Ambrose Bierce - Shapes of Clay

Once with Christ he entered Salem,
Once in Moab bullied Balaam,
Once by Apuleius staged
He the pious much enraged.
And, again, his head, as beaver,
Topped the neck of Nick the Weaver.
Omar saw him (minus tether—
Free and wanton as the weather:
Knowing naught of bit or spur)
Stamping over Bahram-Gur.
Now, as Altgeld, see him joy
As Governor of Illinois!

Saint Peter at the gate of Heaven displayed
The tools and terrors of his awful trade;
The key, the frown as pitiless as night,
That slays intending trespassers at sight,
And, at his side in easy reach, the curled
Interrogation points all ready to be hurled.
Straight up the shining cloudway (it so chanced
No others were about) a soul advanced—
A fat, orbicular and jolly soul
With laughter-lines upon each rosy jowl—
A monk so prepossessing that the saint
Admired him, breathless, until weak and faint,
Forgot his frown and all his questions too,
Forgoing even the customary "Who?"—
Threw wide the gate and, with a friendly grin,
Said, "'Tis a very humble home, but pray walk in."
The soul smiled pleasantly. "Excuse me, please—
Who's in there?" By insensible degrees
The impudence dispelled the saint's esteem,
As growing snores annihilate a dream.
The frown began to blacken on his brow,
His hand to reach for "Whence?" and "Why?" and "How?"
"O, no offense, I hope," the soul explained;
"I'm rather—well, particular. I've strained
A point in coming here at all; 'tis said
That Susan Anthony (I hear she's dead
At last) and all her followers are here.
As company, they'd be—confess it—rather queer."
The saint replied, his rising anger past:
"What can I do?—the law is hard-and-fast,
Albeit unwritten and on earth unknown—
An oral order issued from the Throne.
By but one sin has Woman e'er incurred
God's wrath. To accuse Them Loud of that would be absurd."
That friar sighed, but, calling up a smile,
Said, slowly turning on his heel the while:
"Farewell, my friend. Put up the chain and bar—
I'm going, so please you, where the pretty women are."
1895.

The Widows of Ashur
Are loud in their wailing:
"No longer the 'masher'
Sees Widows of Ashur!"
So each is a lasher
Of Man's smallest failing.
The Widows of Ashur
Are loud in their wailing.
The Cave of Adullam,
That home of reviling—
No wooing can gull 'em
In Cave of Adullam.
No angel can lull 'em
To cease their defiling
The Cave of Adullam,
That home of reviling.
At men they are cursing—
The Widows of Ashur;
Themselves, too, for nursing
The men they are cursing.
The praise they're rehearsing
Of every slasher
At men. They are cursing
The Widows of Ashur.

Dudley, great placeman, man of mark and note,
Worthy of honor from a feeble pen
Blunted in service of all true, good men,
You serve the Lord—in courses, table d'hôte:
Au, naturel, as well as à la Nick —
"Eat and be thankful, though it make you sick."
O, truly pious caterer, forbear
To push the Saviour and Him crucified
(Brochette you'd call it) into their inside
Who're all unused to such ambrosial fare.
The stomach of the soul makes quick revulsion
Of aught that it has taken on compulsion.
I search the Scriptures, but I do not find
That e'er the Spirit beats with angry wings
For entrance to the heart, but sits and sings
To charm away the scruples of the mind.
It says: "Receive me, please; I'll not compel"—
Though if you don't you will go straight to Hell!
Well, that's compulsion, you will say. 'T is true:
We cower timidly beneath the rod
Lifted in menace by an angry God,
But won't endure it from an ape like you.
Detested simian with thumb prehensile,
Switch me and I would brain you with my pencil!
Face you the Throne, nor dare to turn your back
On its transplendency to flog some wight
Who gropes and stumbles in the infernal night
Your ugly shadow lays along his track.
O, Thou who from the Temple scourged the sin,
Behold what rascals try to scourge it in!

I drew aside the Future's veil
And saw upon his bier
The poet Whitman. Loud the wail
And damp the falling tear.
"He's dead—he is no more!" one cried,
With sobs of sorrow crammed;
"No more? He's this much more," replied
Another: "he is damned!"
1885.

Hear me sing of Sally Larkin who, I'd have you understand,
Played accordions as well as any lady in the land;
And I've often heard it stated that her fingering was such
That Professor Schweinenhauer was enchanted with her touch;
And that beasts were so affected when her apparatus rang
That they dropped upon their haunches and deliriously sang.
This I know from testimony, though a critic, I opine,
Needs an ear that is dissimilar in some respects to mine.
She could sing, too, like a jaybird, and they say all eyes were wet
When Sally and the ranch-dog were performing a duet—
Which I take it is a song that has to be so loudly sung
As to overtax the strength of any single human lung.
That, at least, would seem to follow from the tale I have to tell,
Which (I've told you how she flourished) is how Sally Larkin fell.
One day there came to visit Sally's dad as sleek and smart
A chap as ever wandered there from any foreign part.
Though his gentle birth and breeding he did not at all obtrude
It was somehow whispered round he was a simon-pure Dude.
Howsoe'er that may have been, it was conspicuous to see
That he was a real Gent of an uncommon high degree.
That Sally cast her tender and affectionate regards
On this exquisite creation was, of course, upon the cards;
But he didn't seem to notice, and was variously blind
To her many charms of person and the merits of her mind,
And preferred, I grieve to say it, to play poker with her dad,
And acted in a manner that in general was bad.
One evening—'twas in summer—she was holding in her lap
Her accordion, and near her stood that melancholy chap,
Leaning up against a pillar with his lip in grog imbrued,
Thinking, maybe, of that ancient land in which he was a Dude.
Then Sally, who was melancholy too, began to hum
And elongate the accordion with a preluding thumb.
Then sighs of amorosity from Sally L. exhaled,
And her music apparatus sympathetically wailed.
"In the gloaming, O my darling!" rose that wild impassioned strain,
And her eyes were fixed on his with an intensity of pain,
Till the ranch-dog from his kennel at the postern gate came round,
And going into session strove to magnify the sound.
He lifted up his spirit till the gloaming rang and rang
With the song that to his darling he impetuously sang!
Then that musing youth, recalling all his soul from other scenes,
Where his fathers all were Dudes and his mothers all Dudines,
From his lips removed the beaker and politely, o'er the grog,
Said: "Miss Larkin, please be quiet: you will interrupt the dog."

Sir Impycu Lackland, from over the sea,
Has led to the altar Miss Bloatie Bondee.
The wedding took place at the Church of St. Blare;
The fashion, the rank and the wealth were all there—
No person was absent of all whom one meets.
Lord Mammon himself bowed them into their seats,
While good Sir John Satan attended the door
And Sexton Beelzebub managed the floor,
Respectfully keeping each dog to its rug,
Preserving the peace between poodle and pug.
Twelve bridesmaids escorted the bride up the aisle
To blush in her blush and to smile in her smile;
Twelve groomsmen supported the eminent groom
To scowl in his scowl and to gloom in his gloom.
The rites were performed by the hand and the lip
Of his Grace the Diocesan, Billingham Pip,
Assisted by three able-bodied divines.
He prayed and they grunted, he read, they made signs.
Such fashion, such beauty, such dressing, such grace
Were ne'er before seen in that heavenly place!
That night, full of gin, and all blazing inside,
Sir Impycu blackened the eyes of his bride.