIRL Liza Doolittle.

HIGGINS [declaiming gravely]

Eliza, Elizabeth, Betsy and Bess,

They went to the woods to get a birds nes’:

PICKERING They found a nest with four eggs in it:

HIGGINS They took one apiece, and left three in it.

They laugh heartily at their own wit.

LIZA Oh, dont be silly.

MRS. PEARCE You mustnt speak to the gentleman like that.

LIZA Well, why wont he speak sensible to me?

HIGGINS Come back to business. How much do you propose to pay me for the lessons?

LIZA Oh, I know whats right. A lady friend of mine gets French lessons for eighteenpence an hour from a real French gentleman. Well, you wouldnt have the face to ask me the same for teaching me my own language as you would for French; so I wont give more than a shilling. Take it or leave it.

HIGGINS [ walking up and down the room, rattling his keys and his cash in his pockets] You know, Pickering, if you consider a shilling, not as a simple shilling, but as a percentage of this girl’s income, it works out as fully equivalent to sixty or seventy guineas from a millionaire.

PICKERING How so?

HIGGINS Figure it out. A millionaire has about ? 150 a day. She earns about half-a-crown.

LIZA [ haughtily ] Who told you I only —

HIGGINS [ continuing ] She offers me two-fifths of her day’s income for a lesson. Two-fifths of a millionaire’s income for a day would be somewhere about £60. It’s handsome. By George, it’s enormous! it’s the biggest offer I ever had.

LIZA [ rising, terrified] Sixty pounds! What are you talking about? I never offered you sixty pounds. Where would I get —

HIGGINS Hold your tongue.

LIZA [ weeping ] But I aint got sixty pounds. Oh —

MRS. PEARCE Dont cry, you silly girl. Sit down. Nobody is going to touch your money.

HIGGINS Somebody is going to touch you, with a broomstick, if you dont stop snivelling. Sit down.

LIZA [obeying slowly ] Ah-ah-ah-ow-oo-o! One would think you was my father.

HIGGINS If I decide to teach you, I’ll be worse than two fathers to you. Here [he offers her his silk handkerchief ]!

LIZA Whats this for?

HIGGINS To wipe your eyes. To wipe any part of your face that feels moist. Remember: thats your handkerchief; and thats your sleeve. Dont mistake the one for the other if you wish to become a lady in a shop.

LIZA, utterly bewildered, stares helpiessty at him.

MRS. PEARCE It’s no use talking to her like that, Mr. Higgins: she doesnt understand you. Besides, youre quite wrong: she doesnt do it that way at all [ she takes the handherchief ] .

LIZA [ snatching it ] Here! You give me that handkerchief. He give it to me, not to you.

PICKERING [ laughing ] He did. I think it must be regarded as her property, Mrs. Pearce.

MRS. PEARCE [ resigning herself ] Serve you right, Mr. Higgins.

PICKERING Higgins: I’m interested. What about the ambassador’s garden party? I’ll say youre the greatest teacher alive if you make that good. I’ll bet you all the expenses of the experiment you cant do it. And I’ll pay for the lessons.

LIZA Oh, you are real good. Thank you, Captain.

HIGGINS [ tempted, looking at her ] It’s almost irresistible. Shes so deliciously low — so horribly dirty —

LIZA [protesting extremely ] Ah-ah-ah-ah-ow-ow-oo-oo!!! I aint dirty: I washed my face and hands afore I come, I did.

PICKERING Youre certainly not going to turn her head with flattery, Higgins.

MRS. PEARCE [uneasy] Oh, dont say that, sir: theres more ways than one of turning a girl’s head; and nobody can do it better than Mr. Higgins, though he may not always mean it. I do hope, sir, you wont encourage him to do anything foolish.

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