Julian Barbour - The End of Time - The Next Revolution in Physics

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Two views of the world clashed at the dawn of thought. In the great debate between the earliest Greek philosophers, Heraclitus argued for perpetual change, but Parmenides maintained there was neither time nor motion. Over the ages, few thinkers have taken Parmenides seriously, but I shall argue that Heraclitan flux, depicted nowhere more dramatically than in Turner’s painting below, may well be nothing but a well-founded illusion. I shall take you to a prospect of the end of time. In fact, you see it in Turner’s painting, which is static and has not changed since he painted it. It is an illusion of flux. Modern physics is beginning to suggest that all the motions of the whole universe are a similar illusion – that in this respect Nature is an even more consummate artist than Turner. This is the story of my book.
Richard Feynman once quipped that "Time is what happens when nothing else does." But Julian Barbour disagrees: if nothing happened, if nothing changed, then time would stop. For time is nothing but change. It is change that we perceive occurring all around us, not time. Put simply, time does not exist. In this highly provocative volume, Barbour presents the basic evidence for a timeless universe, and shows why we still experience the world as intensely temporal. It is a book that strikes at the heart of modern physics. It casts doubt on Einstein's greatest contribution, the spacetime continuum, but also points to the solution of one of the great paradoxes of modern science, the chasm between classical and quantum physics. Indeed, Barbour argues that the holy grail of physicists--the unification of Einstein's general relativity with quantum mechanics--may well spell the end of time. Barbour writes with remarkable clarity as he ranges from the ancient philosophers Heraclitus and Parmenides, through the giants of science Galileo, Newton, and Einstein, to the work of the contemporary physicists John Wheeler, Roger Penrose, and Steven Hawking. Along the way he treats us to enticing glimpses of some of the mysteries of the universe, and presents intriguing ideas about multiple worlds, time travel, immortality, and, above all, the illusion of motion. The End of Time is a vibrantly written and revolutionary book. It turns our understanding of reality inside-out.

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A typical example of theological thought about time is this extract from Conversations with GodAn Uncommon Dialogue by Neale Donald Walsch (kindly sent me by Ann Gill):

Think of [time] as a spindle, representing the Eternal Moment of Now.

Now picture leafs [sic] of paper on the spindle, one atop the other. These are the elements of time. Each element separate and distinct, yet each existing simultaneously with the other . All the paper on the spindle at once! As much as there will ever be—as much as there ever was . . .

There is only One Moment— this moment—the Eternal Moment of Now (p-29).

Again, there is some overlap with my position. Walsch’s ‘leafs’, his elements of time, are my Nows. But the spindle of time, the Eternal Moment, is not at all part of my picture. My Nows are all constructed according to the same rule. There is no Eternal Moment, only the common rule of construction. I think Walsch is trying to grasp eternal substance where there is none, though I think he is right to say that the ‘leafs’ are all there at once and that this is a consoling thought. But we should not ask for more than we can get. Also, the image of time as a spindle is beautiful but misleading. In my view, the ‘leafs’ of time most definitely cannot be arranged along a single line, as the striking spindle image implies.

The Ultimate Arena (1)(p. 39) In this section I say that all structures that represent possible instants of time are three-dimensional. This is because the space we actually observe has three dimensions. However, in some modern theories (super-string theories) it is assumed that space actually has ten or even more dimensions. All but three of the dimensions are ‘rolled up’ so tightly that we cannot see them. In principle, my instants of time could fit into this picture. They would then have ten (or more) dimensions.

(2) This note is for experts. Platonia is a special type of configuration space known as a stratified manifold . The sheets, ribs and singular point that form the frontiers of Triangle Land are called strata . I believe that the stratified structure of Platonia is highly significant. Mathematicians and physicists really interested in this can consult DeWitt (1970) and Fischer (1970). The strata are generally regarded as something of a nuisance, since at them normal well-behaved mathematics breaks down. They are like grit in the works. But in the world’s oyster they may be the grit from which grows ‘a peal richer than all his tribe’: not Desdemona, but time (Chapter 22). (After Othello had strangled Desdemona and then realized his dreadful mistake, he said before stabbing himself that he was ‘one whose hand, Like the base Indian, threw away a pearl richer than all his tribe’.)

PART 2

The Invisible Framework and the Ultimate Arena

Newton introduced two ‘great invisibles’ as the arena of physics: absolute space and time. In Part 2 we shall see why they have appeared for so long to be better suited to acting as the frame of the world than Platonia. It is all to do with an issue that physicists and philosophers have been arguing about for centuries: is motion absolute or relative? Newton’s position has seemed to be so strong that many people still believe it cannot be overthrown. But it can. The demonstration of the relatively simple solution in Newtonian physics will prepare us for the almost miraculous way in which things work out in Einstein’s theory (Part 3). They give the strongest suggestion that quantum cosmology – and hence our universe – is timeless. That we come to in Parts 4 and 5. Chapter 4 is a brief historical introduction, and sets the scene for the remainder of Part 2 – and for much of the rest of the book.

CHAPTER 4

Alternative Frameworks

ABSOLUTE OR RELATIVE MOTION?

Both Copernicus and Kepler believed that the universe, with the solar system at its centre, was bounded by a huge and distant rigid shell on which the luminous stars were fixed. They did not speculate what lay beyond – perhaps it was simply nothing. They defined all motions relative to the shell, which thus constituted an unambiguous framework. Many factors, above all Galileo’s telescopic observations in 1609 and the revival of interest in the Greeks’ idea of atoms that move in the void, destroyed the old cosmology. New ideas crystallized in a book that Descartes wrote in 1632. He was the first person to put forward clearly an idea which, half a century later, Newton would make into the most basic law of nature: if nothing exerts a force on them, all bodies travel through space for ever in a straight line at a uniform speed. This is the law of inertia. Descartes never published his book because in 1633 the Inquisition condemned Galileo for teaching that the Earth moves. The Copernican system was central to Descartes’s ideas, and to avoid Galileo’s fate he suppressed his book.

He did publish his ideas in 1644, in his influential Principles of Philosophy , but with a very curious theory of relative motion as an insurance policy. He argued that a body can have motion only relative to some other body, chosen as a reference. Since any other body could play the role of reference, any one body could be regarded as having many different motions. However, he did allow a body to have one true ‘philosophical motion’, which was its motion relative to the matter immediately adjacent to it. (Descartes believed there was matter everywhere, so any body did always have matter adjacent to it.) This idea let him off the Inquisition’s hook, since he claimed that the Earth was carried around the Sun in a huge vortex, as in a whirlpool. Since the Earth did not move relative to the immediately adjacent matter of the vortex, he argued that it did not move!

However, he then formulated the law of inertia, just as in 1632. When, sometime around 1670, long after Descartes’s death in 1650, Newton came to study his work, he immediately saw the flaw. To say that a body moves in a straight line presupposes a fixed frame of reference, which Descartes had denied. Since Newton could see the great potential of the law of inertia, to exploit it he came up with the concept of an immovable space in which all motion takes place. He was very scornful of Descartes’s inconsistency, and when he published his own laws in 1687 he decided to make it a big issue, without, however, mentioning Descartes by name. He introduced the notion of absolute space and, with it, absolute time.

Newton granted that space and time are invisible and that one could directly observe only relative motions, not the absolute motions in invisible space. He claimed that the absolute motions could nevertheless be deduced from the relative motions. He never gave a full demonstration of this, only an argument designed to show that motion could not be relative. He was making a very serious point, but at the same time he wanted to make a fool of Descartes. This had strange and remarkable consequences.

Descartes had sought to show that all the phenomena of nature could be explained mechanically by the motion of innumerable, tiny, invisible particles. Vital to his scheme was the centrifugal force felt as tension in a string that retains a swung object. The object seems to be trying to escape, to flee from the centre of rotation. In Newtonian terms, it is actually trying to shoot off along the tangent to the circle, but that is still a motion that would take it away from the centre and create the tension. Descartes claimed that light was pressure transmitted from the Sun to the Earth by centrifugal tension set up in the vortex that he pictured swirling around the Sun. Because centrifugal force was so important to Descartes, Newton used it to show that motion cannot be relative. Newton’s intention was to hoist Descartes by his own petard.

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