John Richetti - The Columbia History of the British Novel

Hazlitt, William, 17, 214

Heard, Gerald, 747

Hedonism, 620 — 21

Hegel, Georg Wilhelm Friedrich, 301 — 2, 408

Hemingway, Ernest, 902

Hennell, Sara, 442

Henry IV, King of England, 311

Henry V, King of England, 311

Henty, G. A., 573

Herbert, Frank, 302

Heredity, 629; crime and, 615 — 16; role of, 609 — 10, 614 -15

Henry VIII, 833

Heroes, 228, 249, 254, 732; ideology of, 255- 57; ineffective, 705 -6; modernism, 780 — 81; in Scott's novels, 308 -10, 321; sentimental, 183 — 84, 186 — 89, 195

Heroines, 62, 260, 955; androgyny in, 254 -55; comedic, 89–90; Eliot on, 443 — 44; gender issues and, 251 -52; Gothic, 225 — 28, 232; and love, 201 -7; in Richardson's novels, 74, 81; Romantic, 332- 33; sentimental, 181, 193 — 96; as victims, 249- 50

Heroism, 131, 514, 699; epic, 115 -16; female, 113, 124 -25; in Fielding's novels, 122 — 23; masculine, xvi, 79, 112; vs. ordinary life, 433 — 34

Heteroglossia, xii, 104, 329, 768

Hiroshima, 977

Historical novels, 320, 339, 814; Ford's, 833 -34; role of, 566 — 67; Scott's, 308- 19, 566, 1010

Histories, 1, 6, 145, 247

Historiography, 304

History, xviii — xix, 8–9, 116, 506, 509, 819; in Defoe's work, 26–40; and economy, 482 — 83; in Fielding's work, 102 — 3, 105 -7, 121, 125; individuals and, 454 -55; literary, 10–12, 15, 17–18, 20–22; in Scott's novels, 30821; social, 112 -13; as theme, 973 — 76, 980 -81; of thought, 746 — 47; Wells on, 661 -62. See also Universal History

Hitler, Adolf, 740 — 41

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Hive (journal), 387

Hobbes, Thomas, 165; Leviathan, 44

Hobsbawm, E. J., 482, 503

Hoffman, E. T. A., 947

Hogarth, William: 127; "The Rake's Progress," 136

Hogg, James: The Domestic Manners and Private Life of Sir Walter Scott, 1001; The Private Memoirs and Confessions of a Justified Sinner, 239, 243 -44, 1001; The Queen's Wake, 1001; The Three Perils of Man, 1001

Holcroft, Thomas, 1001; The Adventures of Hugh Trevor, 1002; Anna St. Ives, 249 — 54, 260, 262, 271 — 72; The Road to Ruin, 1002

Hollinghurst, Alan: The Swimming Pool Library , 984 — 85

Holy Trinity, 581

Home, 139. See also Domestic life

Homer, 8; Iliad, 781; Odyssey, 768, 777 — 82, 785

Homespun, Prudentia. See West, Jane

Homoeroticism, 637, 646, 719

Homophobia, 240 — 41

Homosexuality, 623, 647, 725, 913; attraction of, 718 — 19; in Disraeli's works, 518 — 20; Forster on, 832 — 33, 999; in Gothic novels, 239 -41, 244; in Hollinghurst's novels, 984- 86; in Isherwood's novels, 755, 760, 1002; Lawrence and, 720, 724, 729

Hong Kong, 636

Hood, Thomas, 590

Hook, Andrew, 303

Hook, Theodore, 398

Hope, Thomas: Anastasius, 567 — 68

Hopkin, William, 725

Horror, 242 — 43

House, Humphrey, 386, 396

Household Words (journal), 384, 388, 403, 570

Howard, Edward, 565

Howard, Katherine, 833 — 34

Howells, William Dean, 474, 611

Hudson, Derek, 583

Hudson, George, 411

Hughes, Thomas: Tom Brown's Schooldays, 589

Hugo, Victor: Les Misérables, 766

Huitzilopochtli (Tezcatlipoca), 728

Hulme, Keri, 942

Hulme, T. E., 184, 905 — 6

Humanism, 441, 822, 832

Hume, David: Treatise on Human Nature, 187

Humor, 328; in Eliot's work, 450 — 51; sentimentalism and, 183 — 84; sexual, 176 — 77

Humphreys, Emyr, 904

Hunter, J. Paul, 20, 217

Hutchins, Francis, 636

Hutton, R. H., 470

Huxley, Aldous, 867, 876, 902, 912; After Many a Summer, 749 — 50, 753 -54, 1002; Antic Hay, 748 — 49, 751 — 52, 754, 870 — 71, 1002; on architecture, 870 -72; Brave New World, 750 -52, 871 -72, 1002; Crome Yellow, 749 -51, 1002; The Doors of Perception, 1002; Eyeless in Gaza, 750- 53, 1002; family of, 746 — 47; Heaven and Hell, 1002; Island, 1002; life of, 747 — 48; Limbo, 1002; Mortal Coils, 1002; narrative style of, 749 -54; Point Counter Point, 748 -52, 754, 871, 1002; Those Barren Leaves, 749 -52, 1002

Huxley, T. H., 439, 746, 1014; "The Physical Basis of Life," 440

Huysmans, Joris-Karl, Arebours, 616

Hysteria, 628 — 29

Ibsen, Henrik: When We Dead Awaken, 785

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Idealism, 127, 510

Ideas, 429; Eliot's use of, 438 — 40

Identity, 21, 107, 149, 362, 389, 444, 482, 655, 712, 721, 928; architecture and, 869 — 70; children and, 593, 597; class, 82–83, 737; of Defoe's characters, 44–45; in Dickens's works, 389- 90; female, 200, 377; gender, 120 -21, 218, 367 — 68, 59 6; human, 107, 506; imperialism and, 639 -40, 645; making, 617 — 18; mistaken, 485 — 87; personal, xv, 105, 111 — 12; power and, 487 — 89; private, 43–44; professional, 490 — 93; role of, 105 -6; in Scotts' works, 311 -12; social, 42–43; women's, 208 — 15, 494 — 95; working-class, 387 — 88

Ideology, 248, 250, 274, 328, 378; domestic, 335, 346 — 49, 367; gender, 200, 215, 329 — 30; of heroes, 255 — 56; Romantic, 333, 339

Illness, 148, 629, 756

Imlay, Gilbert, 210, 1015

Immigrants: Irish, 411

Imperialism, 349, 450, 523, 560 — 61, 606, 631, 839, 1009; in Africa, 647 — 52; in Conrad's works, 694 — 96, 995; criticism of, 330 — 31; culture and, 652 -56, 918 — 19; and detective novels, 502 — 3; in India, 636 — 47; Kipling's views on, 632 — 35; marriage and, 369 -70; 1930s, 744 -45; in novels, 563 — 67; romance of, 577 — 78; Romantic, 565 -68; Victorian, 568 — 73; Victorian-Edwardian, 573 — 77; Waverley Novels and, 314 -15

Imprisonment, 144 — 46, 400

Incest, 52, 340; in Gothic novels, 220, 222 — 23, 226, 230, 235 — 36, 242

Inchbald, Elizabeth: I'll Tell You What, 1002; Lovers' Vows, 1002; narrative structure used by, 273 — 74; Nature and Art, 1002; A Simple Story , 249, 260 — 64, 267, 270, 273, 1002; use of emotions by, 260 -64

Independence: female, 358 — 59, 370

India, 563, 883, 978; culture in, 653 — 55; English, 562, 633 — 34, 636 -47; as setting, 568- 71, 829 — 32, 980, 1012

Indian Mutiny. See Great Mutiny of 1857

Indian National Congress, 634, 640

Individualism, xiv — xv, 23, 185, 271, 294, 389, 600, 703; Dickens on, 389 -90, 392, 394, 398; female, 364, 368, 369; in sentimental novels, 191 — 92

Industrial Revolution, 565

Injustice, 259 — 60

Innocence, 968 — 69

Inquisition, 237, 342

Intimacy, 75, 92

Intrigue, 6, 14, 16, 50, 136

Ireland, 155, 333; famine in, 411, 569; imperialism in, 565, 567; Joyce and, 769 -70

Irony, 127, 170, 183, 430, 682, 821; Conrad's use of, 693 — 94; Defoe's use of, 28, 33–35; Eliot's use of, 451 -52; Smollett's use of, 140 — 41

Isherwood, Christopher William Bradshaw, 746, 902; All the Conspirators, 755 — 57, 761, 1002; The Ascent of F6, 763, 1002; autobiography in novels of, 755 -57, 761- 63; Berlin Stories, 759, 763; Christopher and His Kind, 755, 760, 1002; on city life, 759 -61; The Dog Beneath the Skin, 763; Down There on a Visit, 761, 763, 1002; Goodbye to Berlin, 761 -63, 1002; Kathleen and Frank, 755; The Last of Mr. Norris (Mr. Norris Changes Trains), 759 -61, 763, 1002; life of, 747 — 48; Lions and Shadows, 756- 58,

-1042–

1002; "The Lost," 758 — 59, 1002; A Meeting by the River, 763; The Memorial, 757 -59, 761, 1002; New Writing, 1002; Prater Violet, 761, 763; A Single Man, 763, 1002; on society, 757- 58

Ishiguro, Kazuo, 942, 967; An Artist of the Floating World, 973; Pale View of Hills , 972–731; The Remains of the Day, 973

Islam, xiv, 302, 316, 320

Italy, 51, 727, 820 — 21, 999

Jacobites and Jacobitism, 64, 67, 121 — 22, 310, 313, 566

Jacobs, W. W.: Mord Em'ly, 624

Jamaica Rebellion, 388

James, G. P. R., 461