Brian Lane - Mind Games with a Serial Killer

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Updated and Revised 2015 Edition of the Best-Selling Creative Non-Fiction Crime Story “Cat and Mouse – Mind Games with a Serial Killer”. As seen recently on British TV Show “Born to Kill” In this startling, twisting, turning story of murder, mayhem, and self-discovery, convicted mass murderer and baby killer Bill Suff “The Riverside Prostitute Killer” is your guide to exploring your personal demons.
This is a unique book containing everything that was heretofore known and suspected but meticulously kept “off the record”, as well as details that that only the killer knew until now. There are interviews with principals; transcripts of the illegal police interrogation of Bill; excerpts from the cookbook, poetry, and writings of Bill; a step-by-step reconstruction of the mental chess game between Bill and Brian; and appreciation for how “friendship” with this serial killer led to death for some but salvation for others.
For seven years—1985 to 1992—Bill hid in plain sight while terrorizing three Southern California counties, murdering two dozen prostitutes, mutilating and then posing them in elaborate artistic scenarios in public places—he’d placed a lightbulb in the womb of one, dressed others in men’s clothes, left one woman naked with her head bent forward and buried in the ground like an ostrich; he’d surgically removed the right breasts of some victims, and cut peepholes in the navels of others.
When the newspapers said that the killer only slayed whites and hispanics, Bill ran right out and raped, torutred and killed a pregnant black woman. When a film company came to town to make a fictional movie about the then-uncaught killer, Bill left a corpse on their set. And, as the massive multi-jurisdictional police task force fruitlessly hunted the unknown killer, Bill personally served them bowls of his “special” chili at the annual Riverside County Employees’ Picnic and Cook-off.
William Lester “Bill” Suff. He says he’s innocent, says he’s been framed, says he’s the most wronged man in America, maybe the world. He’s easygoing, genial, soft-spoken, loves to read, write, draw, play music and chat endlessly. He describes himself as a lovable nerd and a hope-less romantic, and he fancies himself a novelist and poet.
Brian first connected with Bill on the basis of writer to writer, and that’s when the mind games began. Even in jail, Bill was the master manipulator, the seducer who somehow always got way. But Brian was determined to lose himself in Bill’s mind, in Bill’s fantasies, to get at the truth of who and what Bill Suff is. Only then would he know the truth of how close we are all to being just like Bill.
Some readers wrote that the book was “personally important and life-changing”, others that it was “the only serial killer book with a sense of humor”, and others that they wished the author dead or worse. The son of one of Suff’s victims held on to the book as life-preserving testimony to the goodness of his fatally flawed mother and the possibility that his own redemption would eventually be in his own hands.
Meanwhile, TV series and movies continuously derive episodes and plots from the unique details of the murders and the spiraling psyches of the characters as laid out in the book.
When it was first released, Brian Alan Lane’s genre-bending bestseller “Mind Games With a Serial Killer” was simultaneously hailed and reviled. “Highly recommended: the creepiest book of the year… A surreal portrait of a murderous mind.” (
) “This book is an amazing piece of work—it’s like Truman Capote on LSD.” (Geraldo Rivera on
) “A masterpiece… that needs to be sought out and savored by all those with a truly macabre sensibility… A post-modernistic
… that could have been concocted by Vladimir Nabokov.” (
) “A new approach to crime… absolutely riveting, utterly terrifying.” (
)

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RIVERSIDE POLICE DEPARTMENT INTERROGATION CONTINUATION SHEET
(Transcribed from audiotape)

1/10/92 1 87 P.C.—C. KEERS—488—cd

File No. P3-91-357-142

DATE 01-10-92

TAPE 3.

SIDE 1 4:50 p.m. – 01-10-92

SIDE 2 5:40 p.m. – End of Tape

KEERS = Detective C. KEERS (RPD)

DAVIS = Detective John DAVIS (RSO)

SUFF = Bill Lee SUFF (SUSPECT)

KEERS:Okay. And and this is the time when you listen and we talk. Okay? One other thing I wanna tell you is this. In listening to you, we can tell you certain things. You have given us some truths.

SUFF: Yes.

KEERS:But you have told us some lies. I wanna point those lies out to you. This is going to be your opportunity to straighten them out now. ’Cause you don’t get another chance, do you understand this? You understand the difference between a truth and a lie? All we ask for you to give us the truth and nothing more. You understand that?

SUFF: Ahm.

KEERS:Okay. One of the main issues that I would like to talk to you about is your time in prison. Now you want to discuss that with us?

SUFF:No. I was, I was, at the time that I was working for the prison industry I was

KEERS:You were in prison.

SUFF: Yes.

KEERS:You were not working there; you were an inmate. Is that correct?

SUFF:Yes.

KEERS:So you’re telling the truth here.

SUFF:I know.

KEERS:And we know that, and we appreciate the truth. We’re not asking you to tell us anything that’s a lie but we know what the truth is and that’s what we’re asking you to do, to tell the truth. Do you understand that?

SUFF:Yes, I do.

KEERS:Now, what did you go to prison for?

SUFF:It was Murder without Malice.

KEERS:And who was murdered?

SUFF:My daughter was. Belongs Teryl and wasn’t mine, the the daughter that she gave birth to.

KEERS:Did Teryl go to prison with you?

SUFF:Yes.

KEERS:Now, why would you tell me that you worked there?

SUFF:I don’t know.

KEERS:I want you to understand something, okay?

SUFF:Ahm.

KEERS:We’re not here because we wanna entertain you

SUFF:I know.

KEERS:and we’re not here for you to entertain us.

SUFF:I know.

KEERS:We’re here because we have some hard, solid evidence. Do you understand that?

SUFF:Yes.

KEERS:Now, I have let you go on and on and on about stories that you told. Okay? Now we’re gonna get down to the truth. You understand that?

SUFF:Yes.

KEERS:We’re gonna talk the truth. Okay?

DAVIS:Bill, everything comes out in the wash.

KEERS:Everything.

DAVIS:Everything comes out in the wash when it co, when everything is over, this is a done deal, everything’s out.

KEERS:Including the clothing, the clothing that you said you found in your hamper.

SUFF:Ahm.

KEERS:You didn’t find it, did you?

SUFF:Yes.

KEERS:No, you didn’t.

SUFF:Yes, Ma’am.

KEERS:Ye, let me tell you where that clothing came from

SUFF:Okay.

KEERS:’cause I know the girl that was wearing them. You understand that? Now we just got through talking about truth and lies.

SUFF:Yes.

KEERS:And you started off real good. You started off real good. We talked about you going to prison and you came up and you told us the truth. Okay?

SUFF:Right.

KEERS:Now, we wanna talk about your vehicle on Victoria Avenue.

SUFF:Okay.

KEERS:We wanna talk about it. On December the 23rd, does that vehicle belong to you?

SUFF:Yeah it is.

KEERS:Okay.

SUFF:Yes.

KEERS:Well, wait a minute, before you say another word, okay?

DAVIS:Listen to what she has to say.

KEERS:Every time you start to lie to me I’m gonna stop you.

SUFF:Okay.

KEERS:We’re here to tell the truth. You’re not gonna tell any lies.

SUFF:Okay.

KEERS:Okay? Now, your vehicle, on December the 23rd, was in the orange grove and you know how I know that?

SUFF:No.

KEERS:Why don’t you take a chance?

SUFF:I don’t know.

KEERS:Well, let me tell you why. Because your tire tracks are there. You wanna know what else is there?

SUFF:What?

KEERS:You know what’s there, don’t you?

SUFF:What?

KEERS:You know what’s there, don’t you, Bill?

SUFF:Tell me.

KEERS:I will. But you know what’s there, don’t you?

SUFF:Tell me.

KEERS:You know what’s there, don’t you?

SUFF:No.

KEERS:Yes, you do. Now see every time that you start to tell a lie to me I’m gonna stop you. Now you know we’ve got your tire prints there, don’t you? And you know we’ve got something else there, don’t you?

SUFF:I don’t know.

KEERS:Don’t you?

SUFF:Yes.

KEERS:Now, what do we have there, Bill?

SUFF:There was a dead body there.

KEERS:That’s right.

DAVIS:And who put that dead body there, Bill?

SUFF:I don’t know.

KEERS:No.

SUFF:No that I don’t

KEERS:We,

SUFF:Know.

KEERS:we, we’re gonna stop right here.

DAVIS:Don’t raise your voice.

KEERS:We’re gonna stop right here

DAVIS:Don’t raise your voice at us, mister.

KEERS:because we talked about this evidence that we have, okay?

SUFF:Yes.

KEERS:The truth. We know the truth and we’re only asking you to give us the truth.

SUFF:Okay.

KEERS:Now, you started off right. There was a dead body there, wasn’t there?

SUFF:Yes, but I

KEERS:Now, wait a minute,

SUFF:didn’t

KEERS:no, I’m not gonna let you tell a lie. There

DAVIS:You put the body there.

KEERS:was something else there, right? There was something else there, wasn’t there?

SUFF:A dead body.

KEERS:Yes, and something else that belonged to you. Did you leave your shoe prints there, Bill?

SUFF:Yes.

KEERS:Yes, you did. Now, the truth, you see? You’re coming out with the truth. Do you think we didn’t know this?

SUFF:Yes.

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