Aldous Huxley - The Devils of Loudun

In the midst of his ecstasies and visions, Surin had been on a track that led, no doubt, through very picturesque country, but towards a luminous dead end. Now that the extraordinary graces were over, now that he was free to be aware of the proximity of total Awareness, he had achieved the possibility of enlightenment. For now at last he was living “in faith,” precisely as Bastide had urged him to do. Now at last he was standing in intellectual and imaginative nakedness before the given facts of the world and his own life—empty that he might be filled, poor that he might be made supremely rich. “I am told,” he writes two years before his death, “that there are pearl fishers, who have a pipe that goes from the sea floor to the surface, where it is buoyed up with corks, and that through this pipe they breathe—and are yet at the bottom of the sea. I do not know if this be true; but in any case it expresses very well what I have to say; for the soul has a pipe that goes to heaven, a channel, says St. Catherine of Genoa, that leads to the very heart of God. Through it she breathes wisdom and love, and is sustained. While the soul is here, fishing for pearls at the bottom of the earth, she speaks with other souls, she preaches, she does God’s business; and all the time there is a pipe that goes to heaven to draw down eternal life and consolation…. In this state the soul is at once happy and wretched. And yet I think she is really happy…. For without vision or ecstasies or suspensions of the senses, in the midst of the ordinary miseries of earthly life, in weakness and many-sided impotency, our Lord gives something that passes all understanding and all measure…. This something is a certain wound of love which, without any visible outward effect, pierces the soul and keeps it incessantly longing for God.”

And so, fishing for pearls at the bottom of the earth, his pipe between his teeth, his lungs dilated by the air from another world, the old man advanced towards his consummation. A few months before he died, Surin finished the last of his devotional writings, Questions sur l’ Amour de Dieu . Reading certain passages of this book, we divine that the last barrier had now gone down and that, for one more soul, the Kingdom had come on earth. Through that channel to the very heart of God had flowed “a peace that is not merely a calm, like the lull of the sea, or the tranquil flow of mighty rivers; but it enters into us, this divine peace and repose, like a flooding torrent; and the soul, after so many tempests, feels, as it were, an inundation of peace; and the relish of divine repose not only enters the soul, not only takes her captive, but comes upon her, like the onrush of a multitude of waters.

“We find that, in the Apocalypse, the Spirit of God makes mention of a music of harps and lutes that is like thunder. Such are the marvellous ways of God—to make a thunder like well-tuned lutes and a symphony of lutes like thunder. Likewise, who will ever believe or imagine that there can be torrents of peace, which sweep away the dykes, which breach the levees and shatter the sea walls? And yet this is what actually happens, and it is the nature of God to make assaults of peace and silences of love…. God’s peace is like a river, whose course was in one country and has been diverted into another by the breaking of a dyke. This invading peace does things which do not seem proper to the nature of peace; for it comes with a rush, it comes with impetuosity; and this belongs only to the peace of God. Only the peace of God can march in such equipage, like the noise of the rising tide as it comes, not to ravage the land, but to fill the bed prepared for it by God. It comes as though fiercely, it comes with a roaring, even though the sea be calm. This roaring is caused only by the abundance of the waters, and not by their fury; for the moving of the waters is not by a tempest, but by the waters themselves, in all their native calm, when there is not a breath of wind. The sea in its fullness comes to visit the earth and to kiss the shores assigned for its limits. It comes in majesty and in magnificence. Even so it is in the soul when, after long suffering, the immensity of peace comes to visit her—and not a breath of wind to make a ripple on its surface. This is a divine peace, which brings with it the treasures of God and all the wealth of His Kingdom. It has its harbingers, the halcyons and heralding birds that announce its approach; these are the visits of angels which precede it. It comes like an element of the other life, with a sound of celestial harmony and with such swiftness that the soul is utterly overthrown, not because she has made any resistance to the blessing, but because of its very abundance. This abundance does no violence except to the obstacles in the way of its benediction; and all the animals that are not peaceable take flight before the onset of this peace. And with peace come all the treasures promised to Jerusalem—cassia and amber and the other rarities upon her shores. Even so comes this divine peace—comes with abundance, comes with a wealth of blessings, comes with all the precious treasures of grace.”

More than thirty years before, at Marennes, Surin had often watched the calm, irresistible mounting of the Atlantic tides; and now the memory of that everyday marvel was the means by which this consummated soul was able, at last, to “disgorge herself” in a not inadequate expression of the experienced Fact. Tel qu’en Lui-même enfin l’éternité le change , he had come to the place where, without knowing it, he had always been; and when, in the spring of 1665, death overtook him, there was, as Jacob Boehme had said, “no necessity for him to go anywhere”: he was already there.

WITHOUT an understanding of man’s deep-seated urge to self-transcendence, of his very natural reluctance to take the hard, ascending way, and his search for some bogus liberation either below or to one side of his personality, we cannot hope to make sense of our own particular period of history or indeed of history in general, of life as it was lived in the past and as it is lived today. For this reason I propose to discuss some of the more common Grace-substitutes, into which and by means of which men and women have tried to escape from the tormenting consciousness of being merely themselves.

In France there is now one retailer of alcohol to every hundred inhabitants, more or less. In the United States there are probably at least a million desperate alcoholics, besides a much larger number of very heavy drinkers whose disease has not yet become mortal. Regarding the consumption of intoxicants in the past we have no precise or statistical knowledge. In Western Europe, among the Celts and Teutons, and throughout mediaeval and early modern times, the individual intake of alcohol was probably even greater than it is today. On the many occasions when we drink tea, or coffee, or soda pop, our ancestors refreshed themselves with wine, beer, mead and, in later centuries, with gin, brandy and usquebaugh. The regular drinking of water was a penance imposed on wrongdoers, or accepted by the religious, along with occasional vegetarianism, as a very severe mortification. Not to drink an intoxicant was an eccentricity sufficiently remarkable to call for comment and the using of a more or less disparaging nickname. Hence such patronymics as the Italian Bevilacqua, the French Boileau and the English Drinkwater.

Alcohol is but one of the many drugs employed by human beings as avenues of escape from the insulated self. Of the natural narcotics, stimulants and hallucinators there is, I believe, not a single one whose properties have not been known from time immemorial. Modern research has given us a host of brand-new synthetics; but in regard to the natural poisons it has merely developed better methods of extracting, concentrating and recombining those already known. From poppy to curare, from Andean coca to Indian hemp and Siberian agaric, every plant or bush or fungus capable, when ingested, of stupefying or exciting or evoking visions, has long since been discovered and systematically employed. The fact is strangely significant; for it seems to prove that, always and everywhere, human beings have felt the radical inadequacy of their personal existence, the misery of being their insulated selves and not something else, something wider, something in Wordsworthian phrase, “far more deeply interfused.” Exploring the world around him, primitive man evidently “tried all things and held fast to that which was good.” For the purpose of self-preservation the good is every edible fruit and leaf, every wholesome seed, root and nut. But in another context—the context of self-dissatisfaction and the urge to self-transcendence—the good is everything in nature, by means of which the quality of individual consciousness can be changed. Such drug-induced changes may be manifestly for the worse, may be at the price of present discomfort and future addiction, degeneration and premature death. All this is of no moment. What matters is the awareness, if only for an hour or two, if only for a few minutes, of being someone or, more often, something other than the insulated self. “I live, yet not I, but wine or opium or peyotl or hashish liveth in me.” To go beyond the limits of the insulated ego is such a liberation that, even when self-transcendence is through nausea into frenzy, through cramps into hallucinations and coma, the drug-induced experience has been regarded by primitives and even by the highly civilized as intrinsically divine. Ecstasy through intoxication is still an essential part of the religion of many African, South American and Polynesian peoples. It was once, as the surviving documents clearly prove, a no less essential part of the religion of the Celts, the Teutons, the Greeks, the peoples of the Middle East and the Aryan conquerors of India. It is not merely that “beer does more than Milton can to justify God’s ways to man.” Beer is the god. Among the Celts, Sabazios was the divine name given to the felt alienation of being dead drunk on ale. Further to the south, Dionysos was, among other things, the supernatural objectification of the psycho-physical effects of too much wine. In Vedic mythology, Indra was the god of that now unidentifiable drug called soma . Hero, slayer of dragons, he was the magnified projection upon heaven of the strange and glorious otherness experienced by the intoxicated. Made one with the drug, he becomes, as Soma-Indra, the source of immortality, the mediator between the human and the divine.