The Power of Focus
Since the 1960s thousands of books have expounded on the value of appropriate positive imagery and focus. Forward-looking focus has even been a key element in Olympic-level sports training,with athletes imagining the physical effort, the positive energy,and the successful result to ensure the highest level of unconscious support for their performance.
We know that the focus we hold in our minds affects what we perceive and how we perfonn. This is as true on the golf course as it is in a staff meeting or during a serious conversation with a spouse. My interest lies in providing a model for focus that is dynamic in a practical way, especially in project thinking.
Imagination is more important than knowledge.
—Albert Einstein
When you focus on something—the vacation you're going to take, the meeting you're about to go into, the product you want to launch—that focus instantly creates ideas and thought patterns you wouldn't have had otherwise. Even your physiology will respond to an image in your head as if it were reality.
The Reticular Activating System The May 1957 issue of Scientific American contained an article describing the discovery of the reticular formation at the base of the brain. The reticular formation is basically the gateway to your conscious awareness; it's the switch that turns on your perception of ideas and data, the thing that keeps you asleep even when music's playing but wakes you if a special little baby cries in another room.
Just like a computer, your brain has a search function—but it's even more phenomenal than a computer's. It seems to be programmed by what we focus on and, more primarily, what we identify with. It's the seat of what many people have referred to as the paradigms we maintain. We notice only what matches our internal belief systems and identified contexts. If you're an optometrist, for example, you'll tend to notice people wearing eyeglasses across a crowded room; if you're a building contractor, you may notice the room's physical details. If you focus on the color red right now and then just glance around your environment, if there is any red at all, you'll see even the tiniest bits of it.
The implications of how this filtering works— how we are unconsciously made conscious of information—could fill a weeklong seminar. Suffice it to say that something automatic and extraordinary happens in your mind when you create and focus on a clear picture of what you want
Your automatic creative mechanism is teleological. That is, it operates in terms of goals and end results. Once you give it a definite goal to achieve, you can depend upon its automatic guidance system to take you to that goal much better than "you " ever could by conscious thought. "You" supply the goal by thinking in terms of end results. Your automatic mechanism then supplies the means whereby.
— Maxwell Maltz
Clarifying Outcomes
There is a simple but profound principle that-emerges from understanding the way your perceptive filters work: you won't see how to do it until you see yourself doing it.
It's easy to envision something happening if it has happened before or you have had experience with similar successes. Itcan be quite a challenge, however, to identify with images of success if they represent new and foreign territory — that is, if you have few reference points about what an event might actually look like and little experience of your own ability to make it happen.
You often need to make it up in your mind before you can make it happen in your life.
Many of us hold ourselves back from imaging a desired outcome unless someone can show us how to get there. Unfortunately, that's backward in terms of how our minds work to generate and recognize solutions and methods.
One of the most powerful skills in the world of knowledge work, and one of the most important to hone and develop, is creating clear outcomes. This is not as self-evident as it may sound. We need to constantly define (and redefine) what we're trying to accomplish on many different levels, and consistently reallocate resources toward getting these tasks completed as effectively and efficiently as possible.
I always wanted to be somebody. I should have been more specific.
— Lily
What will this project look like when it's done? How do you want the client to feel, and what do you want him to know and do, after the presentation? Where will you be in your career three years from now? How would the ideal V.P. of finance do his job? What would your Web site really look like and have as capabilities if it could be the way you wanted it?
Outcome/vision can range from a simple statement of the project, such as "Finalize computer-system implementation," to a completely scripted movie depicting the future scene in all its glorious detail. Here are three basic steps for developing a vision:
1. View the project from beyond the completion date.
2. Envision "WILD SUCCESS"! (Suspend "Yeah, but. . .")
3. Capture features, aspects, qualities you imagine in place.
When I get people to focus on a successful scenario of their project, they usually experience heightened enthusiasm and think of something unique and positive about it that hadn't occurred to them before. "Wouldn't it be great if. . ." is not a bad way to start thinking about a situation, at least for long enough to have the option of getting an answer.
Brainstorming
Once you know what you want to have happen, and why, the "how" mechanism is brought into play.-When you identify with some picture in your mind-that is different from your current reality, you automatically start filling in the gaps, or brainstorming. Ideas begin to pop into your head in somewhat random order—little ones, big ones, not-so-good ones, good ones. This process usually goes on internally for most people about most things, and that's often sufficient. For example, you think about what you want to say to your boss as you're walking down the hall to speak to her. But there are many other instances when writing things down, or capturing them in some external way, can give a tremendous boost to productive output and thinking.
The best way to get a good idea is to get lots of ideas.
— Linus Pauling
Your mind wants to fill in the blanks between here and there, but in somewhat random order.
Capturing Your Ideas
Over the last few decades, a number of graphics-oriented brain-storming techniques have been introduced to help develop creative thinking about projects and topics. They've been called things like mind-mapping, clustering, patterning, webbing, and fish-boning. Although the authors of these various processes may portray them as being different from one another, for most of us end-users the basic premise remains the same: give yourself per-mission to capture and express any idea, and then later on figure out how it fits in and what to do with it. If nothing else (and there is plenty of "else"), this practice adds to your efficiency—when you have the idea, you grab it, which means you won't have to go "have the idea" again.
The most popular of these techniques is called mind-mapping, a name coined by Tony Buzan, a British researcher in brain functioning, to label this process of brainstorming ideas onto a graphic format. In mind-mapping, the core idea is presented in the center, with associated ideas growing out in a somewhat free-form fashion around it. For instance, if I found out that I had to move my office, I might think about computers, changing my business cards, all the connections I'd have to change, new furniture, moving the phones, purging and packing, and so on. If I captured these thoughts graphically it might start to look something like this:
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