Array Коллектив авторов - 30 лучших рассказов американских писателей

Suddenly remembering an engagement, he took up his hat, bowed pleasantly, and left us.

‘Well, Helmstone,’ said Standard, inaudibly drumming on the slab, ‘what do you think of your new acquaintance?’

The last two words tingled with a peculiar and novel significance.

‘New acquaintance indeed,’ echoed I.

‘Standard, I owe you a thousand thanks for introducing me to one of the most singular men I have ever seen. It needed the optical sight of such a man to believe in the possibility of his existence.’

‘You rather like him, then,’ said Standard, with ironical dryness.

‘I hugely love and admire him, Standard. I wish I were Hautboy.’

‘Ah? That’s a pity now. There’s only one Hautboy in the world.’

This last remark set me to pondering again, and somehow it revived my dark mood.

‘His wonderful cheerfulness, I suppose,’ said I, sneering with spleen, ‘originates not less in a felicitous fortune than in a felicitous temper. His great good sense is apparent; but great good sense may exist without sublime endowments. Nay, I take it, in certain cases, that good sense is simply owing to the absence of those. Much more, cheerfulness. Unpossessed of genius, Hautboy is eternally blessed.’

‘Ah? You would not think him an extraordinary genius then?’

‘Genius? What! Such a short, fat fellow a genius! Genius, like Cassius [142] Cassius – 1) an active participant of the conspiracy against Julius Caesar in 44 BC; 2) a fictional character in ‘Julius Caesar” by William Shakespeare. , is lank.’

‘Ah? But could you not fancy that Hautboy might formerly have had genius, but luckily getting rid of it, at last fatted up?’

‘For a genius to get rid of his genius is as impossible as for a man in the galloping consumption to get rid of that.’

‘Ah? You speak very decidedly.’

‘Yes, Standard,’ cried I, increasing in spleen, ‘your cheery Hautboy, after all, is no pattern, no lesson for you and me. With average abilities; opinions clear, because circumscribed; passions docile, because they are feeble ; a temper hilarious, because he was born to it – how can your Hautboy be made a reasonable example to a heady fellow like you, or an ambitious dreamer like me? Nothing tempts him beyond common limit; in himself he has nothing to restrain. By constitution he is exempted from all moral harm. Could ambition but prick him; had he but once heard applause, or endured contempt, a very different man would your Hautboy be. Acquiescent and calm from the cradle to the grave, he obviously slides through the crowd.’

‘Ah?’

‘Why do you say ah to me so strangely whenever I speak?’

‘Did you ever hear of Master Betty?’

‘The great English prodigy, who long ago ousted the Siddons and the Kembles from Drury Lane [143] Drury Lane – a London theatre famous for its musicals, founded in 1663 and officially known as the Theatre Royal. , and made the whole town run mad with acclamation?’

‘The same,’ said Standard, once more inaudibly drumming on the slab.

I looked at him perplexed. He seemed to be holding the master-key of our theme in mysterious reserve; seemed to be throwing out his Master Betty too, to puzzle me only the more.

‘What under heaven can Master Betty, the great genius and prodigy, an English boy twelve years old, have to do with the poor commonplace plodder Hautboy, an American of forty?’

‘Oh, nothing in the least. I don’t imagine that they ever saw each other. Besides, Master Betty must be dead and buried long ere this.’

‘Then why cross the ocean, and rifle the grave to drag his remains into this living discussion?’

‘Absent-mindedness, I suppose. I humbly beg pardon. Proceed with your observations on Hautboy. You think he never had genius, quite too contented and happy, and fat for that ah? You think him no pattern for men in general? affording no lesson of value to neglected merit, genius ignored, or impotent presumption rebuked? all of which three amount to much the same thing. You admire his cheerfulness, while scorning his commonplace soul. Poor Hautboy, how sad that your very cheerfulness should, by a by-blow, bring you despite!’

‘I don’t say I scorn him; you are unjust. I simply declare that he is no pattern for me.’

A sudden noise at my side attracted my ear. Turning, I saw Hautboy again, who very blithely reseated himself on the chair he had left.

‘I was behind time with my engagement,’ said Hautboy, ‘so thought I would run back and rejoin you. But come, you have sat long enough here. Let us go to my rooms. It is only five minutes’ walk.’

‘If you will promise to fiddle for us, we will,’ said Standard.

Fiddle! thought I – he’s a jigembob [144] jigembob = jig and bob; jig – a solo folk dance popular in Scotland, northern England and Ireland in the 16th–18th centuries; bob – an old Scottish dance. fiddler then? No wonder genius declines to measure its pace to a fiddler’s bow. My spleen was very strong on me now.

‘I will gladly fiddle you your fill,’ replied Hautboy to Standard. ‘Come on.’

In a few minutes we found ourselves in the fifth story of a sort of storehouse, in a lateral street to Broadway. It was curiously furnished with all sorts of odd furniture which seemed to have been obtained, piece by piece, at auctions of old-fashioned household stuff. But all was charmingly clean and cosy.

Pressed by Standard, Hautboy forthwith got out his dented old fiddle, and sitting down on a tall rickety stool, played away right merrily at Yankee Doodle [145] Yankee Doodle – a popular song of the time of the American Revolution, written by Richard Shuckburgh. and other off-handed, dashing, and disdainfully care-free airs. But common as were the tunes, I was transfixed by something miraculously superior in the style. Sitting there on the old stool, his rusty hat sideways cocked on his head, one foot dangling adrift, he plied the bow of an enchanter. All my moody discontent, every vestige of peevishness fled. My whole splenetic soul capitulated to the magical fiddle.

‘Something of an Orpheus [146] Orpheus – in Greek mythology, a legendary hero with outstanding musical gift. , ah?’ said Standard, archly nudging me beneath the left rib.

‘And I, the charmed Bruin,’ murmured I.

The fiddle ceased. Once more, with redoubled curiosity, I gazed upon the easy, indifferent Hautboy. But he entirely baffled inquisition.

When, leaving him, Standard and I were in the street once more, I earnestly conjured him to tell me who, in sober truth, this marvelous Hautboy was.

‘Why, haven’t you seen him? And didn’t you yourself lay his whole anatomy open on the marble slab at Taylor’s? What more can you possibly learn? Doubtless your own masterly insight has already put you in possession of all.’

‘You mock me, Standard. There is some mystery here. Tell me, I entreat you, who is Hautboy?’

‘An extraordinary genius, Helmstone,’ said Standard, with sudden ardor, ‘who in boyhood drained the whole flagon of glory; whose going from city to city was a going from triumph to triumph. One who has been an object of wonder to the wisest, been caressed by the loveliest, received the open homage of thousands on thousands of the rabble. But today he walks Broadway and no man knows him. With you and me, the elbow of the hurrying clerk, and the pole of the remorseless omnibus, shove him. He who has a hundred times been crowned with laurels, now wears, as you see, a bunged beaver. Once fortune poured showers of gold into his lap, as showers of laurel leaves upon his brow. To-day, from house to house he hies, teaching fiddling for a living. Crammed once with fame, he is now hilarious without it. With genius and without fame, he is happier than a king. More a prodigy now than ever.’