George Bernard Shaw - Pygmalion and Three Other Plays

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Apple-style-span Pygmalion and Three Other Plays
Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of
: George Bernard Shaw
Apple-style-span All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest.
pulls together a constellation of influences — biographical, historical, and literary — to enrich each reader's understanding of these enduring works.
Apple-style-span Hailed as “a Tolstoy with jokes” by one critic,
was the most significant British playwright since the seventeenth century.
persists as his best-loved play, one made into both a classic film — which won Shaw an Academy Award for best screenplay — and the perennially popular musical
.
Apple-style-span Pygmalion
Pygmalion
Apple-style-span This volume also includes
, which attacks both capitalism and charitable organizations,
, a keen-eyed examination of medical morals and malpractice, and
, which exposes the spiritual bankruptcy of the generation responsible for the bloodshed of World War I.
Apple-style-span John A. Bertolini
The Playwrighting Self of Bernard Shaw
Man and Superman and Three Other Plays

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UNDERSHAFT I do not call myself a gentleman; but I offer you half.

CUSINS This to your future partner! your successor! your son-in-law!

BARBARA You are selling your own soul, Dolly, not mine. Leave me out of the bargain, please.

UNDERSHAFT Come! I will go a step further for Barbara’s sake. I will give you three fifths; but that is my last word.

CUSINS Done!

LOMAX Done in the eye. Why, I only get eight hundred, you know.

CUSINS By the way, Mac, I am a classical scholar, not an arithmetical one. Is three fifths more than half or less?

UNDERSHAFT More, of course.

CUSINS I would have taken two hundred and fifty. How you can succeed in business when you are willing to pay all that money to a University don who is obviously not worth a junior clerk’s wages! — well! What will Lazarus say?

UNDERSHAFT Lazarus is a gentle romantic Jew who cares for nothing but string quartets and stalls at fashionable theatres. He will get the credit of your rapacity in money matters, as he has hitherto had the credit of mine. You are a shark of the first order, Euripides. So much the better for the firm!

BARBARA Is the bargain closed, Dolly? Does your soul belong to him now?

CUSINS No: the price is settled: that is all. The real tug of war is still to come. What about the moral question?

LADY BRITOMART There is no moral question in the matter at all, Adolphus. You must simply sell cannons and weapons to people whose cause is right and just, and refuse them to foreigners and criminals.

UNDERSHAFT [determinedly] No: none of that.You must keep the true faith of an Armorer, or you dont come in here.

CUSINS What on earth is the true faith of an Armorer?

UNDERSHAFT To give arms to all men who offer an honest price for them, without respect of persons or principles: to aristocrat and republican, to Nihilist and Tsar, to Capitalist and Socialist, to Protestant and Catholic, to burglar and policeman, to black man white man and yellow man, to all sorts and conditions, all nationalities, all faiths, all follies, all causes and all crimes. The first Undershaft wrote up in his shop IF GOD GAVE THE HAND, LET NOT MAN WITHHOLD THE SWORD. The second wrote up ALL HAVE THE RIGHT TO FIGHT: NONE HAVE THE RIGHT TO JUDGE. The third wrote up TO MAN THE WEAPON: TO HEAVEN THE VICTORY. The fourth had no literary turn; so he did not write up anything; but he sold cannons to Napoleon under the nose of George the Third. The fifth wrote up PEACE SHALL NOT PREVAIL SAVE WITH A SWORD IN HER HAND. The sixth, my master, was the best of all. He wrote up NOTHING IS EVER DONE IN THIS WORLD UNTIL MEN ARE PREPARED TO KILL ONE ANOTHER IF IT IS NOT DONE. After that, there was nothing left for the seventh to say. So he wrote up, simply, UNASHAMED.

CUSINS My good Machiavelli, I shall certainly write something up on the wall; only, as I shall write it in Greek, you wont be able to read it. But as to your Armorer’s faith, if I take my neck out of the noose of my own morality I am not going to put it into the noose of yours. I shall sell cannons to whom I please and refuse them to whom I please. So there!

UNDERSHAFT From the moment when you become Andrew Undershaft, you will never do as you please again. Dont come here lusting for power, young man.

CUSINS If power were my aim I should not come here for it. You have no power.

UNDERSHAFT None of my own, certainly.

CUSINS I have more power than you, more will. You do not drive this place: it drives you. And what drives the place?

UNDERSHAFT [enigmatically] A will of which I am a part.

BARBARA [startled] Father! Do you know what you are saying; or are you laying a snare for my soul? {34} 34 34 (p. 144) UNDERSHAFT (enigmatically) “A will of which I am a part.”BARBARA (startled) “father! Do you know what you are saying; or are you laying a snare for my soul?”: Barbara’s response indicates that she interprets her father’s enigmatic statement to mean that God’s mysterious will drives the munitions works. But Shaw has made Undershaft’s self-explanation resemble closely that of Mephistopheles in Johann Wolfgang von Goethe’s nineteenth-century poetic drama Faust (part I): “I am a part of the part [Chaos] that originally was all there was.” Shaw thus preserves the ambiguity of Undershaft’s agency — that is, whether it is divine or devilish.

CUSINS Dont listen to his metaphysics, Barbara. The place is driven by the most rascally part of society, the money hunters, the pleasure hunters, the military promotion hunters; and he is their slave.

UNDERSHAFT Not necessarily. Remember the Armorer’s Faith. I will take an order from a good man as cheerfully as from a bad one. If you good people prefer preaching and shirking to buying my weapons and fighting the rascals, dont blame me. I can make cannons: I cannot make courage and conviction. Bah! You tire me, Euripides, with your morality mongering. Ask Barbara: she understands. [He suddenly takes BARBARA’s hands, and looks powerfully into her eyes.] Tell him, my love, what power really means.

BARBARA [hypnotized] Before I joined the Salvation Army, I was in my own power; and the consequence was that I never knew what to do with myself. When I joined it, I had not time enough for all the things I had to do.

UNDERSHAFT [approvingly] Just so. And why was that, do you suppose?

BARBARA Yesterday I should have said, because I was in the power of God. [She resumes her self-possession, withdrawing her hands from his with a power equal to his own.] But you came and shewed me that I was in the power of Bodger and Undershaft. Today I feel — oh! how can I put into words? Sarah: do you remember the earthquake at Cannes, when we were little children? — how little the surprise of the first shock mattered compared to the dread and horror of waiting for the second? That is how I feel in this place today. I stood on the rock I thought eternal; and without a word of warning it reeled and crumbled under me. I was safe with an infinite wisdom watching me, an army marching to Salvation with me; and in a moment, at a stroke of your pen in a cheque book, I stood alone; and the heavens were empty. That was the first shock of the earthquake: I am waiting for the second.

UNDERSHAFT Come, come, my daughter! dont make too much of your little tinpot tragedy. What do we do here when we spend years of work and thought and thousands of pounds of solid cash on a new gun or an aerial battleship that turns out just a hairsbreadth wrong after all? Scrap it. Scrap it without wasting another hour or another pound on it. Well, you have made for yourself something that you call a morality or a religion or what not. It doesnt fit the facts. Well, scrap it. Scrap it and get one that does fit. That is what is wrong with the world at present. It scraps its obsolete steam engines and dynamos; but it wont scrap its old prejudices and its old moralities and its old religions and its old political constitutions. Whats the result? In machinery it does very well; but in morals and religion and politics it is working at a loss that brings it nearer bankruptcy every year. Dont persist in that folly. If your old religion broke down yesterday, get a newer and a better one for tomorrow.

BARBARA Oh how gladly I would take a better one to my soul! But you offer me a worse one. [Turning on him with sudden vehemence.] Justify yourself: shew me some light through the darkness of this dreadful place, with its beautifully clean workshops, and respectable workmen, and model homes.

UNDERSHAFT Cleanliness and respectability do not need justification, Barbara: they justify themselves. I see no darkness here, no dreadfulness. In your Salvation shelter I saw poverty, misery, cold and hunger. You gave them bread and treacle and dreams of heaven. I give from thirty shillings a week to twelve thousand a year. They find their own dreams; but I look after the drainage.

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