Сьюзан Винсент - Волосы. Иллюстрированная история

Schulenburg J. T. Forgetful of their Sex: Female Sanctity and Society ca. 500–1100. Chicago: University of Chicago Press, 1998. Pр. 152–153.

Gregory the Great. Dialogues 4.13; Schulenburg. Forgetful of Their Sex. Р. 152.

Brown J., Kagan R. L. The Duke of Alcalé: His Collection and Its Evolution // The Art Bulletin. 1987. Vol. 69. Pр. 231–255. Об этом и других портретах бородатых женщин: Velasco S. Women with Beards in Early Modern Spain // Karin Lesnik-Oberstein (ed.). The Last Taboo: Women and Body Hair. Manchester: Manchester University Press, 2006. Pр. 181–190.

Надпись на латыни целиком, ее перевод и современное медицинское объяснение состояния Магдалены см.: Michael W., Tunbridge G. La Mujer Barbuda by Ribera, 1631: A Gender Bender // QJM: An International Journal of Medicine. 2011. Vol. 104. Pр. 733–736. qjmed.oxfordjournals.org/content/qjmed/104/8/733.full.pdf (по состоянию на 9 июня 2016).

Это утверждает Олдстоун-Мур в отношении XIX века: Oldstone-Moore. Of Beards and Men. Р. 198.

Pepys. IX. Р. 398.

Durbah N. Spectacle of Deformity: Freak Shows and Modern British Culture. Berkeley: University of California Press, 2010. Pр. 1–6.

Oldstone-Moore. Of Beards and Men. Р. 191.

Trainor S. Fair Bosom/Black Beard: Facial Hair, Gender Determination, and the Strange Career of Madame Clofullia, «Bearded Lady» // Early American Studies. 2014. Vol. 12. Pр. 548–575.

Adams R. Sideshow USA: Freaks and the American Cultural Imagination. Chicago: University of Chicago Press, 2001. Pр. 27–31.

Opening of Barnum’s Show // The Times. 1889. November 12. P. 7.

Cit. ex: Bell S. Memoirs of a Bearded Lady who Noted Barbed Comments in Ink // The Scotsman. 2005. June 21. www.scotsman.com/news/world/memoirs-of-a-bearded-lady-who-noted-barbed-comments-in-ink-1-716483 (по состоянию на 13 июня 2016). О Клементине см. также: Nickell J. Secrets of the Sideshows. Lexington: University of Kentucky Press, 2005. P. 152.

Bell. Memoirs of a Bearded Lady.

Cit. ex: Bell. Memoirs of a Bearded Lady. Подобные рассуждения об эмансипации исполнителей из шоу уродов в целом: Smit C. R. A Collaborative Aesthetic: Levinas’s Idea of Responsibility and the Photographs of Charles Eisenmann and the Late Nineteenth-Century Freak-Performer // Marlene Tromp (ed.). Victorian Freaks: The Social Context of Freakery in Britain. Columbus: Ohio State University Press, 2008. Pр. 283–311; Bogdan R. Freak Show: Presenting Human Oddities for Amusement and Profit. Chicago: University of Chicago Press, 1988. Pр. 270–272.

Strange Conduct of a Bearded Lady // Evening Telegraph and Star and Sheffield Daily Times. 1894. August 25. P. 2.

A Bearded Woman // The Evening News. 11895. May 11. P. 2.

Идея о том, что волосы на лице репрезентируют власть, используется французской феминистской группой La Barbe, которые надевают накладные усы, чтобы иронично обыграть мужское превосходство.

Cit. ex: Chemers M. M. Staging Stigma: A Critical Examination of the American Freak Show. New York: Palgrave Macmillan, 2008. P. 125. Также см.: Adams. Sideshow. Рp. 219–226.

Prynne W. The vnlouelinesse, of loue-lockes. London, 1628. Sig. B2, p. 3; sig. A3v.

Об их возникновении, участии в войне и значениях см.: Hunt T. The The English Civil War at First Hand. London: Weidenfeld and Nicolson, 2002. Pр. 72–75; de Groot J. Royalist Identities. Houndmills: Palgrave Macmillan, 2004. Pр. 90–107; Pierce H. Unseemly Pictures: Graphic Satire and Politics in Early Modern England. New Haven; London: Yale UP for the Paul Mellon Centre for Studies in British Art, 2008. Pр. 137–167; Eales J. Puritans and Roundheads: The Harleys of Brampton Bryan and the Outbreak of the English Civil War. Cambridge: Cambridge University Press, 1990. Pр. 143–145; Williams T. «Magnetic Figures»: Polemical Prints of the English Revolution // Gent L., Llewellyn N. (eds) Renaissance Bodies: The Human Figure in English Culture, c. 1540–1660. London: Reaktion, 1990. Pр. 88–94; Hill C., Dell E. (eds) The Good Old Cause: The English Revolution of 1640–1660 [rev. edn]. London: Frank Cass, 1969. Pр. 245–246.

Lilly W. The True History of King James I and Charles I. Cit. ex: Hill and Dell (eds). The Good Old Cause. Рp. 245–246.

Letter of Lady Brilliana Harley. Cit. ex: Eales, Puritans and Roundheads. Р. 144.

Hunt. The English Civil War at First Hand. Р. 73, citing Veronica Wedgewood.

T. J. A Medicine for the Times. Or an antidote against Faction. London, 1641. Sig. A3v.

Ibid. О пуританской безрадостности см.: Crouch H. My Bird is a Round-head. London, 1642.

Taylor J. The Devil turn’d Round-head. [London], 1642. Sigs [A3v — A4r].

См., например: Anon. A short, compendious, and true description of the round-heads and the long-heads shag-polls briefly declared. London, 1642.

A short, compendious, and true description of the round-heads, p. 2; Anon. See, heer, malignants foolerie retorted on them properly The Sound-Head, Round-Head, Rattle-Head well plac’d, where best is merited. [London], 1642.

De Groot. Royalist Identities. Р. 105; The soundheads description of the roundhead. Or The roundhead exactly anatomized in his integralls and excrementalls. London, 1642. P. 7.

A short, compendious, and true description of the roundheads. Р. 9.

Hutchinson L. Memoirs of the Life of Colonel Hutchinson / Еd. N. H. Keeble. London: Dent, 1995. Pр. 86–87.

Gipps G. A Sermon preached (before God, and from him) to the Honourable House of Commons. London, 1644. P. 9.

The Journal of Mary Frampton / Еd. Harriot Georgiana Mundy. London: S. Low, Marston, Searle and Rivington, 1885. P. 36.

Barrell J. The Spirit of Despotism: Invasions of Privacy in the 1790s. Oxford: Oxford University Press, 2006. P. 175.

О крахмале подробнее см.: Vincent S. The Anatomy of Fashion: Dressing the Body from the Renaissance to Today. Berg: Oxford, 2009. Pр. 29–34. (На русском языке: Винсент С. Дж. Анатомия моды: манера одеваться от эпохи Возрождения до наших дней / Пер. Е. Кардаш. М.: Новое литературное обозрение, 2015.)