Peter Handke - Kaspar and Other Plays

You let the impossible become possible. You were the heroes of this piece. You were sparing with your gestures. Your parts were well rounded. Your scenes were unforgettable. You did not play, you were the part. You were a happening. You were the find of the evening. You lived your roles. You had a lion’s share of the success. You saved the piece. You were a sight. You were a sight to have seen, you ass-kissers.

You were always with it. Your honest toiling didn’t help the piece a bit. You contributed only the cues. The best you created was the little you left out. Your silences said everything, you small-timers.

You were thoroughbred actors. You began promisingly. You were true to life. You were realistic. You put everything under your spell. You played us off the stage. You reached Shakespearean heights, you jerks, you hoodlums, you scum of the melting pot.

Not one wrong note crossed your lips. You had control of every scene. Your playing was of exquisite nobility. Your countenances were of rare exquisiteness. You were a smashing cast. You were a dream cast. You were inimitable, your faces unforgettable. Your sense of humor left us gasping. Your tragedy was of antique grandeur. You gave your best, you party-poopers, you freeloaders, you fuddy-duddies, you bubbleheads, you powder puffs, you sitting ducks.

You were one of a kind. You had one of your better days tonight. You played ensemble. You were imitations of life, you drips, you diddlers, you atheists, you double-dealers, you switch-hitters, you dirty Jews.

You showed us brand-new vistas. You were well advised to do this piece. You outdid yourselves. You played yourselves loose. You turned yourselves inside out, you lonely crowd, you culture vultures, you nervous nellies, you bronco busters, you moneybags, you potheads, you washouts, you wet smacks, you fire eaters, you generation of freaks, you hopped-up sons and daughters of the revolution, you napalm specialists.

You were priceless. You were a hurricane. You drove shudders up our spines. You swept everything before you, you Vietnam bandits, you savages, you rednecks, you hatchet men, you subhumans, you fiends, you beasts in human shape, you killer pigs.

You were the right ones. You were breathtaking. You did not disappoint our wildest hopes. You were born actors. Play-acting was in your blood, you butchers, you buggers, you bullshitters, you bullies, you rabbits, you fuck-offs, you farts.

You had perfect breath-control, you windbags, you waspish wasps, you wags, you gargoyles, you tackheads, you milquetoasts, you mickey-mice, you chicken-shits, you cheap skates, you wrong numbers, you zeros, you back numbers, you one-shots, you centipedes, you supernumeraries, you superfluous lives, you crumbs, you cardboard figures, you pain in the mouth.

You are accomplished actors, you hucksters, you traitors to your country, you grafters, you would-be revolutionaries, you reactionaries, you draft-card burners, you ivory-tower artists, you defeatists, you massive retaliators, you white-rabbit pacifists, you nihilists, you individualists, you Communists, you vigilantes, you socialists, you minute men, you whizz-kids, you turtledoves, you crazy hawks, you stool pigeons, you worms, you antediluvian monstrosities, you claquers, you clique of babbits, you rabble, you blubber, you quivering reeds, you wretches, you ofays, you oafs, you spooks, you blackbaiters, you cooky pushers, you abortions, you bitches and bastards, you nothings, you thingamajigs.

O you cancer victims, O you hemorrhoid sufferers, O you multiple sclerotics, O you syphilitics, O you cardiac conditions, O you paraplegics, O you catatonics, O you schizoids, O you paranoids, O you hypochondriacs, O you carriers of causes of death, O you suicide candidates, O you potential peacetime casualties, O you potential war dead, O you potential accident victims, O you potential increase in the mortality rate, O you potential dead.

You wax figures. You impersonators. You bad-hats. You troupers. You tear-jerkers. You potboilers. You foul mouths. You sell-outs. You deadbeats. You phonies. You milestones in the history of the theater. You historic moments. You immortal souls. You positive heroes. You abortionists. You anti-heroes. You everyday heroes. You luminaries of science. You beacons in the dark. You educated gasbags. You cultivated classes. You befuddled aristocrats. You rotten middle class. You lowbrows. You people of our time. You children of the world. You sadsacks. You church and lay dignitaries. You wretches. You congressmen. You commissioners. You scoundrels. You generals. You lobbyists. You Chiefs of Staff. You chairmen of this and that. You tax evaders. You presidential advisers. You U-2 pilots. You agents. You corporate-military establishment. You entrepreneurs. You Eminencies. You Excellencies. You Holiness. Mr. President. You crowned heads. You pushers. You architects of the future. You builders of a better world. You mafiosos. You wiseacres. You smarty-pants. You who embrace life. You who detest life. You who have no feeling about life. You ladies and gents you, you celebrities of public and cultural life you, you who are present you, you brothers and sisters you, you comrades you, you worthy listeners you, you fellow humans you.

You were welcome here. We thank you. Good night.

[ The curtain comes together at once. However, it does not remain closed but parts again immediately regardless of the behavior of the public. The speakers stand and look at the public without looking at anyone in particular. Roaring applause and wild whistling is piped in through the loudspeakers; to this, one might add taped audience reactions to pop-music concerts. The deafening howling and yelling lasts until the public begins to leave. Only then does the curtain come together once and for all. ]

for Libgart

This piece is a Sprechstück for one male and one female speaker. It has no roles. Female and male speaker, whose voices are attuned to each other, alternate or speak together, quiet and loud, with abrupt transitions, thus producing an acoustic order. The stage is empty. The two speakers use microphones and loudspeakers. The auditorium and the stage are lighted throughout. The curtain is not used at any time, not even at the end of the piece .

I came into the world.

I became. I was begotten. I originated. I grew. I was born. I was entered in the birth register. I grew older.

I moved. I moved parts of my body. I moved my body. I moved on one and the same spot. I moved from the spot. I moved from one spot to another. I had to move. I was able to move.

I moved my mouth. I came to my senses. I made myself noticeable. I screamed. I spoke. I heard noises. I distinguished between noises. I produced noises. I produced sounds. I produced tones. I was able to produce tones, noises, and sounds. I was able to speak. I was able to scream. I was able to remain silent.

I saw. I saw what I had seen before. I became conscious. I recognized what I had seen before. I recognized what I had recognized before. I perceived. I perceived what I had perceived before. I became conscious. I recognized what I had perceived before.

I looked. I saw objects. I looked at indicated objects. I indicated indicated objects. I learned the designation of indicated objects. I designated indicated objects. I learned the designation of objects that cannot be indicated. I learned. I remembered. I remembered the signs I learned. I saw designated forms. I designated similar forms with the same name. I designated differences between dissimilar forms. I designated absent forms. I learned to fear absent forms. I learned to wish for the presence of absent forms. I learned the words “to wish” and “to fear.”

I learned. I learned the words. I learned the verbs. I learned the difference between being and having been. I learned the nouns. I learned the difference between singular and plural. I learned the adverbs. I learned the difference between here and there. I learned the demonstrative pronouns. I learned the difference between this and that. I learned the adjectives. I learned the difference between good and evil. I learned the possessives. I learned the difference between mine and yours. I acquired a vocabulary.