George Bernard Shaw - Pygmalion and Three Other Plays

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Apple-style-span Pygmalion and Three Other Plays
Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of
: George Bernard Shaw
Apple-style-span All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest.
pulls together a constellation of influences — biographical, historical, and literary — to enrich each reader's understanding of these enduring works.
Apple-style-span Hailed as “a Tolstoy with jokes” by one critic,
was the most significant British playwright since the seventeenth century.
persists as his best-loved play, one made into both a classic film — which won Shaw an Academy Award for best screenplay — and the perennially popular musical
.
Apple-style-span Pygmalion
Pygmalion
Apple-style-span This volume also includes
, which attacks both capitalism and charitable organizations,
, a keen-eyed examination of medical morals and malpractice, and
, which exposes the spiritual bankruptcy of the generation responsible for the bloodshed of World War I.
Apple-style-span John A. Bertolini
The Playwrighting Self of Bernard Shaw
Man and Superman and Three Other Plays

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LADY BRITOMART You are lucidity itself, Charles. Because Andrew is successful and has plenty of money to give to Sarah, you will flatter him and encourage him in his wickedness.

LOMAX [unruffled] Well, where the carcase is, there will the eagles be gathered, dont you know. [To UNDERSHAFT. ] Eh? What?

UNDERSHAFT Precisely. By the way, may I call you Charles?

LOMAX Delighted. Cholly is the usual ticket.

UNDERSHAFT [to LADY BRITOMART] Biddy —

LADY BRITOMART [violently] Dont dare call me Biddy. Charles Lomax: you are a fool. Adolphus Cusins: you are a Jesuit. Stephen: you are a prig. Barbara: you are a lunatic. Andrew: you are a vulgar tradesman. Now you all know my opinion; and m y conscience is clear, at all events [she sits down again with a vehemence that almost wrecks the chair].

UNDERSHAFT My dear: you are the incarnation of morality. [She snorts.] Your conscience is clear and your duty done when you have called everybody names. Come, Euripides! it is getting late; and we all want to get home. Make up your mind.

CUSINS Understand this, you old demon —

LADY BRITOMART Adolphus!

UNDERSHAFT Let him alone, Biddy. Proceed, Euripides.

CUSINS You have me in a horrible dilemma. I want Barbara.

UNDERSHAFT Like all young men, you greatly exaggerate the difference between one young woman and another.

BARBARA Quite true, Dolly.

CUSINS I also want to avoid being a rascal.

UNDERSHAFT [with biting contempt] You lust for personal righteousness, for self-approval, for what you call a good conscience, for what Barbara calls salvation, for what I call patronizing people who are not so lucky as yourself.

CUSINS I do not: all the poet in me recoils from being a good man. But there are things in me that I must reckon with: pity —

UNDERSHAFT Pity! The scavenger of misery.

CUSINS Well, love.

UNDERSHAFT I know. You love the needy and the outcast: you love the oppressed races, the negro, the Indian ryot, [80] Farmer; peasant. the Pole, the Irishman. Do you love the Japanese? Do you love the Germans? Do you love the English?

CUSINS No. Every true Englishman detests the English. We are the wickedest nation on earth; and our success is a moral horror.

UNDERSHAFT That is what comes of your gospel of love, is it?

CUSINS May I not love even my father-in-law?

UNDERSHAFT Who wants your love, man? By what right do you take the liberty of offering it to me? I will have your due heed and respect, or I will kill you. But your love. Damn your impertinence!

CUSINS [grinning] I may not be able to control my affections, Mac.

UNDERSHAFT You are fencing, Euripides. You are weakening: your grip is slipping. Come! try your last weapon. Pity and love have broken in your hand: forgiveness is still left.

CUSINS No: forgiveness is a beggar’s refuge. I am with you there: we must pay our debts.

UNDERSHAFT Well said. Come! you will suit me. Remember the words of Plato.

CUSINS [starting] Plato! You dare quote Plato to m e!

UNDERSHAFT Plato says, my friend, that society cannot be saved until either the Professors of Greek take to making gunpowder, or else the makers of gunpowder become Professors of Greek. [81] Allusion to book 5 of Plato’s Republic (fifth century B.C.), which asserts that an ideal society cannot be realized until philosophers become kings or kings become philosophers — that is, until “political greatness and wisdom meet in one.”

CUSINS Oh, tempter, cunning tempter!

UNDERSHAFT Come! choose, man, choose.

CUSINS But perhaps Barbara will not marry me if I make the wrong choice.

BARBARA Perhaps not.

CUSINS [desperately perplexed] You hear!

BARBARA Father: do you love nobody?

UNDERSHAFT I love my best friend.

LADY BRITOMART And who is that, pray?

UNDERSHAFT My bravest enemy. That is the man who keeps me up to the mark.

CUSINS You know, the creature is really a sort of poet in his way. Suppose he is a great man, after all!

UNDERSHAFT Suppose you stop talking and make up your mind, my young friend.

CUSINS But you are driving me against my nature. I hate war.

UNDERSHAFT Hatred is the coward’s revenge for being intimidated. Dare you make war on war? Here are the means: my friend Mr. Lomax is sitting on them.

LOMAX [springing up] Oh I say! You dont mean that this thing is loaded, do you? My ownest: come off it.

SARAH [sitting placidly on the shell] If I am to be blown up, the more thoroughly it is done the better. Dont fuss, Cholly.

LOMAX [to UNDERSHAFT, strongly remonstrant] Your own daughter, you know.

UNDERSHAFT So I see. [To CUSINS.] Well, my friend, may we expect you here at six tomorrow morning?

CUSINS [firmly] Not on any account. I will see the whole establishment blown up with its own dynamite before I will get up at five. My hours are healthy, rational hours: eleven to five.

UNDERSHAFT Come when you please: before a week you will come at six and stay until I turn you out for the sake of your health. [Calling.] Bilton! [He turns to LADY BRITOMART, who rises.] My dear: let us leave these two young people to themselves for a moment. [BILTON comes from the shed.] I am going to take you through the gun cotton shed.

BILTON [barring the way] You cant take anything explosive in here, sir.

LADY BRITOMART What do you mean? Are you alluding to me?

BILTON [unmoved] No, maam. Mr. Undershaft has the other gentleman’s matches in his pocket.

LADY BRITOMART [abruptly] Oh! I beg your pardon. [She goes into the shed.]

UNDERSHAFT Quite right, Bilton, quite right: here you are. [He gives BILTON the box of matches.] Come, Stephen. Come, Charles. Bring Sarah. [He passes into the shed.]

BILTON opens the box and deliberately drops the matches into the fire-bucket.

LOMAX Oh I say! [BILTON stolidly hands him the empty box.] Infernal nonsense! Pure scientific ignorance! [He goes in.]

SARAH Am I all right, Bilton?

BILTON Youll have to put on list slippers, [82] Made from list, a strong material that borders a weaker cloth. miss: thats all. Weve got em inside. [She goes in.]

STEPHEN [very seriously to CUSINS] Dolly, old fellow, think. Think before you decide. Do you feel that you are a sufficiently practical man? It is a huge undertaking, an enormous responsibility. All this mass of business will be Greek to you.

CUSINS Oh, I think it will be much less difficult than Greek.

STEPHEN Well, I just want to say this before I leave you to yourselves. Dont let anything I have said about right and wrong prejudice you against this great chance in life. I have satisfied myself that the business is one of the highest character and a credit to our country. [Emotionally. ] I am very proud of my father. I — [Unable to proceed, he presses CUSINS‘hand and goes hastily into the shed, followed by BILTON.] BARBARA and CUSINS, left alone together, look at one another silently.

CUSINS Barbara: I am going to accept this offer.

BARBARA I thought you would.

CUSINS You understand, dont you, that I had to decide without consulting you. If I had thrown the burden of the choice on you, you would sooner or later have despised me for it.

BARBARA Yes: I did not want you to sell your soul for me any more than for this inheritance.

CUSINS It is not the sale of my soul that troubles me: I have sold it too often to care about that. I have sold it for a professorship I have sold it for an income. I have sold it to escape being imprisoned for refusing to pay taxes for hangmen’s ropes and unjust wars and things that I abhor. What is all human conduct but the daily and hourly sale of our souls for trifles? What I am now selling it for is neither money nor position nor comfort, but for reality and for power.

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