John Richetti - The Columbia History of the British Novel

Edgeworth, Richard Lovell, 337

Edinburgh Review, 305, 473

Education, 155, 333, 434, 717, 791; of children, 588, 591 — 92; of colonials, 652 — 53; female, 224, 339; in history, 973 — 74; process of, 189 — 91; as theme, 136, 264

Education Act of 1870, 573

Edward VII, King of England, 784, 820

Edwardian era, 659, 706, 819 -20, 834, 839 -40; imperialism and, 561, 573- 78

Egan, Pierce, 398

Egerton, George (Mary Chavelita Dunne), 614; "The Regeneration of Two," 623

Egoist, The (journal), 1003

Egypt, 941

Eliot, George (Marian Evans), xv, xviii, 21, 81, 230, 277, 355, 360, 366, 369, 391, 402, 458, 475, 481, 533, 897, 906, 911, 954- 55, 980; Adam Bede, 430, 432, 454, 997; authority of, 453 — 54; Brontë's impact on, 363 -65; character development by, 441 -42, 451 — 52; children in works of, 582, 584, 587, 594, 596; cross-gender characteristics of, 452 -53; Daniel Deronda, 430- 31, 434, 439, 444, 447, 449 -50, 454, 997; everyday experiences in, 429 — 30; Felix Holt, the Radical, 430 -31, 447, 450 — 51, 997; "Felix Holt's Address to the WorkingMen," 450; on gender and supremacism, 450 -51; on heroines, 443 -44; on heroism vs. ordinary life, 433 -34;

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on history, 454 — 55; ideas used by, 438 — 40; Impressions of Theophrastus Such, 997; on knowledge, 437 — 38; "The Lifted Veil," 439 -40; Middlemarch, 364, 430 — 32, 434, 437- 43, 447 — 49, 451 -55, 503, 612, 925 — 26, 961, 997; The Mill on the Floss, 364- 65, 430, 433 — 37, 440, 447, 452, 503, 596 — 97, 913, 997; "Notes on Form in Art," 437 -38, 454 -55; on power and society, 434- 36; on race, 436 -37, 447- 50; reinterpretation by, 432 — 33; Romola, 431, 439, 442, 444 — 47, 476, 566, 997; on rural life, 446 -47; Scenes of Clerical Life, 430, 433; Silas Marner, 430, 447- 48, 584, 594, 596, 997; on social change, 430- 31; The Spanish Gypsy, 449

Eliot, T. S., 708, 777, 834, 878, 989; After Strange Gods, 729; Waste Land, 742

Elitism, 902

Ellis, Kate Ferguson, 231

Ellis, Sarah, 366; The Daughters of England, 354; The Women of England, 367 — 68

Emblems: narrators as, 41 — 42

Emigration, 569 — 70

Emotions, 91, 271; in Austen's works, 280 — 82, 284 — 87, 291 — 92; in Conrad's work, 691 -92; expression of, 259 — 60; gender and, 791 — 93; in Gothic novels, 227, 969; in Inchbald's work, 260 — 64; women's, 259, 793 — 94

Encounter (periodical), 896

Energy, 259 -60, 262

Engels, Friedrich, 613

England, 314, 333; as setting, 306, 940 -42

English Review, 998

Enlightenment, 74, 298, 301, 667, 846, 848

Environment: role of, 609 — 10, 614

Epics, xii, 9, 306; Fielding's use of, 115 — 16, 119; mock, 777- 79; as model, 112 — 13

Epstein, Julia, 210, 215 -16

Equality: gender, 251, 254 -55, 331, 333- 34, 339

Eroticism, 13, 75, 512, 520, 588, 637; in Richardson's works, 94, 99 — 100; women's suffrage and, 721 — 22

Espionage, 876. See also Spying

Essex, Robert Devereux, 2d earl of, 226

Ethics, 820, 908; gentlemanly, 407 — 8, 419 — 20

Ethnicity, 449 -50. See also Race

Eugenics, 620

Evans, Marian (Mary Ann). See Eliot, George

Evening Standard, 661

Evil Mother, 747

Examiner (journal), 1005

Exoticism, 574

Experiences: meanings of, 30–31

Experimental writing, 897 — 98; Amis on, 899–900, 916 — 17. See also Modernism and modernists

Fairie Queen, The, 902

Fairfax, Thomas, 40, 45 — 46

"Fair Triumvirate," 51

Fairy tales, 590

Family, 45, 152, 222, 328, 331, 333, 346, 349, 367, 392, 482; in Gothic novels, 222, 231; in Joyce's works, 778 -79, 786 -87; in Lawrence's works, 717 — 18, 720; primacy of, 330, 703, 713; in Richardson's novels, 74, 97–98, 100; in Smollett's novels, 139, 147; Sterne's, 155 — 56; in Woolf's novels, 794 — 96, 807 -8

Famine: Irish potato, 411

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Fantasy, 220, 237, 583, 590; Carroll's use of, 598 — 99, 602 — 3

Farce: by Fielding, 103 — 4; in Gaskell's works, 523 — 24

Farrell, J. G.: The Siege of Krishnapur, 643

Fascism, 745, 753

Faulkner, William, 902 -3

Fear, 974 — 75

Federman, Raymond, 947

Feelings. See Emotions

Felski, Rita, 331

Females. See Women

Femininity, 195, 202, 254, 318, 370; definitions of, 209, 250; and sexuality, 776 — 77

Feminism, 22, 251, 302, 333, 498, 509, 902, 939; in Brontës' writings, 353, 370; of Jane Eyre, 352 — 53; and social issues, 525 — 26, 529; and women novelists, 217 — 18, 964, 1001, 1005, 1009, 1014

Feminist criticism, xvi, 18, 217 -18, 231, 444; of Burney, 199, 219; of Gothic novels, 225 -26, 231; of Sterne, 176 -77

Fenton, James: A Staffordshire Murder, 966

Ferrier, Susan, 328, 331- 32, 342; Marriage, 334 — 36

Feuerbach, Paul Johann Anselm von Ritter, 443; Essence, 997

Fiction: creating, 11–12; criticism of, 3–5; definition of, 9 — 10; history of, 10–11. See also by type

Fielding, Charlotte Cradock, 997

Fielding, Henry, xiii, xvii — xviii, 4, 9, 12, 20, 50, 132, 138, 152, 157 — 58, 214, 277, 329, 398, 901 — 2; The Adventures of Joseph Andrews and His Friend, Mr. Abraham Adams, 7–8, 77, 84–86, 105 -7, 111 -12, 119 — 21, 138, 202, 900; Amelia, 107, 113 — 14, 123 — 25, 296, 308, 425, 997- 98; An Apology for the Life of Mrs. Shamela Andrews, 77, 84–86, 110 -11, 118 — 19, 124, 998; The Author's Farce , 103 -7, 997; character development by, 116 — 17, 122 — 23, 165 — 66, 189, 276; civil activities of, 109 -10; critiques of, 1, 8, 17–18, 443; on culture change, 123 -24; discourse by, 103 -5; epics and, 115 — 16; on female heroism, 124 -25; on historical determinism, 106 -7; The Historical Register for 1736, 997; The History of Tom Jones, a Foundling, 2, 7–8, 105 -7, 111, 121 -23, 137 — 38, 157, 161, 166, 201, 303, 900, 997 -98; on identity, 105- 6; Jonathan Wild, 114 -18; literary history by, 102 -3; narrative technique of, 24, 110- 15, 119 -20, 137; novel acceptability, 5–7; Pasquin, 997; plays by, 103 -4, 997; political writings of, 118 -19, 121 -22; Rape upon Rape, 997; replacement fictions by, 3, 14–15; and Richardson, 73, 84–85, 95, 112 — 13; as satirist, 84–85, 128, 264; Tom Thumb, 124, 997; and Walpole, 107, 109

Fielding, Sarah, 94, 139; The Adventures of David Simple, 185, 192, 194, 998; Familiar Letters Between the Principle Characters in David Simple, 998; Remarks on Clarissa, 95; Volume the Last, 998

Finances, 482; and identity, 486 — 87

Firbank, Ronald, 878 — 80, 985; Caprice, 998; The Flower Beneath the Foot, 998; Inclinations, 998; Odette d'Antrevernes, 998; Prancing Nigger, 998; Santal, 998; Sorrow in Sunlight, 998; Vainglory, 998; Valmouth, 998

Fitzgerald, Edward, 385

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Flaubert, Gustave, xv, 21, 160, 665; Madame Bovary, 658, 955, 976

Fleming, Ian, 901

Fletcher, John, 851

Fools: wise, 183

Forçade, Eugene, 357, 371

Ford, Ford Madox, 728, 819; The Brown Owl, 833; The Fifth Queen, 833- 34, 998; The Good Soldier, 834 — 37, 839, 998; Half Moon, 834; Henry for Hugh, 839; historical novels by, 833 -34; The Inheritors, 833, 998; Ladies Whose Bright Eyes, 834; The Last Post, 837; A Little Less than Gods, 834; A Man Could Stand Up, 837, 840; The Marsden Case, 838; narrative style of, 833- 40; No More Parades, 837; Parade's End, 833, 837- 38, 998; The Rash Act, 839; Romance, 833, 998; The Shifting of the Fire, 833; social commentary by, 838- 39; Some Do Not…, 837

Forensics, 33–34

Fornightly Review, 473

Forster, E. M., 623, 635, 661, 715, 741, 751, 819, 904; Aspects of the Novel, 824 — 25, 999; character development by, 824- 26, 828 — 29; Howards End, 823, 25–30, 832, 839 -40, 999; on imperialism, 636 -37, 640 — 43; on India, 829 — 32; and Isherwood, 756 — 57; on landscape, 823- 24; The Longest Journey, 621, 820, 822 — 23, 825–826, 999; Maurice, 822, 832 -33, 840, 999; narrative style of, 820 -33; A Passage to India, 631, 636 -37, 640 -43, 829 -32, 905, 999; A Room with a View, 823 -26, 999; Two Cheers for Democracy, 999; Where Angels Fear to Tread, 820 -21, 823, 998